Introduction to Film Studies

Introduction to Film Studies
Author: Jill Nelmes
Release: 2012-03-12
Editor: Routledge
Pages: 538
ISBN: 9781136777158
Language: en
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DESCRIPTION BOOK:

This is a comprehensive textbook for students of cinema. It provides a guide to the main concepts used to analyse the film industry and film texts, and also introduces some of the world's key national cinemas.

Film Studies

Film Studies
Author: Ed Sikov
Release: 2010
Editor: Columbia University Press
Pages: 236
ISBN: 0231142935
Language: en
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DESCRIPTION BOOK:

American film scholar Ed Sikov discusses all aspects of narrative films, describing mise-en-scéne, the significance of montages, editing, lighting, the use of color and sound, and related topics; and providing practical advice, suggested assignments, and other resources.

Film Studies

Film Studies
Author: Glyn Davis,Kay Dickinson,Lisa Patti,Amy Villarejo
Release: 2015-02-20
Editor: Routledge
Pages: 546
ISBN: 9781317623373
Language: en
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DESCRIPTION BOOK:

Film Studies: A Global Introduction reroutes film studies from its Euro-American focus and canon in order to introduce students to a medium that has always been global but has become differently and insistently so in the digital age. Glyn Davis, Kay Dickinson, Lisa Patti and Amy Villarejo’s approach encourages readers to think about film holistically by looking beyond the textual analysis of key films. In contrast, it engages with other vital areas, such as financing, labour, marketing, distribution, exhibition, preservation, and politics, reflecting contemporary aspects of cinema production and consumption worldwide. Key features of the book include: clear definitions of the key terms at the foundation of film studies coverage of the work of key thinkers, explained in their social and historical context a broad range of relevant case studies that reflect the book’s approach to global cinema, from Italian "white telephone" films to Mexican wrestling films innovative and flexible exercises to help readers enhance their understanding of the histories, theories, and examples introduced in each chapter an extensive Interlude introducing readers to formal analysis through the careful explication and application of key terms a detailed discussion of strategies for writing about cinema Films Studies: A Global Introduction will appeal to students studying film today and aspiring to work in the industry, as well as those eager to understand the world of images and screens in which we all live.

Feminist Film Studies

Feminist Film Studies
Author: Karen Hollinger
Release: 2012-08-21
Editor: Routledge
Pages: 310
ISBN: 9781136509209
Language: en
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DESCRIPTION BOOK:

Feminist Film Studies is a readable, yet comprehensive textbook for introductory classes in feminist film theory and criticism. Karen Hollinger provides an accessible overview of women’s representation and involvement in film, complemented by analyses of key texts that illustrate major topics in the field. Key areas include: a brief history of the development of feminist film theory the theorization of the male gaze and the female spectator women in genre films and literary adaptations the female biopic feminism and avant-garde and documentary film women as auteurs lesbian representation women in Third Cinema. Each chapter includes a "Films in Focus" section, which analyzes key texts related to the chapter’s major topic, including examples from classical Hollywood, world cinema, and the contemporary period. This book provides students in both film and gender/women’s studies with a clear introduction to the field of feminist film theory and criticism.

Doing Film Studies

Doing Film Studies
Author: Sarah Casey Benyahia,Claire Mortimer
Release: 2012-11-27
Editor: Routledge
Pages: 168
ISBN: 9781136170058
Language: en
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DESCRIPTION BOOK:

Doing Film Studies examines what it really means to study film, encouraging the reader to question the dominant theories as well as understanding the key approaches to cinema. This book provides an overview of the construction of film studies - including its history and evolution - and examines the application of theories to film texts. Important questions discussed include: Why does film studies need a canon? What is the relationship between authorship and genre theory? What is screen theory? How do we read a film text? Why is the concept of the spectator important to film? How is film involved in national identity? What is meant by a ‘film industry’? Aimed at students in their final year of secondary education or beginning their degrees, Doing Film Studies equips the reader with the tools needed in approaching the study of film.

The Routledge International Handbook of Jungian Film Studies

The Routledge International Handbook of Jungian Film Studies
Author: Luke Hockley
Release: 2018-04-04
Editor: Routledge
Pages: 472
ISBN: 9781317213116
Language: en
Available for:

DESCRIPTION BOOK:

The Routledge International Handbook of Jungian Film Studies weaves together the various strands of Jungian film theory, revealing a coherent theoretical position underpinning this exciting recent area of research, while also exploring and suggesting new directions for further study. The book maps the current state of debates within Jungian orientated film studies and sets them within a more expansive academic landscape. Taken as a whole, the collection shows how different Jungian approaches can inform and interact with a broad range of disciplines, including literature, digital media studies, clinical debates and concerns. The book also explores the life of film outside cinema - what is sometimes termed ‘post-cinema’ - offering a series of articles exploring Jungian approaches to cinema and social media, computer games, mobile screens, and on-line communities. The Routledge International Handbook of Jungian Film Studies represents an essential resource for students and researchers interested in Jungian approaches to film. It will also appeal to those interested in film theory more widely, and in the application of Jung’s ideas to contemporary and popular culture.

De Westernizing Film Studies

De Westernizing Film Studies
Author: Saer Maty Ba,Will Higbee
Release: 2012-09-10
Editor: Routledge
Pages: 296
ISBN: 9781136502514
Language: en
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DESCRIPTION BOOK:

De-Westernizing Film Studies aims to consider what form a challenge to the enduring vision of film as a medium - and film studies as a discipline - modelled on ‘Western’ ideologies, theoretical and historical frameworks, critical perspectives as well as institutional and artistic practices, might take today. The book combines a range of scholarly writing with critical reflection from filmmakers, artists & industry professionals, comprising experience and knowledge from a wide range of geographical areas, film cultures and (trans-)national perspectives. In their own ways, the contributors to this volume problematize a binary mode of thinking that continues to promote an idea of ‘the West and the rest’ in relation to questions of production, distribution, reception and representation within an artistic medium (cinema) that, as part of contemporary moving image culture, is more globalized and diversified than at any time in its history. In so doing, De-Westernizing Film Studies complicates and/or re-thinks how local, national and regional film cultures ‘connect’ globally, seeking polycentric, multi-directional, non-essentialized alternatives to Eurocentric theoretical and historical perspectives found in film as both an artistic medium and an academic field of study. The book combines a series of chapters considering a range of responses to the idea of 'de-westernizing' film studies with a series of in-depth interviews with filmmakers, scholars and critics. Contributors: Nathan Abrams, John Akomfrah, Saër Maty Bâ, Mohammed Bakrim, Olivier Barlet, Yifen Beus, Farida Benlyazid, Kuljit Bhamra, William Brown, Campbell, Jonnie Clementi-Smith, Shahab Esfandiary, Coco Fusco, Patti Gaal-Holmes, Edward George, Will Higbee, Katharina Lindner, Daniel Lindvall, Teddy E. Mattera, Sheila Petty, Anna Piva, Deborah Shaw, Rod Stoneman, Kate E. Taylor-Jones

Film Studies second edition

Film Studies  second edition
Author: Ed Sikov
Release: 2020-06-09
Editor: Columbia University Press
Pages: 269
ISBN: 9780231551564
Language: en
Available for:

DESCRIPTION BOOK:

Film Studies is a concise and indispensable introduction to the formal study of cinema. Ed Sikov offers a step-by-step curriculum for the appreciation of all types of narrative cinema, detailing the essential elements of film form and systematically training the spectator to be an active reader and critic. He treats a number of fundamental factors in filmmaking, including editing, composition, lighting, the use of color and sound, and narrative. His description of mise-en-scene helps readers grasp the significance of montage, which in turn reveals the importance of a director’s use of camera movement. Film Studies is designed for courses on film history, film theory, and popular culture. Its straightforward explanations of core critical concepts, practical advice, and technical, visual, and aesthetic aspects anchor the reader’s understanding of the formal language and anatomy of film and the techniques of film analysis. The second edition of this best-selling textbook adds two new chapters: “Film and Ideology,” which covers how to read a film’s political and social content, and other key topics in film theory, and “Film Studies in the Age of Digital Cinema,” which explores the central problems of studying film when “film” itself is no longer the medium.

Film Studies

Film Studies
Author: Peter Bennett,Andrew Hickman,Peter Wall
Release: 2007
Editor: Unknown
Pages: 428
ISBN: 0415365686
Language: en
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DESCRIPTION BOOK:

Bringing together a wide array of accessible and contemporary source material, Film Studies is the ideal companion for students studying film studies at university and pre-university level. From printed media to the views of actual individuals involved in the film-making process, the sources cover all areas to illustrate key topics in film studies. They include: academic articles advertising websites interviews with directors and actors magazines and newspapers. With each extract introduced and contextualized by the editors, and suggestions for further activities and further reading included, Film Studies is the perfect resource to kick-start students' autonomy.

Inventing Film Studies

Inventing Film Studies
Author: Lee Grieveson,Haidee Wasson
Release: 2008-11-03
Editor: Duke University Press
Pages: 480
ISBN: 9780822388678
Language: en
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DESCRIPTION BOOK:

Inventing Film Studies offers original and provocative insights into the institutional and intellectual foundations of cinema studies. Many scholars have linked the origins of the discipline to late-1960s developments in the academy such as structuralist theory and student protest. Yet this collection reveals the broader material and institutional forces—both inside and outside of the university—that have long shaped the field. Beginning with the first investigations of cinema in the early twentieth century, this volume provides detailed examinations of the varied social, political, and intellectual milieus in which knowledge of cinema has been generated. The contributors explain how multiple instantiations of film study have had a tremendous influence on the methodologies, curricula, modes of publication, and professional organizations that now constitute the university-based discipline. Extending the historical insights into the present, contributors also consider the directions film study might take in changing technological and cultural environments. Inventing Film Studies shows how the study of cinema has developed in relation to a constellation of institutions, technologies, practices, individuals, films, books, government agencies, pedagogies, and theories. Contributors illuminate the connections between early cinema and the social sciences, between film programs and nation-building efforts, and between universities and U.S. avant-garde filmmakers. They analyze the evolution of film studies in relation to the Museum of Modern Art, the American Film Council movement of the 1940s and 1950s, the British Film Institute, influential journals, cinephilia, and technological innovations past and present. Taken together, the essays in this collection reveal the rich history and contemporary vitality of film studies. Contributors: Charles R. Acland, Mark Lynn Anderson, Mark Betz, Zoë Druick, Lee Grieveson, Stephen Groening, Haden Guest, Amelie Hastie, Lynne Joyrich, Laura Mulvey, Dana Polan, D. N. Rodowick, Philip Rosen, Alison Trope, Haidee Wasson, Patricia White, Sharon Willis, Peter Wollen, Michael Zryd

An Introduction to Film Studies

An Introduction to Film Studies
Author: Jill Nelmes
Release: 2003
Editor: Psychology Press
Pages: 500
ISBN: 0415262682
Language: en
Available for:

DESCRIPTION BOOK:

This is a comprehensive textbook for students of cinema.

Film Studies

Film Studies
Author: Amy Villarejo
Release: 2007
Editor: Taylor & Francis
Pages: 171
ISBN: 0415361389
Language: en
Available for:

DESCRIPTION BOOK:

This engaging and accessible introduction explores the intricacies of the film world to show how anyone can gain a broader understanding and a more pleasurable experience of film. Addressing general questions about why and how to study film, topics discussed include: the movie industry, from Hollywood to Bollywood who does what on a film set the history, the technology and the art of cinema theories of stardom, genre and film-making. Including illustrations and examples from an international range of films drawn from over a century of movie-making and a glossary of terms for ease of reference, Film Studies: The Basics is a must-have guide for any film student or fan.

AS Film Studies

AS Film Studies
Author: Sarah Casey Benyahia,Freddie Gaffney,John White
Release: 2006
Editor: Taylor & Francis
Pages: 350
ISBN: 9780415393102
Language: en
Available for:

DESCRIPTION BOOK:

AS Film Studies: The Essential Introductiongives students the confidence to tackle every part of the WJEC AS level Film Studies course. The authors, who have wide ranging experience as teachers, examiners and authors, introduce students step by step, to the skills involved in the study of film. The second edition follows the new WJEC syllabus for 2008 teaching onwards and has a companion website with additional resources for students and teachers. Specifically designed to be user friendly, the second edition of AS Film Studies: The Essential Introduction has a new text design to make the book easy to follow, includes more than 100 colour photographs and is jam packed with features such as: Case studies relevant to the 2008 specification Activities on films including Little Miss Sunshine, Pirates of the Caribbean& The Descent Key terms Example exam questions Suggestions for further reading and website resources

A Dictionary of Film Studies

A Dictionary of Film Studies
Author: Annette Kuhn,Guy Westwell
Release: 2012-06-21
Editor: OUP Oxford
Pages: 528
ISBN: 9780191034657
Language: en
Available for:

DESCRIPTION BOOK:

Written by experts in the field, this dictionary covers all aspects of film studies, including terms, concepts, debates, and movements in film theory and criticism, national, international and transnational cinemas, film history, film movements and genres, film industry organizations and practices, and key technical terms and concepts in 500 detailed entries. Most entries also feature recommendations for further reading and a large number also have web links. The web links are listed and regularly updated on a companion website that complements the printed book. The dictionary is international in its approach, covering national cinemas, genres, and film movements from around the world such as the Nouvelle Vague, Latin American cinema, the Latsploitation film, Bollywood, Yiddish cinema, the spaghetti western, and World cinema. The most up-to-date dictionary of its kind available, this is a must-have for all students of film studies and ancillary subjects, as well as an informative read for cinephiles and for anyone with an interest in films and film criticism.

How to Read a Film

How to Read a Film
Author: James Monaco
Release: 1981
Editor: New York : Oxford University Press
Pages: 568
ISBN: UOM:39015011591644
Language: en
Available for:

DESCRIPTION BOOK:

Now thoroughly revised and updated, the book discusses recent breakthroughs in media technology, including such exciting advances as video discs and cassettes, two-way television, satellites, cable and much more.

Film Studies For Dummies

Film Studies For Dummies
Author: James Cateridge
Release: 2015-04-20
Editor: John Wiley & Sons
Pages: 408
ISBN: 9781118886595
Language: en
Available for:

DESCRIPTION BOOK:

Make sense of the world of cinema Want to pull back the curtain on film? This hands-on, friendly guide unravels the complexities of film and helps you put cinema into a cultural context. You'll get an easy-to-follow introduction to different film genres and styles, learn about the history of cinema, get to know who makes up a filmmaking team, explore global cinema from Hollywood to Bollywood and much more. Film Studies For Dummies will open your mind to how the film industry works and help you to discover the impact of film on popular culture. You'll get easy-to-read information on analyzing and critiquing film from a range of theoretical, historical and critical perspectives, and learn how people communicate ideas in film. You'll also be able to shine a light on how stories are developed in movies, understand how a storyline is related to broader issues in society and become a well-versed and insightful film student. Covers the narrative, artistic, cultural, economic and political implications of cinema Provides conceptual frameworks for understanding a film's relationship to reality Explores how people tell stories and communicate ideas in film Helps you excel as a student of film Whether you're planning to study film, a humanities student with a forthcoming module on film or a film enthusiast wondering if this might be the future for you, Film Studies For Dummies has you covered.

Jungian Film Studies

Jungian Film Studies
Author: Helena Bassil-Morozow,Luke Hockley
Release: 2016-11-25
Editor: Routledge
Pages: 200
ISBN: 9781317222392
Language: en
Available for:

DESCRIPTION BOOK:

Jungian film studies is a fast-growing academic field, but Jungian and post-Jungian concepts are still new to many academics and film critics. Helena Bassil-Morozow and Luke Hockley present Jungian Film Studies: The Essential Guide, the first book to bring together all the different strands, issues and arguments in the discipline, and guide the reader through the various ways in which Jungian psychology can be applied to moving images. Bassil-Morozow and Hockley cover a range of Jungian concepts including the collective unconscious, archetypes, the individuation process, alchemy, and signs and symbols, showing how they can be used to discuss the core cinematic issues such as narrative structure, gender, identity, genre, authorship, and phenomenology. The authors argue that, as a place where the unconscious and conscious meet, cinema offers the potential for imagery that is psychologically potent, meaningful, and that plays a role in our personal psychological development. This much-needed book, which bridges the space between Jungian concepts and traditional film theory, will be essential reading for scholars and students of Analytical Psychology, psychoanalysis, Jungian film studies, media, film and cultural studies, psychosocial psychology and clinical psychology. It will also appeal to analytical psychologists, psychotherapists and readers with an interest in film analysis.

Film Studies

Film Studies
Author: John Hill,Senior Lecturer Department of Media and Performance Studies John Hill,W. John Hill,Pamela Church Gibson,Senior Lecturer in Contextual and Cultural Studies Pamela Church Gibson,Department of Film Studies Richard Dyer,E. Ann Kaplan,Richard Dyer,Paul Willemen
Release: 2000
Editor: Oxford University Press, USA
Pages: 229
ISBN: STANFORD:36105028619398
Language: en
Available for:

DESCRIPTION BOOK:

This is a guide to the study of film, covering the significant theories, debates and approaches to the subject. Contributors provide an overview of the main disciplinary approaches, explaining the concepts and methods involved in film analysis.

Kurosawa

Kurosawa
Author: Mitsuhiro Yoshimoto
Release: 2000
Editor: Duke University Press
Pages: 485
ISBN: 0822325195
Language: en
Available for:

DESCRIPTION BOOK:

This work will become not only the newly definitive study of Kurosawa, but will redefine the field of Japanese cinema studies, particularly as the field exists in the west.

Film Studies

Film Studies
Author: Ed Sikov
Release: 2009-12-01
Editor: Columbia University Press
Pages: 232
ISBN: 9780231519892
Language: en
Available for:

DESCRIPTION BOOK:

Ed Sikov builds a step-by-step curriculum for the appreciation of all types of narrative cinema, detailing the essential elements of film form and systematically training the spectator to be an active reader and critic. Sikov primes the eye and mind in the special techniques of film analysis. His description of mise-en-scene helps readers grasp the significance of montage, which in turn reveals the importance of a director's use of camera movement. He treats a number of fundamental factors in filmmaking, including editing, composition, lighting, the use of color and sound, and narrative. Film Studies works with any screening list and can be used within courses on film history, film theory, or popular culture. Straightforward explanations of core critical concepts, practical advice, and suggested assignments on particular technical, visual, and aesthetic aspects further anchor the reader's understanding of the formal language and anatomy of film.