But Is It Art
Download and Read Books in PDF
The "But Is It Art" book is now available, Get the book in PDF, Epub and Mobi for Free. Also available Magazines, Music and other Services by pressing the "DOWNLOAD" button, create an account and enjoy unlimited.
|Author||: Cynthia Freeland|
|Editor||: OUP Oxford|
In today's art world many strange, even shocking, things qualify as art. In this book, Cynthia Freeland explains why innovation and controversy are valued in the arts, weaving together philosophy and art theory with many fascinating examples. She discusses blood, beauty, culture, money, museums, sex, and politics, clarifying contemporary and historical accounts of the nature, function, and interpretation of the arts. Freeland also propels us into the future by surveying cutting-edge web sites, along with the latest research on the brain's role in perceiving art. This clear, provocative book engages with the big debates surrounding our responses to art and is an invaluable introduction to anyone interested in thinking about art.
|Author||: Cynthia Freeland|
|Editor||: OUP Oxford|
In today's art world many strange, even shocking, things qualify as art. In this Very Short Introduction Cynthia Freeland explains why innovation and controversy are valued in the arts, weaving together philosophy and art theory with many fascinating examples. She discusses blood, beauty, culture, money, museums, sex, and politics, clarifying contemporary and historical accounts of the nature, function, and interpretation of the arts. Freeland also propels us into the future by surveying cutting-edge web sites, alongside the latest research on the brain's role in perceiving art. This clear, provocative book engages with the big debates surrounding our responses to art and is an invaluable introduction to anyone interested in thinking about art. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
|Author||: Cynthia Freeland|
Horror is often dismissed as mass art or lowbrow entertainment that produces only short-term thrills. Horror films can be bloody, gory, and disturbing, so some people argue that they have bad moral effects, inciting viewers to imitate cinematic violence or desensitizing them to atrocities. In The Naked and the Undead: Evil and the Appeal of Horror, Cynthia A. Freeland seeks to counter both aesthetic disdain and moral condemnation by focusing on a select body of important and revealing films, demonstrating how the genre is capable of deep philosophical reflection about the existence and nature of evil?both human and cosmic. In exploring these films, the author argues against a purely psychoanalytic approach and opts for both feminist and philosophical understandings. She looks at what it is in these movies that serves to elicit specific reactions in viewers and why such responses as fear and disgust are ultimately pleasurable. The author is particularly interested in showing how gender figures into screen presentations of evil.The book is divided into three sections: Mad Scientists and Monstrous Mothers, which looks into the implications of male, rationalistic, scientific technology gone awry; The Vampire's Seduction, which explores the attraction of evil and the human ability (or inability) to distinguish active from passive, subject from object, and virtue from vice; and Sublime Spectacles of Disaster, which examines the human fascination with horror spectacle. This section concludes with a chapter on graphic horror films like The Texas Chainsaw Massacre. Written for both students and film enthusiasts, the book examines a wide array of films including: The Silence of the Lambs, Repulsion, Frankenstein, The Fly, Dead Ringers, Alien, Bram Stoker's Dracula, Interview with the Vampire, Frenzy, The Shining, Eraserhead, Hellraiser, and many others.
|Author||: Nina Felshin|
This groundbreaking anthology documents the recent explosion of art that agitates for progressive social change. Leading art critics, historians, and journalists explore the provocative methods of activist artists who reject conventional art practices in favor of public sites and community participation.
|Author||: Julian Bell|
|Editor||: Thames & Hudson|
Julian Bell’s incisive, fully updated study of modern art and the nature of painting, which daringly tries to explain it “Yes, but is it art?” This lucid book by Julian Bell, himself a painter, confronts the uncertainty many people feel about art today and challenges generally accepted ideas. Now in a completely revised second edition, What is Painting? is a fresh, focused look at painting. Bell addresses questions such as “does anything unite those objects we call paintings?” and “what factors have changed the nature of painting over the last two centuries?” by looking at historical evidence and reasoning from common experience. The current shape of painting pushes the book’s arguments in new directions and a substantial new chapter, The Arts and Art, speaks to the interplay between 2D work, 3D work, and the immateriality of digital imagery. The text has been revised paragraph by paragraph considering both force of presentation andr />historical perspective. The intention is to provide a general reader’s introduction to theories of painting that is not only reliably informative but stimulating and amusing to read. The book is an introductory guide to art theory for everyone interested in understanding modern art or in making art themselves.
|Author||: Cynthia Freeland|
|Editor||: Oxford University Press|
`A boundary-breaking book, mobilizing art for philosophical purposes with exciting and enlightening results.' Ivan Gaskell, Harvard University --
|Author||: Cynthia A. Freeland,Thomas E. Wartenberg|
Philosophy and Film moves from broad theoretical reflections on film as a medium to concrete examinations of individual films.
|Author||: Hans Maes|
|Editor||: Oxford University Press|
What is art? What counts as an aesthetic experience? Does art have to beautiful? Can one reasonably dispute about taste? What is the relation between aesthetic and moral evaluations? How to interpret a work of art?In Conversations on Art and Aesthetics, Hans Maes discusses these and other key questions in aesthetics with ten world-leading philosophers of art. The exchanges are direct, open, and sharp, and give a clear account ofthese thinkers' core ideas and intellectual development. They also offer new insights into, and a deeper understanding of, contemporary issues in the philosophy of art.
|Author||: Jonathan Harris|
The New Art History provides a comprehensive introduction to the fundamental changes which have occurred in both the institutions and practice of art history over the last thirty years. Jonathan Harris examines and accounts for the new approaches to the study of art which have been grouped loosely under the term 'the new art history'. He distinguishes between these and earlier forms of 'radical' or 'critical' analysis, explores the influence of other disciplines and traditions on art history, and relates art historical ideas and values to social change. Structured around an examination of key texts by major contemporary critics, including Tim Clarke, Griselda Pollock, Fred Orton, Albert Boime, Alan Wallach and Laura Mulvey, each chapter discusses a key moment in the discipline of art history, tracing the development and interaction of Marxist, feminist and psychoanalytic critical theories. Individual chapters include: * Capitalist Modernity, the Nation-State and Visual Representation * Feminism, Art, and Art History * Subjects, Identities and Visual Ideology * Structures and Meanings in Art and Society * The Representation of Sexuality
|Author||: Eric Dayton|
|Editor||: Broadview Press|
Art and Interpretation is a comprehensive anthology of readings on aesthetics. Its aim is to present fundamental philosophical issues in such a way as to create a common vocabulary for those from diverse backgrounds to communicate meaningfully about aesthetic issues. To that end, the editor has provided selections from a wide variety of challenging works in aesthetic theory, both classical and modern. The approach is often cross-disciplinary. Within the discipline of philosophy it seeks to balance readings from the analytic tradition with continental European, hermeneutical postmodern (including deconstructionist), and feminist readings. The anthology is thus broadly conceived, but by grouping the readings into sections such as ‘Expression and Aesthetic object,’ ‘Psychology and Interpretation,’ ‘Marxist Theory,’ and ‘Culture, Gender, and Difference,’ it aims as well to provide depth of coverage for each topic or issue. The book opens with a historical section containing substantial selections from Plato, Aristotle, Hume, Kant, Shelley and Nietzsche; these readings introduce themes that recur and are developed in the remainder of the anthology.
|Author||: Sun Tzu|
|Editor||: Diamond Pocket Books Pvt Ltd|
The Art of War is an enduring classic that holds a special place in the culture and history of East Asia. An ancient Chinese text on the philosophy and politics of warfare and military strategy, the treatise was written in 6th century B.C. by a warrior-philosopher now famous all over the world as Sun Tzu. Sun Tzu's teachings remain as relevant to leaders and strategists today as they were to rulers and military generals in ancient times. Divided into thirteen chapters and written succinctly, The Art of War is a must-read for anybody who works in a competitive environment.
|Author||: David Rothenberg|
|Editor||: A&C Black|
'The peacock's tail makes me sick!' said Charles Darwin. That's because the theory of evolution as adaptation can't explain why nature is so beautiful. It took the concept of sexual selection for Darwin to explain that, a process that has more to do with aesthetic taste than adaptive fitness. Survival of the Beautiful is a revolutionary new examination of the interplay of beauty, art, and culture in evolution. Taking inspiration from Darwin's observation that animals have a natural aesthetic sense, philosopher and musician David Rothenberg probes why animals, humans included, have an innate appreciation for beauty - and why nature is, indeed, beautiful.
|Author||: MaryAnn F. Kohl|
|Editor||: Brilliant Publications|
Combine the joy of creativity, the delights of imagination, and the thrill of an art adventure. The Big Messy Art Book opens the door for children to explore art on a grander, more expensive scale. Paint a one-of-a-kind masterpiece from a swing, or try painting a hanging ball while it moves! With The Big Messy Art Book , you are giving children the opportunity to go beyond the ordinary into the amazing. The activities are designed for use in pre-schools, primary classrooms, children's museums and homes.
|Author||: Theodor W. Adorno Adorno|
|Editor||: U of Minnesota Press|
Perhaps the most important aesthetics of the twentieth century appears here newly translated, in English that is for the first time faithful to the intricately demanding language of the original German. The culmination of a lifetime of aesthetic investigation, Aesthetic Theory is Adorno’s major work, a defense of modernism that is paradoxical in its defense of illusion. In it, Adorno takes up the problem of art in a day when “it goes without saying that nothing concerning art goes without saying.” In the course of his discussion, Adorno revisits such concepts as the sublime, the ugly, and the beautiful, demonstrating that concepts such as these are reservoirs of human experience. These experiences ultimately underlie aesthetics, for in Adorno’s formulation “art is the sedimented history of human misery.” Robert Hullot-Kentor’s translation painstakingly, yet fluently, reproduces the nuances and particularities of the original. Long awaited and significant, Aesthetic Theory is the clarifying lens through which the whole of Adorno’s work is best viewed, providing a framework within which his other major writings cohere.
|Author||: Donna Tartt|
|Editor||: Little, Brown|
A young New Yorker grieving his mother's death is pulled into a gritty underworld of art and wealth in this "extraordinary" and beloved Pulitzer Prize winner that "connects with the heart as well as the mind" (Stephen King, New York Times Book Review). Theo Decker, a 13-year-old New Yorker, miraculously survives an accident that kills his mother. Abandoned by his father, Theo is taken in by the family of a wealthy friend. Bewildered by his strange new home on Park Avenue, disturbed by schoolmates who don't know how to talk to him, and tormented above all by a longing for his mother, he clings to the one thing that reminds him of her: a small, mysteriously captivating painting that ultimately draws Theo into a wealthy and insular art community. As an adult, Theo moves silkily between the drawing rooms of the rich and the dusty labyrinth of an antiques store where he works. He is alienated and in love -- and at the center of a narrowing, ever more dangerous circle. The Goldfinch is a mesmerizing, stay-up-all-night and tell-all-your-friends triumph, an old-fashioned story of loss and obsession, survival and self-invention. From the streets of New York to the dark corners of the art underworld, this "soaring masterpiece" examines the devastating impact of grief and the ruthless machinations of fate (Ron Charles, Washington Post).
|Author||: Carlos Fausto|
|Editor||: U of Nebraska Press|
In Art Effects Carlos Fausto explores the interplay between indigenous material culture and ontology in ritual contexts, interpreting the agency of artifacts and indigenous presences and addressing major themes in anthropological theory and art history to study ritual images in the widest sense. Fausto delves into analyses of the body, aerophones, ritual masks, and anthropomorphic effigies while making a broad comparison between Amerindian visual regimes and the Christian imagistic tradition. Drawing on his extensive fieldwork in Amazonia, Fausto offers a rich tapestry of inductive theorizing in understanding anthropology’s most complex subjects of analysis, such as praxis and materiality, ontology and belief, the power of images and mimesis, anthropomorphism and zoomorphism, and animism and posthumanism. Art Effects also brims with suggestive, hemispheric comparisons of South American and North American indigenous masks. In this tantalizing interdisciplinary work with echoes of Franz Boas, Pierre Clastres, and Claude Lévi-Strauss, among others, Fausto asks: how do objects and ritual images acquire their efficacy and affect human beings?
|Author||: Alix Wood|
|Editor||: Gareth Stevens Publishing|
Graffiti has been found on monuments in ancient Egypt and ancient Greece. Body art is an important practice in cultures around the world, such as henna in India and tribal tattooing in Africa. This innovative series introduces these and several other kinds of creation that may be considered art today, including junk sculptures and performance art. The main content explains the concepts behind each, and fact boxes offer historical context and other perspectives. Full-color photographs engage readers with the topics they are considering while sidebars ask pertinent questions for readers to think about as they read. High-interest, unique topics attract readers. Funky, colorful layout reflects the creative content. Thoughtful questions asked in the text encourage critical-thinking skills. Age-appropriate content and high-interest subject matter that captivates readers' attention.
|Author||: Trevor Prideaux,Royston Weeksz OBE, FRSA|
|Editor||: Hachette UK|
The Turnip Prize is a spoof UK art award satirising the less well known Turner Prize. Originally inspired by Tracey Emin's 1999 Turner Prize-shortlisted 'My Bed', the Turnip Prize aims to celebrate the best of the worst of contemporary art. Every year, locals send in their least inventive creations to the judges in the village of Wedmore in Somerset, who then have the dubious honour of choosing the winner. From "Poo Tin' (a tin filled with poo, topped by am image of Vladimir Putin), to "Ewe Kip" (a toy sheep having a nap), the Turnip Prize pays particular attention to the quality of the art's punning title, and to evidence of a 'considerable lack of effort'. The winner is awarded a turnip impaled on a rusty six-inch nail. Including 40 images of entries from throughout the prize's not-so-illustrious history, The Turnip Prize: A Retrospective features pontificating critical analysis of each piece by Royston Weekz, FRSA, along with insightful comments from the competition judges (such as, 'Complete b*ll*cks'). The ultimate gift for art-lovers and art-establishment sceptics alike.