Featuring a foreword by Beyoncé Knowles-Carter. When Prince wanted to document his One Nite Alone tour in 2002, he turned to Afshin Shahidi. Again in 2004, he went along on Prince’s record breaking Musicology Tour. Afshin met Prince in 1989 and became his cinematographer and later his photographer. He was the photographer closest to Prince for the last fifteen years of Prince’s life. Afshin is the only photographer to shoot the legendary 3121 private parties in Los Angeles that became the most sought after invitations in Hollywood. Prince: A Private View compiles his work into a journey through Prince's extraordinary life. With many never-before-seen photos, this is the ultimate collection of – some intimate, some candid, some in concert – shots of Prince, but all are carefully directed in the artist-as-art style that we associate with him. Deep photo captions are brief, but complete stories about Prince's life at that moment - some are incisive, others are personal and even funny.

Substance and Essence in Aristotle is a close study of Aristotle's most profound - and perplexing - treatise: Books VII-IX of the Metaphysics. Charlotte Witt extracts from this text a coherent and provocative view about sensible substance by focusing on Aristotle's account of form or essence. After exploring the context in which Aristotle's discussion of sensible substance takes place, Witt turns to his analysis of essence. Arguing against the received interpretation, according to which essences are classificatory, she maintains that a substance's essence is what causes it to exist. In addition, Witt challenges the orthodox view that Aristotelian essences are species-essences, defending instead the controversial position that they are individual essences. Finally, Witt compares Aristotelian essentialism to contemporary essentialist theories, focusing in particular on Saul Kripke's work.

A moment of intense silence followed and then the Rigden spoke up, his voice even: ÔYou have all been called today before the sacred court and from now, in every breath, in every heartbeat, in the shadow of every moment, in the intensity of the thoughtless state, in life, and in not-life, in physical or subtle form, we declare you our emissaries, our sacred envoys to the world of men. Shambala has a task for youÉÕ Lama Ozer and hisÊnovitiate Tashi leave the hidden monastery where they have lived all their livesÊin answer to a call from the legendary kingdom of Shambala received by the lama while deep in trance. Battling the freezing cold and snow of high, mist-laden mountain passes and the many evil forces that thwart their progress, they trek through Sikkim and Tibet to arrive at the Silver Fortress. Here they meet a host of divine and dark celestial beings, including the golden dakini, Yeshe Nam Lha, daughter of the Goddess Tara; Prince A-KarO, heir to the Lha Empire; and Prince Narasimha, heir to the Rigdens and the Shambala legacy. Both the princes are YesheÕs guardians and suitors, and she must travel with them to Earth where it is decreed that her child, Maitreya, the saviour, will be born. But before that happens they have the Asur forces to combat, and the dark prince Arden, who holds Yeshe captive, enthralled by his brooding menace, bewitched by his spell. Drawing richly from the vast pantheon of otherworldly beings that populate the myths of the Mahayana school of Buddhism, Path of the Swan, the first part of the surreally beautiful Tibetan-Buddhist fantasy series The Maitreya Chronicles, is a mesmerizingÊsaga of the battle between celestials and dark forces, and the descent of the celestials to Earth.

From Prince's superstardom to studio seclusion, this second book in the Prince Studio Sessions series chronicles the years immediately following the Purple Rain era. Interview accounts of over 260 recording sessions and two tours reveal the indistinguishable majesty of Prince's artistry.

Written in the 16th century, The Prince remains one of the most influential books on political theory. Its author, Niccolo Machiavelli was an Italian diplomat and political theorist, and is considered the father of modern political thought.

This book, translated for the first time into English, presents the major statement of the philosophy of Ludwig Feuerbach. Here, in his most systematic work, Feuerbach’s thought on religion and on the philosophy of nature achieves its full maturity. Central to the thought of Feuerbach is the concept that man not God is the creator, that divinities are representations of man’s innermost feelings and ideas. Philosophy should turn from theology and speculative rationalism to sound factual anthropology. “My aim in these Lectures,” writes Feuerbach, “is to transform friends of God into friends of man, believers into thinkers, worshippers into workers, candidates for the other world into students of this world, Christians, who on their own confession are half-animal and half-angel, into men––whole men.”

In the times before time, a great and glorious kingdom named Urbanus once existed. Urbanus: The Kingdom Chronicles is an epic parable recounting the historical conflict between invisible and universal forces that perpetually contend for the hearts and minds of men. The people of Urbanus were compelled to choose between liberty and tyranny and ultimately life and death. The uniqueness of the characters in the story testifies to the reality that those who cannot rule themselves will be ruled by tyrants. The larger-than-life cast of characters in this multidimensional epic include Abner the Seer, messenger of King Salem; Wain of Lair, captain of the Northern Rangers; his brother, Lothair, lieutenant of the rangers; their ranger cohorts: the Brothers Fairn, the Men of Invar, and Lon of Mark; Macoot, the elusive chieftain of the Toon; Jurius Hanner, guardian of the Jasper Stone and grandfather of Daylin Hanner, a young daydreamer who is the chosen instrument of King Salem; Souteneur, the notorious godfather of crime and corruption of the underworld of Urbanus. They represent the forces of light. Sanballat, the evil emir of the Southern Kingdom along with a complex host of supporting personalities and creatures represent the forces of darkness.

Includes section "Reviews and notices of books".

In all six of its volumes The Broadview Anthology of British Literature presents British literature in a truly distinctive light. Fully grounded in sound literary and historical scholarship, the anthology takes a fresh approach to many canonical authors, and includes a wide selection of work by lesser-known writers. The anthology also provides wide-ranging coverage of the worldwide connections of British literature, and it pays attention throughout to issues of race, gender, class, and sexual orientation. It includes comprehensive introductions to each period, providing in each case an overview of the historical and cultural as well as the literary background. It features accessible and engaging headnotes for all authors, extensive explanatory annotations, and an unparalleled number of illustrations and contextual materials. Innovative, authoritative and comprehensive, The Broadview Anthology of British Literature has established itself as a leader in the field. The full anthology comprises six bound volumes, together with an extensive website component; the latter has been edited, annotated, and designed according to the same high standards as the bound book component of the anthology, and is accessible by using the passcode obtained with the purchase of one or more of the bound volumes. For those seeking an even more streamlined anthology than the two-volume Concise Edition, The Broadview Anthology of British Literature is now available in a compact single-volume version. The edition features the same high quality of introductions, annotations, contextual materials, and illustrations found in the full anthology, and it complements an ample offering of canonical works with a vibrant selection of less-canonical pieces. The compact single-volume edition also includes a substantial website component, providing for much greater flexibility. An increasing number of works from the full six-volume anthology (or from its website component) are also being made available in stand-alone Broadview Anthology of British Literature editions that can be bundled with the anthology.

The two-volume Broadview Anthology of British Literature: Concise Edition provides an attractive alternative to the full six-volume anthology. Though much more compact, the Concise Edition nevertheless provides substantial choice, offering both a strong selection of canonical authors and a sampling of lesser-known works. With an unparalleled selection of illustrations and of contextual materials, accessible and engaging introductions, and full explanatory annotations, these volumes provide concise yet extraordinarily wide-ranging coverage for British Literature survey courses. New to this volume are Samuel Beckett’s Endgame and Robert Louis Stevenson’s Strange Case of Dr. Jekyll and Mr. Hyde; new authors include Dorothy Wordsworth, John Clare, Tomson Highway, Derek Walcott, and Chimamanda Ngozi Adichie. The third edition now also offers substantially expanded representation of Irish, Scottish, and Welsh literatures, as well as contextual materials on Gothic literature, Modernism, and World War II. Material that no longer appears in the bound book may in most cases be found on the companion website; many larger works are also available in separate volumes that may at the instructor’s request be bundled together with the anthology at no extra cost to the student. Features New to the Third Edition — New longer texts including Dickens’s performance reading of “David Copperfield,” Gaskell’s The Manchester Marriage, Stevenson’s Strange Case of Dr Jekyll and Mr Hyde, and Beckett’s Endgame — New short selections from longer works including Eliot’s Middlemarch, Shelley’s Frankenstein, Barrett Browning’s Aurora Leigh, and Tennyson’s In Memoriam A.H.H. — New bound-book author entries for Dorothy Wordsworth, John Clare, Emily Brontë, Thomas de Quincey, Walter Pater, Isaac Rosenberg, Tomson Highway, Derek Walcott, Jeanette Winterson, and Chimamanda Ngozi Adichie — New selections representing “Literary Currents in Ireland, Scotland, and Wales in the Long Nineteenth Century” — New “Contexts” section on “Gothic Literature” including materials by Horace Walpole, Ann Radcliffe, and Jane Austen — “Literature, Politics, and Cultural Identity” section includes numerous new authors and pieces, including work by Sorely MacLean, James Kelman, Gillian Clarke, Kamau Brathwaite, Kim Moore, and Warsan Shire

She was the proudest assassinator of the twenty-first century while she was killed by her senior brother unintentionally, and run across the time to the Jiu You Continent.The first thing she did upon opening eyes was climbing out of the pit. Because of her cowardice, cunning and foolishness, she had been bullied when she was little. Falling into the pit this time was because the Emperor granted her to marry Prince Xiang, which aroused the hostility from her fourth sister.However, at this moment, an aloof and arrogant man looked at her with disdain ...Unexpectedly, not long after, this aloof man said, "Once we have our own child, I will take up the world for you!"☆About the Author☆Er Ye is an online novelist. He started writing from 2017. Currently, there are two novels of his The Cold Prince Dotes On His Wild Wife and One Inch Affection with One Inch Ash.

A warm and surprisingly real-life biography, featuring never-before-seen photos, of one of rock’s greatest talents: Prince. Neal Karlen was the only journalist Prince granted in-depth press interviews to for over a dozen years, from before Purple Rain to when the artist changed his name to an unpronounceable glyph. Karlen interviewed Prince for three Rolling Stone cover stories, wrote “3 Chains o’ Gold,” Prince’s “rock video opera,” as well as the star’s last testament, which may be buried with Prince’s will underneath Prince’s vast and private compound, Paisley Park. According to Prince's former fiancée Susannah Melvoin, Karlen was “the only reporter who made Prince sound like what he really sounded like.” Karlen quit writing about Prince a quarter-century before the mega-star died, but he never quit Prince, and the two remained friends for the last thirty-one years of the superstar’s life. Well before they met as writer and subject, Prince and Karlen knew each other as two of the gang of kids who biked around Minneapolis’s mostly-segregated Northside. (They played basketball at the Dairy Queen next door to Karlen’s grandparents, two blocks from the budding musician.) He asserts that Prince can’t be understood without first understanding ‘70s Minneapolis, and that even Prince’s best friends knew only 15 percent of him: that was all he was willing and able to give, no matter how much he cared for them. Going back to Prince Rogers Nelson's roots, especially his contradictory, often tortured, and sometimes violent relationship with his father, This Thing Called Life profoundly changes what we know about Prince, and explains him as no biography has: a superstar who calls in the middle of the night to talk, who loved The Wire and could quote from every episode of The Office, who frequented libraries and jammed spontaneously for local crowds (and fed everyone pancakes afterward), who was lonely but craved being alone. Readers will drive around Minneapolis with Prince in a convertible, talk about movies and music and life, and watch as he tries not to curse, instead dishing a healthy dose of “mamma jammas.”