Designed for undergraduate music majors, Harmony in Context provides the richest possible musical context for the study of harmony, constantly encouraging students to translate what they are learning into better performances and better listening. The musical examples and anthology encompass a wide variety of different composers and repertoires. Students will particularly appreciate the clarity of the presentation and the attractiveness of the text’s layout, both of which enable a smooth progression through the material.

A concise introduction to traditional harmony in its musical and historical setting.

This volume of nine essays draws together leading scholars in anthropology, social history, musicology, and ethnomusicology to address the roles and functions of music in the Chinese ritual context. How does music, one of a constellation of essential performative elements in almost all rituals, empower an officiant, legitimate an officeholder, create a heightened state of awareness, convey a message, or produce a magical outcome, a transition, a transformation? After an introduction by the volume editors, Bell Yung proposes a theoretical framework for dealing with Chinese ritual sound. A group of three essays focuses on the music for rituals that create political and social legitimacy followed by a second group of essays considering the music associated with rites of passage. Two essays then deal with the music accompanying rituals of propitiation. In all these cases, music is seen to play a critical role, if not the core of the ritual.

This workbook contains additional exercises to be used as assignments with Harmony in Context. An updated Online Learning Center includes downloadable MP3 recordings for over 380 textbook examples and over 60 pieces from the anthology, ranging from the sixteenth through twentieth centuries, providing students with first-hand listening experience in a wide range of musical genres and styles, as well as an instructor's manual, answers to the workbook questions, and additional content for instructors.

This book teaches the ideas behind adding chords to melodies. It begins with basic chords and progressions, and moves to more complex ideas. With an introduction and two appendices. Two CDs of additional material.

Harmony Through Melody offers a robust, conservatory-style approach to music theory focused on Common Era classical works, reaching far beyond basic rudiments. The authors develop techniques and strategies for exploring the fundamental interaction of melody and counterpoint with harmony.

Aural Skills in Context by Matthew Shaftel, Evan Jones, and Juan Chattah is the first complete text covering sight singing, ear training, and rhythm practice that features real musical examples (from classical to folk and jazz) as the composer wrote them.

A one-year course in the principles and practice of classical harmony. Previously published by the Open University Press, this reissue contains a number of minor corrections.`...an excellent and accessible compendium of harmonic practice...includes ideas for using the keyboard to improvise in the style of a composer.' Music Teacher

One of most important books in Western music. Detailed explanation of principles of diatonic harmonic theory. New 1971 translation by Philip Gossett of 1722 edition. Many musical examples.

Film music often tells us how to feel, but it also guides us how to hear. Filmgoing is an intensely musical experience, one in which the soundtrack structures our interpretations and steers our emotions. Hollywood Harmony explores the inner workings of film music, bringing together tools from music theory, musicology, and music psychology in this first ever book-length analytical study of this culturally central repertoire. Harmony, and especially chromaticism, is emblematic of the "film music sound," and it is often used to evoke that most cinematic of feelings-wonder. To help parse this familiar but complex musical style, Hollywood Harmony offers a first-of-its kind introduction to neo-Riemannian theory, a recently developed and versatile method of understanding music as a dynamic and transformational process, rather than a series of inert notes on a page. This application of neo-Riemannian theory to film music is perfect way in for curious newcomers, while also constituting significant scholarly contribution to the larger discipline of music theory. Author Frank Lehman draws from his extensive knowledge of cinematic history with case-studies that range from classics of Golden Age Hollywood to massive contemporary franchises to obscure cult-films. Special emphasis is placed on scores for major blockbusters such as Lord of the Rings, Star Wars, and Inception. With over a hundred meticulously transcribed music examples and more than two hundred individual movies discussed, Hollywood Harmony will fascinate any fan of film and music.

"Elliott Carter was born four months after Orville Wright demonstrated the Wright Brothers' Flyer to the U.S. Army, and he died two months after the Voyager 1 spacecraft left the heliosphere at the threshold of interstellar space. Carter's remarkable longevity, and the unusual trajectory of his life and work through more than a century of disruptive change, has affected the reception history of his music in ways that we are only beginning to acknowledge. Over the course of a nearly eighty-year-long career, Carter leveraged his advantages and turned obstacles into opportunities with admirable persistence. He chose projects that not only interested him but also fit into the plans for artistic and professional development that he cultivated assiduously over decades. And he paid close attention to how his artistic objectives could be presented most effectively to the performers, listeners, and patrons on whom his career depended. Together with his wife Helen Frost-Jones Carter, he skillfully steered a course through the turbulent waters of the twentieth and early twenty-first centuries with steadily increasing success. The story of Carter's artistic life, as he told it and as it was promoted by several generations of advocates, is one of independence, uncompromising vision, and technical progress. It was astutely tailored to the beliefs and values of its intended audience and, as autobiography, it reports selectively and glosses over or omits events and attitudes deemed unhelpful in building Carter's reputation and authority, and promoting his music"--

According to Dr. Michael Kyomya, misconceptions about what the Bible actually says can breed confusion and false ideas about God and the Christian life. Therefore, it is critically important that you know how to interpret Scripture carefully. Dr. Michael Kyomya explains what interpretation is, why it is important, how to do it, and the pitfalls to avoid. He illustrates his points with examples from his own experience and from sermons he has heard in Africa. Dr. Kyomya makes it clear that interpretation is not just something for scholars, but also is useful when preparing a sermon or a Sunday school lesson, as well as in your own personal study of the Bible. The writing is simple and clear, and the illustrations are both amusing and informative. Full of ways to enrich personal study of the Bible, this guide will equip you with the knowledge and instruction you need.

This book examines the formal bases of postvelar harmony and its crosslinguistic variation. It is of interest especially to phonologists concerned with segmental harmony and its explanation within Optimality Theory. Postvelar harmony in two unrelated languages, Palestinian Arabic and St'át'imcets Salish, is examined in detail. The result is the first comprehensive clarification of postvelar phonology for either language. Two harmonies are distinguished: uvularisation harmony ('emphasis spread') and pharyngealisation (tongue-root-retraction) harmony. The distinction between these two in the Arabic and the Salish is supported by much instrumental phonetics data. The complex harmony properties are explained as the result of systematic interaction between Correspondence, Alignment and Grounded constraints. In the course of the investigation, the segmental inventories of both languages are clarified, and a careful understanding of the distinction between phonology and phonetics, and the use of phonetics in phonology, is applied.

This book develops fresh ideas on harmony through analyzing the music of one of Western music's true innovators, Franz Schubert.

Music Theory Made Relevant Designed for undergraduate music majors, Harmony in Context provides the richest possible musical context for the study of harmony, constantly encouraging students to translate what they are learning into better performances and better listening. The musical examples and anthology encompass a wide variety of different composers and repertoires. A clear and visually attractive layout, as well as the use of section and subsection headings and lists where appropriate, are essential aspects that contribute to the effective organization of this book. Recordings for all the musical examples from the literature included in both the book and the anthology are available on the book's Online Learning Center.

The Reformation-era writings that make up the Lutheran Confessions remain lively resources for Christian ministry and mission today. Because each of the documents within the Book of Concord was written with a specific context and rhetorical purpose in mind, each has its own compelling story and objectives. Luther’s catechisms present the faith for daily life at the grass-roots level, with teaching elements that we might now view as typical of social media and multimedia. The Augsburg Confession and its Apology provide an adaptable foundation for preaching, teaching, church organization, and dialogue that is rooted in the promise of Christ, received through faith. Fifteen years after the Diet of Worms, the Smalcald Articles reveal yet another “Here I stand” moment for Luther. Finally, the Formula of Concord shows how the next generations of Lutherans used collaboration and consensus as they wrestled with important themes of faith and life. In summary, as these texts engage us with their stories, they invite us to consider what is most important about our journeys of faith and Christian witness in today’s twenty-first-century contexts.