Exploring the rich terrain of American popular music, this text combines cultural and social history coverage with the analytical study of musical styles using well-chosen examples and insightful commentary. This new edition traces the development of jazz, blues, country, rock, hip-hop, andother popular genres from their multicultural roots to the digital world of the twenty-first century.

The traditional songs, dances, and legends of ordinary people in the United States have long served as a means of communication and a source of entertainment. Each group brought its unique song and dance music to America: The Irish brought jigs and reels, the African-American slaves work and dance songs, Hispanics their corridos and polkas, Cajuns their waltzes and two-steps. The interaction between these groups created the many rich hybrids that are American folk music.

This text provides an overview of the four major areas of American contemporary music: jazz, rock, country, and musical theater. Each genre is approached chronologically with the emphasis on the socio-cultural aspects of the music. Readers will appreciate Joyner's engaging writing style and come away with the fundamental skills needed to listen critically to a variety of popular music styles.

In the twenties, thirties, and forties, now-legendary American songwriters and lyricists created a repertoire of popular songs, songs that have captured the hearts of generations of music lovers. George Gershwin, Richard Rodgers, Cole Porter, Jerome Kern, Harold Arlen, Hoagy Carmichael and many others, along with such lyricists as Ira Gershwin, Lorenz Hart, and Dorothy Fields, produced extraordinary songs of signal importance to the American musical heritage. In this book Allen Forte shares his love of American popular song. He discusses in detail twenty-three songs, ranging from Gershwin’s “Fascinating Rhythm” (1924) to Irving Berlin’s “Steppin’ Out with My Baby” (1947), guiding readers and listeners toward a deeper appreciation of this vital and engaging music. Forte writes for the general reader, assuming no background other than a familiarity with basic music notation. Each song is discussed individually and includes complete lyrics and simple leadsheet notation. Forte discusses the songs’ distinctive musical features and their sophisticated, often touching and witty lyrics. Readers can follow the music while they listen to the accompanying compact disc, which was specially recorded for this volume by baritone Richard Lalli and pianist-arranger Gary Chapman, with Allen Forte, pianist-arranger for “Embraceable You” and “Come Rain or Come Shine”. Learn about these favorite songs and more: “How Long Has This Been Going On?” “What Is This Thing Called Love?” “Embraceable You” “Autumn in New York” “I’ve Got You Under My Skin” “The Nearness of You” “That Old Black Magic” “Come Rain or Come Shine”

Purchase this access code to get sixty featured musical selections from American Popular Music, Fourth Edition, in MP3 format. Good for one use. Code will be void if used.

This comprehensive survey examines Latin American music, focusing on popular—as opposed to folk or art—music and containing more than 200 entries on the concepts and terminology, ensembles, and instruments that the genre comprises. • Roughly 200 entries on concepts and terminology, ensembles, genres, and instruments • 37 biographical sidebars of significant musicians and performers • A chronology for Latin American popular music

Appell (jazz studies, Diablo Valley College) and Hemphill (graduate studies, research, and development, San Francisco State University) offer a textbook for popular music, humanities, or cultural studies courses, organized by the musical influences of particular cultural groups--African American, European American, Latin, Native American and Asian--rather than a strict chronological approach. This is followed by a section tracing modern jazz to hip hop. They survey a broad range of styles, from minstrelsy, blues, hymns, and wind bands to Chicano music, Afro-Caribbean music, bebop, acid jazz, girl groups, folk-rock, the British invasion, R&B, and rock.

Reviews popular music since colonial times from the earliest ballads, chanteys, and spirituals, to modern soul and rock and touches upon the lives and achievements of many composers and performers

Music moves through time; it is not static. In order to appreciate music wemust remember what sounds happened, and anticipate what sounds might comenext. This book takes you on a journey of music from past to present, from the Middle Ages to the Baroque Period to the 20th century and beyond!

An in-depth study of soul music, or rhythm-and-blues, explores the role of African Americans in the evolution of American contemporary popular music, discussing such topics as the conflicts between the sacred and profane in soul music, hip-hop, and the roles of four key figures in the movement--Thomas A. Dorsey, Sam Cooke, Berry Gordy, and George Clinton. Reprint.

Make music come alive for students in grades 5 and up with American Popular Music! This 96-page book explores how the roots of American music began and developed. From European musical traditions in the seventeenth century to African American music today, this book uncovers a foundation and appreciation of AmericaÕs music. It features genres such as ragtime, blues, Dixieland, swing, big band, musical theater, folk, country western, rock and roll, disco, funk, punk, rap, alternative, and contemporary Christian.

While ballads have been a cornerstone of popular music for decades, this is the first book to explore the history and appeal of these treasured songs. David Metzer investigates how and why the styles of ballads have changed over a period of more than seventy years, offering a definition of the genre and discussing the influences of celebrated performers including Frank Sinatra, Aretha Franklin, and Whitney Houston. The emotional power of the ballad is strongly linked to the popular mood of the time, and consequently songs can tell us much about how events and emotions were felt and understood in wider culture at specific moments of recent American history. Tracing both the emotional and stylistic developments of the genre from the 1950s to the present day, this lively and engaging volume is as much a musical history as it is a history of emotional life in America.

For many people, popular music provides a soundtrack to their lives by entwining emotion with experience. It is little wonder, then, that eventful periods in American history are often defined by the pop music of the time. For example, big band jazz evokes memories of World War II for those who lived through that era, while songs from the 1960s often remind baby boomers of the drug-fueled hippie revolution. Author Stuart Kallen traces the history of popular music in America from the sounds of Tin Pan Alley to Chicago jazz clubs, to southern rock n' roll and country, to the British Invasion, to psychedelic rock and Woodstock, to garage band heroes and music video rock stars, to hip-hop tycoons and young American idols.

Explore the rich terrain of American popular music with the most complete introduction of its kind. With the sixth edition of the bestselling text American Popular Music: From Minstrelsy to MP3, Starr and Waterman help students hear more in the music around them with a cultural and social history of popular music.

Made in Latin America serves as a comprehensive introduction to the history, sociology, and musicology of contemporary Latin American popular music. Each essay, written by a leading scholar of Latin American music, covers the major figures, styles, and social contexts of popular music in Latin America and provides adequate context so readers understand why the figure or genre under discussion is of lasting significance. The book first presents a general description of the history and background of popular music, followed by essays organized into thematic sections: Theoretical Issues; Transnational Scenes; Local and National Scenes; Class, Identity, and Politics; and Gendered Scenes.

A history of Black music looks at important styles, performers, and songwriters, and assesses its influence on modern popular music

The first systematic study to address the character and scope of American popular music in India during British rule.