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|Author||: Dan Simmons|
|Editor||: Reagan Arthur Books|
A provocative dystopian thriller set in a future that seems scarily possible, Flashback proves why Dan Simmons is one of our most exciting and versatile writers. The United States is near total collapse. But 87% of the population doesn't care: they're addicted to flashback, a drug that allows its users to re-experience the best moments of their lives. After ex-detective Nick Bottom's wife died in a car accident, he went under the flash to be with her; he's lost his job, his teenage son, and his livelihood as a result. Nick may be a lost soul but he's still a good cop, so he is hired to investigate the murder of a top governmental advisor's son. This flashback-addict becomes the one man who may be able to change the course of an entire nation turning away from the future to live in the past.
|Author||: Romy Golan|
|Editor||: Princeton University Press|
From a leading art historian, a provocative exploration of the intersection of art, politics, and history in 1960s Italy Flashback, Eclipse is a groundbreaking study of 1960s Italian art and its troubled but also resourceful relation to the history and politics of the first part of the twentieth century and the aftermath of World War II. Most analyses have treated the 1960s in Italy as the decade of “presentism” par excellence, a political decade but one liberated from history. Romy Golan, however, makes the counterargument that 1960s Italian artists did not forget Italian and European history but rather reimagined it in oblique form. Her book identifies and explores this imaginary through two forms of nonlinear and decidedly nonpresentist forms of temporality—the flashback and the eclipse. In view of the photographic and filmic nature of these two concepts, the book’s analysis is largely mediated by black-and-white images culled from art, design, and architecture magazines, photo books, film stills, and exhibition documentation. The book begins in Turin with Michelangelo Pistoletto’s Mirror Paintings; moves on to Campo urbano, a one-day event in the city of Como; and ends with the Vitalità del Negativo exhibition in Rome. What is being recalled and at other moments occluded are not only episodes of Italian nationalism and Fascism but also various liberatory moments of political and cultural resistance. The book’s main protagonists are, in order of appearance, artists Michelangelo Pistoletto and Giosetta Fioroni, photographer Ugo Mulas, Ettore Sottsass (as critic rather than designer), graphic designer Bruno Munari, curators Luciano Caramel and Achille Bonito Oliva, architect Piero Sartogo, Carla Lonzi (as artist as much as critic), filmmakers Michelangelo Antonioni and Bernardo Bertolucci, and, in flashback among the departed, painter Felice Casorati, writer Massimo Bontempelli, art historian Aby Warburg, architect Giuseppe Terragni, and Renaissance friar-philosopher-mathematician Giordano Bruno (as patron saint of the sixty-eighters).
|Author||: Brenda Rollins|
|Editor||: Classroom Complete Press|
**This is the chapter slice "Foreshadowing & Flashback" from the full lesson plan "Literary Devices"** Following a basic understanding of reading, Literary Devices explores the language of storytelling with a detailed look at characterization, setting, plot, theme, point of view, foreshadowing and flashback, symbolism, and irony. Definitions of important terms and many opportunities to practice the skills being taught make our resource user-friendly and easy to understand. In addition, the objectives used in this book are structured using Bloom’s Taxonomy of Learning to ensure educational appropriateness. You will be able to teach students how to use literary devices to examine the meaning and purpose of different types of literature. Through a mixture of narration and age appropriate learning activities, this book enables students to examine and understand the “building blocks” of all good stories. All of our content meets the Common Core State Standards and are written to Bloom's Taxonomy.
|Author||: Adriana Gordejuela|
Flashbacks in Film examines fi lm fl ashback as a rich multimodal narrative device, analyzing the cognitive underpinnings of fi lm fl ashbacks and the mechanisms that lead viewers to successfully comprehend them. Combining a cognitive fi lm theory approach with the theoretical framework proposed by blending theory, which claims that human beings’ general ability for conceptual integration underlies most of our daily activities, this book argues that fl ashbacks make sense to the viewer, as they are specifi cally designed for the viewer’s cognitive understanding. Through a mixture of analysis and dozens of case studies, this book demonstrates that successful fi lm fl ashbacks appeal to the spectator’s natural perceptual and cognitive abilities, which spectators exercise daily. This book will serve as a valuable resource for scholars interested in film studies, media studies, and cognitive linguistics.
|Author||: Maureen Turim|
The flashback is a crucial moment in a film narrative, one that captures the cinematic expression of memory, and history. This author’s wide-ranging account of this single device reveals it to be an important way of creating cinematic meaning. Taking as her subject all of film history, the author traces out the history of the flashback, illuminating that history through structuralist narrative theory, psychoanalytic theories of subjectivity, and theories of ideology. From the American silent film era and the European and Japanese avant-garde of the twenties, from film noir and the psychological melodrama of the forties and fifties to 1980s art and Third World cinema, the flashback has interrogated time and memory, making it a nexus for ideology, representations of the psyche, and shifting cultural attitudes.
|Author||: Dan Simmons|
|Editor||: Reagan Arthur / Little, Brown|
The United States is near total collapse. But 87% of the population doesn't care: they're addicted to flashback, a drug that allows its users to re-experience the best moments of their lives. After ex-detective Nick Bottom's wife died in a car accident, he went under the flash to be with her; he's lost his job, his teenage son, and his livelihood as a result. Nick may be a lost soul but he's still a good cop, so he is hired to investigate the murder of a top governmental advisor's son. This flashback-addict becomes the one man who may be able to change the course of an entire nation turning away from the future to live in the past. A provocative novel set in a future that seems scarily possible, FLASHBACK proves why Dan Simmons is one of our most exciting and versatile writers.
|Author||: Shannon Messenger|
|Editor||: Simon and Schuster|
A New York Times bestselling series A USA TODAY bestselling series A California Young Reader Medal–winning series In this unforgettable seventh book in the Keeper of the Lost Cities series, Sophie must let the past and present blur together, because the deadliest secrets are always the ones that get erased. Sophie Foster doesn’t know what—or whom—to believe. And in a game with this many players, the worst mistake can be focusing on the wrong threat. But when the Neverseen prove that Sophie’s far more vulnerable than she ever imagined, she realizes it’s time to change the rules. Her powerful abilities can only protect her so far. To face down ruthless enemies, she must learn to fight. Unfortunately, battle training can’t help a beloved friend who’s facing a whole different danger—where the only solution involves one of the biggest risks Sophie and her friends have ever taken. And the distraction might be exactly what the villains have been waiting for.
|Author||: Gary Braver|
|Editor||: Forge Books|
If you could relive your childhood, would you? What if you had no choice? On the thirty-fifth anniversary of his parents' mysterious drowning, Jack Koryan returns to his family beach cottage. During a swim, Jack is attacked by a school of rare jellyfish whose toxic stings put him in a coma for three years. When he awakens, he finds that the jellyfish toxin has left him with an extraordinary memory that impresses his doctors. This discovery is complicated by flashbacks: some, pleasant childhood vignettes, others, confusing flashes of violence that leave him quaking in horror. Jack wonders if he's losing his mind, but that fear is dispelled by Rene Ballard, a pharmacologist working on the world's first cure for Alzheimer's Disease. She wants to test Jack because the basis of the drug is the very jellyfish toxin that sent Jack into a coma. And, while several test patients have miraculously regained functionality, others are also experiencing dangerous flashback seizures. Ballard's revelation sets Jack on a quest to discover what is happening to him. He and Rene uncover a sinister pattern of lies and deceit that has left behind a trail of bodies, and several elderly patients stuck in a past that they cannot emerge from--or don't want to. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
|Author||: Ann-Gee Lee|
Television's Community follows the shenanigans of a diverse group of traditional and nontraditional community college students: Jeff Winger, a former lawyer; Britta Perry, a feminist; Abed Nadir, a pop culture enthusiast; Shirley Bennett, a mother; Troy Barnes, a former jock; Annie Edison, a naive overachiever; and Pierce Hawthorne, an old-fashioned elderly man. There are also Benjamin Chang, the maniacal Spanish teacher, and Craig Pelton, the eccentric dean of Greendale Community College, along with well-known guest stars who play troublemaking students, nutty professors and frightening administrators. This collection of fresh essays familiarizes readers not only with particular characters and popular episodes, but behind-the-scenes aspects such as screenwriting and production techniques. The essayists explore narrative theme, hyperreality, masculinity, feminism, color blindness, civic discourse, pastiche, intertextuality, media consciousness, how Community is influenced by other shows and films, and how fans have contributed to the show.
|Author||: Gino Carlotti|
|Editor||: Via Media Publishing|
This book is a collection of personal accounts of growing up in an Italian-American home in an inter-city neighborhood of the 1930s, 40s, and 50s. Accompanying the text are 52 pictures of an historical era many Americans hold close to their hearts and consider the most precious of their lives. The book fondly enlivens themes of America's melting pot. The author, a gifted storyteller, writes about topics that range from his parents' roots in Italy to life in Catholic schools' from how teanagers dressed when he was a boy to how U.S. military personnel are honored in American cemeteries throughout the world. The love of family, regard for old friends and classmates, and the importance of "toots" are threads that are woven throughout the book.
|Author||: Anton Nijholt,Teresa Romão,Dennis Reidsma|
This book constitutes the refereed conference proceedings of the 9th International Conference on Advances in Computer Entertainment, ACE 2012, held in Kathmandu, Nepal, in November 2012. The 10 full paper and 19 short papers presented together with 5 papers from the special track Arts and Culture and 35 extended abstracts were carefully reviewed and selected from a total of 140 submissions in all categories. The papers cover topics across a wide spectrum of disciplines including computer science, design, arts, sociology, anthropology, psychology, and marketing. Focusing on all areas related to interactive entertainment they aim at stimulating discussion in the development of new and compelling entertainment computing and interactive art concepts and applications.
|Author||: Dan Gutman|
In New York Times bestselling author Dan Gutman’s thrilling Flashback Four series, four very different kids are picked by a mysterious billionaire to travel through time and photograph some of history's most important events. Blends fascinating real history with an action-packed adventure! This time, Luke, Julia, David, and Isabel are headed to the deck of the doomed Titanic. Their mission? Capture a shot of the sinking ship, then come right back. The only problem is, once they arrive aboard the ship, the four friends can’t agree on what to do next. Should they try to save the passengers? Or maybe bring back a priceless book before it sinks with the ship? With real historical photographs to put young readers right in the action, plus back matter that separates fact from fiction, The Titanic Mission tells the story of the ship’s fateful last voyage like you’ve never seen it before.
|Author||: Peter Lehman,William Luhr|
|Editor||: John Wiley & Sons|
A complete introduction to analyzing and enjoying a wide variety of movies, for film students and movie lovers alike Thinking About Movies: Watching, Questioning, Enjoying, Fourth Edition is a thorough overview of movie analysis designed to enlighten both students and enthusiasts, and heighten their enjoyment of films. Readers will delve into the process of thinking about movies critically and analytically, and find how doing so can greatly enhance the pleasure of watching movies. Divided roughly into two parts, the book addresses film studies within the context of the dynamics of cinema, before moving on to a broader analysis of the relationship of films to the larger social, cultural, and industrial issues informing them. This updated fourth edition includes an entirely new section devoted to a complete analysis of the film adaptation of The Girl with the Dragon Tattoo, along with many in-depth discussions of important films such as Citizen Kane and Silence of the Lambs. The chapter on television integrates a major expansion distinguishing between television in the digital era of the convergence of the entertainment and technology industries in comparison to the era of broadcast analogue television. The final chapter places film within the current context of digital culture, globalization, and the powerful rise of China in film production and exhibition. The authors clearly present various methodologies for analyzing movies and illustrate them with detailed examples and images from a wide range of films from cult classics to big-budget, award-winning movies. This helps viewers see new things in movies and also better understand and explain why they like some better than others. Thinking About Movies: Watching, Questioning, Enjoying, Fourth Edition is ideal for film students immersed in the study of this important, contemporary medium and art form as well as students and readers who have never taken a class on cinema before. This new edition of the book also comes with a Companion Blog https://thinkingaboutmoviesblog.wordpress.com/ that the authors will update regularly with attention to films and industry developments directly related to each chapter, plus updates to readings and resources.
|Author||: Michael Palmer|
Toby is eight years old. He had a routine operation. It was fine. Now he's gone home to terror. Months have passed. But Toby still bursts into tortured screams. Because something is very wrong. Toby can remember evey moment of the operation. All the trauma. All the pain. He relives evrey horrifying detail of surgery while he's awake. Now someone must expose the unspeakable truth about this hospital. Or else an innocent child will die. And he won't be the last. The next victim is being wheeled into surgery right now.
|Author||: Michigan State University. Libraries. Special Collections Division|
This is the most comprehensive dictionary available on comic art. The catalog provides detailed information about more than 60,000 cataloged books, magazines, scrapbooks, fanzines, comic books, and other materials in the Michigan State University Libraries, America's premiere library comics collection. Each book or serial is listed by title, with entries as appropriate under author, subject, and series. Besides the traditional books and magazines, significant collections of microfilm, sound recordings, vertical files, and realia (mainly T-shirts) are included. Comics and related materials are grouped by nationality and by genre.