Black Like Me
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|Author||: John Howard Griffin|
|Editor||: Wings Press|
This American classic has been corrected from the original manuscripts and indexed, featuring historic photographs and an extensive biographical afterword.
|Author||: Linwood Barclay|
|Editor||: Doubleday Canada|
It's been two months since private investigator Cal Weaver's teenage son, Scott, died in a tragic drug-related accident. Ever since, he and his wife have drifted apart, fracturing a once-normal life. Cal is mired in grief he can't move past. And maybe that has clouded his judgment. Because he made a grave mistake driving home on a very rainy night. A drenched young girl tapped on his window as he sat at a stoplight and asked for a ride. And even though he knew a forty-something man picking up a teenage hitchhiker is a fool, he let her in the car--she was the same age as Scott and maybe she could help him find the dealer who sold his son the drugs that killed him. However, after a brief stop at a roadside diner, Cal senses that something's not right with the girl or the situation. But it's too late. He's already involved. Soon Cal finds himself mired in a nightmare of pain and suspicion. Something is horribly wrong in the small town of Griffon in Upstate New York. There are too many secrets, too many lies. And Cal decides to expose those secrets one by one.
|Author||: Mariama J. Lockington|
|Editor||: Farrar, Straus and Giroux (BYR)|
In this lyrical coming-of-age story about family, sisterhood, music, race, and identity, Mariama J. Lockington draws on some of the emotional truths from her own experiences growing up with an adoptive white family. I am a girl but most days I feel like a question mark. Makeda June Kirkland is eleven years old, adopted, and black. Her parents and big sister are white, and even though she loves her family very much, Makeda often feels left out. When Makeda's family moves from Maryland to New Mexico, she leaves behind her best friend, Lena— the only other adopted black girl she knows— for a new life. In New Mexico, everything is different. At home, Makeda’s sister is too cool to hang out with her anymore and at school, she can’t seem to find one real friend. Through it all, Makeda can’t help but wonder: What would it feel like to grow up with a family that looks like me? Through singing, dreaming, and writing secret messages back and forth with Lena, Makeda might just carve a small place for herself in the world. For Black Girls Like Me is for anyone who has ever asked themselves: How do you figure out where you are going if you don’t know where you came from?
|Author||: Robert Bonazzi|
|Editor||: Wings Press|
First published by Orbis Books in 1997,Man in the Mirrortells the story behindBlack Like Me, a book that astonished America upon its publication in 1961, and remains an American classic 50 years later. In 1959 a white writer darkened his skin and passed for a time as a "Negro" in the Deep South. John Howard Griffin was that writer, and his bookBlack Like Meswiftly became a national sensation. Few readers know of the extraordinary journey that led to Griffin's risky "experiment"—the culmination of a lifetime of risk, struggle, and achievement. A native of Texas, Griffin was a medical student who became involved in the rescue of Jews in occupied France; a U.S. serviceman among tribal peoples in the South Pacific, where he suffered an injury that left him blinded for a decade; a convert to Catholicism; and, finally, a novelist and writer. All these experiences fed Griffin's drive to understand what it means to be human, and how human beings can justify treating their fellows—of whatever race or physical description—as "the intrinsic Other." After describing this journey and analyzing the text ofBlack Like Me, Robert Bonazzi treats the dramatic aftermath of Griffin's experiment and life.Man in the Mirrorprovides a fascinating look at the roots of this important book, and offers reflections on why, after all these years, it retains its impact and relevance.
|Author||: Tim Wise,Kevin Myers|
Flipping John Howard Griffin's classic Black Like Me, and extending Noel Ignatiev's How The Irish Became White into the present-day, Wise explores the meanings and consequences of whiteness, and discusses the ways in which racial privilege can harm not just people of color, but also whites. Using stories instead of stale statistics, Wise weaves a narrative that is at once readable and yet scholarly; analytical and yet accessible.
|Author||: Spencer Borisoff,Len Barry,Leonard Borisoff,Spencer Barry|
This is a heartwarming, ever-evolving story about a socially transplanted Caucasian brother and sister thrust by circumstance into life and love in the hood. It is the joy of acceptance and the pain of rejection finally told from the opposite perspective of black Americans being denied assimilation into white society. It is the "OC" inside out, blended with Spike Lee's Jungle Fever upside down, and a kinder, warmer Eminem's 8-Mile. It is a story whose time has finally come. Its chemistry is exquisitely perfect. It presents situations that evoke only empathy, and characters that everyone will relate to and ultimately embrace. Black-Like-Me is the realization of American life and its true promise of human manifest destiny. Read this and swell up inside. Hey, you are about to fall in love!
|Author||: John Griffin|
|Editor||: Wings Press|
The companion volume to the 50th-anniversary edition of Black Like Me, this book features John Howard Griffin’s later writings on racism and spirituality. Conveying a progressive evolution in thinking, it further explores Griffin’s ethical stand in the human rights struggle and nonviolent pursuit of equality—a view he shared with greats such as Gandhi, Martin Luther King Jr., and Thomas Merton. Enlightening and forthright, this record also focuses on Griffin’s spiritual grounding in the Catholic monastic tradition, discussing the illuminating meditations on suffering and the author’s own reflections on communication, justice, and dying.
|Author||: Judith Vigna|
When a black family moves to an all-white neighborhood, prejudice rears its ugly head as the white adults behave rudely and children's friendships break up.
|Author||: John Strausbaugh|
A refreshingly clearheaded and taboo-breaking look at race relations reveals that American culture is neither Black nor White nor Other, but a mix-a mongrel. Black Like You is an erudite and entertaining exploration of race relations in American popular culture. Particularly compelling is Strausbaugh's eagerness to tackle blackface-a strange, often scandalous, and now taboo entertainment. Although blackface performance came to be denounced as purely racist mockery, and shamefacedly erased from most modern accounts of American cultural history, Black Like You shows that the impact of blackface on American culture was deep and long-lasting. Its influence can be seen in rock and hiphop; in vaudeville, Broadway, and gay drag performances; in Mark Twain and "gangsta lit"; in the earliest filmstrips and the 2004 movie White Chicks; on radio and television; in advertising and product marketing; and even in the way Americans speak. Strausbaugh enlivens themes that are rarely discussed in public, let alone with such candor and vision: - American culture neither conforms to knee-jerk racism nor to knee-jerk political correctness. It is neither Black nor White nor Other, but a mix-a mongrel. - No history is best forgotten, however uncomfortable it may be to remember. The power of blackface to engender mortification and rage in Americans to this day is reason enough to examine what it tells us about our culture and ourselves. - Blackface is still alive. Its impact and descendants-including Black performers in "whiteface"-can be seen all around us today.
|Author||: Robin DiAngelo|
|Editor||: Beacon Press|
The New York Times best-selling book exploring the counterproductive reactions white people have when their assumptions about race are challenged, and how these reactions maintain racial inequality. In this “vital, necessary, and beautiful book” (Michael Eric Dyson), antiracist educator Robin DiAngelo deftly illuminates the phenomenon of white fragility and “allows us to understand racism as a practice not restricted to ‘bad people’ (Claudia Rankine). Referring to the defensive moves that white people make when challenged racially, white fragility is characterized by emotions such as anger, fear, and guilt, and by behaviors including argumentation and silence. These behaviors, in turn, function to reinstate white racial equilibrium and prevent any meaningful cross-racial dialogue. In this in-depth exploration, DiAngelo examines how white fragility develops, how it protects racial inequality, and what we can do to engage more constructively.
|Author||: Nielson Rosa Bezerra,Elaine Pereira Rocha|
|Editor||: Cambridge Scholars Publishing|
This book brings together authors from different institutions and perspectives and from researchers specialising in different aspects of the experiences of the African Diaspora from Latin America. It creates an overview of the complexities of the lives of Black people over various periods of history, as they struggled to build lives away from Africa in societies that, in general, denied them the basic right of fully belonging, such as the right of fully belonging in the countries where, by choice or force of circumstance, they lived. Another Black Like Me thus presents a few notable scenes from the long history of Blacks in Latin America: as runaway slaves seen through the official documentation denouncing as illegal those who resisted captivity; through the memoirs of a slave who still dreamt of his homeland; reflections on the status of Black women; demands for citizenship and kinship by Black immigrants; the fantasies of Blacks in the United States about the lives of Blacks in Brazil; a case study of some of those who returned to Africa and had to build a new identity based on their experiences as slaves; and the abstract representations of race and color in the Caribbean. All of these provide the reader with a glimpse of complex phenomena that, though they cannot be generalized in a single definition of blackness in Latin America, share the common element of living in societies where the definition of blackness was flexible, there were no laws of racial segregation, and where the culture on one hand tolerates miscegenation, and on the other denies full recognition of rights to Blacks.
|Author||: John Howard Griffin|
|Editor||: Boston : Houghton Mifflin|
The Deep South of the late 1950's was another country: a land of lynchings, segregated lunch counters, whites-only restrooms, and a color line etched in blood across Louisiana, Mississippi, Alabama, and Georgia. White journalist John Howard Griffin, working for the black-owned magazine Sepia, decided to cross that line. Using medication that darkened his skin to deep brown, he exchanged his privileged life as a southern white man for the disenfranchised world of an unemployed black man. What happened to John Howard Griffin--from the outside and within himself--as he made his way through the segregated Deep South is recorded in this searing work of nonfiction. Educated and soft-spoken, John Howard Griffin changed only the color of his skin. It was enough to make him hated ... enough to nearly get him killed. His audacious, still chillingly relevant eyewitness history is a work about race and humanity every American should read.
|Author||: Ta-Nehisi Coates|
|Editor||: One World|
#1 NEW YORK TIMES BESTSELLER • NATIONAL BOOK AWARD WINNER • NAMED ONE OF TIME’S TEN BEST NONFICTION BOOKS OF THE DECADE • PULITZER PRIZE FINALIST • NATIONAL BOOK CRITICS CIRCLE AWARD FINALIST • ONE OF OPRAH’S “BOOKS THAT HELP ME THROUGH” • NOW AN HBO ORIGINAL SPECIAL EVENT Hailed by Toni Morrison as “required reading,” a bold and personal literary exploration of America’s racial history by “the most important essayist in a generation and a writer who changed the national political conversation about race” (Rolling Stone) NAMED ONE OF THE MOST INFLUENTIAL BOOKS OF THE DECADE BY CNN • NAMED ONE OF PASTE’S BEST MEMOIRS OF THE DECADE • NAMED ONE OF THE TEN BEST BOOKS OF THE YEAR BY The New York Times Book Review • O: The Oprah Magazine • The Washington Post • People • Entertainment Weekly • Vogue • Los Angeles Times • San Francisco Chronicle • Chicago Tribune • New York • Newsday • Library Journal • Publishers Weekly In a profound work that pivots from the biggest questions about American history and ideals to the most intimate concerns of a father for his son, Ta-Nehisi Coates offers a powerful new framework for understanding our nation’s history and current crisis. Americans have built an empire on the idea of “race,” a falsehood that damages us all but falls most heavily on the bodies of black women and men—bodies exploited through slavery and segregation, and, today, threatened, locked up, and murdered out of all proportion. What is it like to inhabit a black body and find a way to live within it? And how can we all honestly reckon with this fraught history and free ourselves from its burden? Between the World and Me is Ta-Nehisi Coates’s attempt to answer these questions in a letter to his adolescent son. Coates shares with his son—and readers—the story of his awakening to the truth about his place in the world through a series of revelatory experiences, from Howard University to Civil War battlefields, from the South Side of Chicago to Paris, from his childhood home to the living rooms of mothers whose children’s lives were taken as American plunder. Beautifully woven from personal narrative, reimagined history, and fresh, emotionally charged reportage, Between the World and Me clearly illuminates the past, bracingly confronts our present, and offers a transcendent vision for a way forward.
|Author||: Hairston, Kimetta R.,Edmonds, Wendy M.,Clark, Shanetia P.|
|Editor||: IGI Global|
The treasure of the Black experience at a Historically Black College/University (HBCU) is that it offers a personal and intimate experience rooted in Black heritage that cannot be found at other institutions. On campus, face-to-face instruction and activities focused on addressing issues that plague the Black community are paramount. This provides students with small classroom environments and the personal support from administrators, faculty, and staff. In March 2020, the Black experience was interrupted when a global pandemic forced governors to declare states of emergencies and mandate stay-at-home orders. The stay-at-home orders forced universities to transition into fully remote environments. Doing so heightened an array of emotions compounded by the reality of previously recognized disparities in resources and funding amongst higher education institutions. As a result of this abrupt transformation, the HBCU experience was impacted by positive and negative implications for Black people at the campus, local, state, and national levels. The Black Experience and Navigating Higher Education Through a Virtual World explores the reality of the Black experience from various perspectives involving higher education institutions with a focus on HBCUs. The book provides an overview and analysis of a virtual experience that goes beyond the day-to-day technological implications and exposes innovative ideas and ways of navigating students and faculty through a remote world. It focuses on heightening the awareness of disparities through the Black experience in a virtual environment, provides guidance on transitioning to fully remote environments, examines leadership dynamics in virtual environments, analyzes mental health balance, and examines implications on the digital divide. Covering topics such as online course delivery, self-health, and social justice, this book is essential for graduate students, academicians, diversity officers in the academy, professors, and researchers.
|Author||: Alisha Gaines|
|Editor||: UNC Press Books|
In 1948, journalist Ray Sprigle traded his whiteness to live as a black man for four weeks. A little over a decade later, John Howard Griffin famously "became" black as well, traveling the American South in search of a certain kind of racial understanding. Contemporary history is littered with the surprisingly complex stories of white people passing as black, and here Alisha Gaines constructs a unique genealogy of "empathetic racial impersonation--white liberals walking in the fantasy of black skin under the alibi of cross-racial empathy. At the end of their experiments in "blackness," Gaines argues, these debatably well-meaning white impersonators arrived at little more than false consciousness. Complicating the histories of black-to-white passing and blackface minstrelsy, Gaines uses an interdisciplinary approach rooted in literary studies, race theory, and cultural studies to reveal these sometimes maddening, and often absurd, experiments of racial impersonation. By examining this history of modern racial impersonation, Gaines shows that there was, and still is, a faulty cultural logic that places enormous faith in the idea that empathy is all that white Americans need to make a significant difference in how to racially navigate our society.