Incidents in the Life of a Slave Girl
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|Author||: Harriet A. Jacobs|
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|Author||: Harriet Jacobs|
Harriet Jacobs' narrative of a life as a slave girl is unabridged, and contains an additional annotation at the start of the book. This section aims to give the reader an historical context, and contains a brief History of Slavery in America, and the Abolishment of Slavery. This will help set the stage for Harriet Ann Jacobs autobiography that is to follow: "I am aware that some of my adventures may seem incredible; but they are, nevertheless, strictly true. I have not exaggerated the wrongs inflicted by Slavery; on the contrary, my descriptions fall far short of the facts. I have concealed the names of places, and given persons fictitious names. I had no motive for secrecy on my own account, but I deemed it kind and considerate towards others to pursue this course. When I first arrived in Philadelphia, Bishop Paine advised me to publish a sketch of my life, but I told him I was altogether incompetent to such an undertaking. Though I have improved my mind somewhat since that time, I still remain of the same opinion; but I trust my motives will excuse what might otherwise seem presumptuous. I have not written my experiences in order to attract attention to myself; on the contrary, it would have been more pleasant to me to have been silent about my own history. I want to add my testimony to that of abler pens to convince the people of the Free States what Slavery really is. Only by experience can any one realize how deep, and dark, and foul is that pit of abominations. May the blessing of God rest on this imperfect effort in behalf of my persecuted people!" --Linda Brent (Pseudonym used by Harriet Ann Jacobs)
|Author||: Harriet A. Jacobs|
|Editor||: Cambridge University Press|
This is a far-ranging study which contextualises both the historical figure of Harriet Jacobs and her autobiography as a created work of art.
|Author||: Solomon Northup,Harriet Jacobs|
|Editor||: Createspace Independent Publishing Platform|
EXCEPTIONAL EDITION This unique book contains two exceptional slave narratives: Twelve Years a Slave by Solomon Northup Incidents in the Life of a Slave Girl by Harriet Ann Jacobs. Twelve Years a Slave (1853) is a memoir and slave narrative by Solomon Northup (1808-1863?). Northup, a black man who was born free in New York state, details his being tricked to go to Washington, D.C., where he was kidnapped and sold into slavery in the Deep South. After having been kept in bondage for 12 years in Louisiana by various masters, Northup was able to write to friends and family in New York, who in turn secured his release with the aid of the state. Northup's captivating and terrifying narrative provides extensive details on the slave markets in Washington, D.C. and New Orleans, and describes at length cotton and sugar cultivation and slave treatment on major plantations in Louisiana. This work published soon after Harriet Beecher Stowe's "Uncle Tom's Cabin" (1852), to which it lent factual support, was an instant bestseller in its own right. Incidents in the Life of a Slave Girl (1861) is an autobiography by a young mother and fugitive slave, Harriet Ann Jacobs, who used the pen name Linda Brent. The book documents Jacobs' life as a slave and how she gained freedom for herself and for her children. Jacobs contributed to the genre of slave narrative . She explores the struggles and sexual abuse that female slaves faced on plantations as well as their efforts to practice motherhood and protect their children when their children might be sold away. Jacob's book is addressed to white women in the North who do not fully comprehend the evils of slavery. She makes direct appeals to their humanity to expand their knowledge and influence their thoughts about slavery as an institution. These outstanding stories are must-read of American litterature.
|Author||: Harriet Jacobs|
This carefully crafted ebook: "Incidents in the Life of a Slave Girl (Voices From The Past Series)" is formatted for your eReader with a functional and detailed table of contents. Excerpt: "Reader be assured this narrative is no fiction. I am aware that some of my adventures may seem incredible; but they are, nevertheless, strictly true. I have not exaggerated the wrongs inflicted by Slavery; on the contrary, my descriptions fall far short of the facts. I have concealed the names of places, and given persons fictitious names. I had no motive for secrecy on my own account, but I deemed it kind and considerate towards others to pursue this course...." "Incidents in the Life of a Slave Girl" was one of the first books to address the struggle for freedom by female slaves; explore their struggles with sexual harassment and abuse; and their effort to protect their roles as women and mothers. After being overshadowed by the Civil War, the novel was rediscovered in the late 20th century and since then hasn't been out of print ever. It is one of the seminal books written on the theme of slavery from a woman's point of view and appreciated worldwide academically as well. Harriet Jacobs (1813–1897) was an African-American writer who was formerly a fugitive slave. To save her family and her own identity from being found out, she used the pseudonym of Linda Brent and wrote secretly during the night.
|Author||: Harriet Ann Jacobs|
|Editor||: Coda Books Ltd|
Harriet Ann Jacobs (February 11, 1813 - March 7, 1897) was an American writer, who escaped from the horrors of slavery and became an abolitionist speaker and reformer. Jacobs' single work, Incidents in the Life of a Slave Girl, published in 1861 under the pseudonym Linda Brent, was one of the first autobiographical narratives about the struggle for freedom by female slaves and an account of the sexual harassment and abuse they endured.
|Author||: Frank Rich|
|Editor||: Random House|
There is a superstition that if an emptied theater is ever left completely dark, a ghost will take up residence. To prevent this, a single "ghost light" is left burning at center stage after the audience and all of the actors and musicians have gone home. Frank Rich's eloquent and moving boyhood memoir reveals how theater itself became a ghost light and a beacon of security for a child finding his way in a tumultuous world. Rich grew up in the small-townish Washington, D.C., of the 1950s and early '60s, a place where conformity seemed the key to happiness for a young boy who always felt different. When Rich was seven years old, his parents separated--at a time when divorce was still tantamount to scandal--and thereafter he and his younger sister were labeled "children from a broken home." Bouncing from school to school and increasingly lonely, Rich became terrified of the dark and the uncertainty of his future. But there was one thing in his life that made him sublimely happy: the Broadway theater. Rich's parents were avid theatergoers, and in happier times they would listen to the brand-new recordings of South Pacific, Damn Yankees, and The Pajama Game over and over in their living room. When his mother's remarriage brought about turbulent changes, Rich took refuge in these same records, re-creating the shows in his imagination, scene by scene. He started collecting Playbills, studied fanatically the theater listings in The New York Times and Variety, and cut out ads to create his own miniature marquees. He never imagined that one day he would be the Times's chief theater critic. Eventually Rich found a second home at Wash-ington's National Theatre, where as a teenager he was a ticket-taker and was introduced not only to the backstage magic he had dreamed of for so long but to a real-life cast of charismatic and eccentric players who would become his mentors and friends. With humor and eloquence, Rich tells the triumphant story of how the aspirations of a stagestruck young boy became a lifeline, propelling him toward the itinerant family of theater, whose romantic denizens welcomed him into the colorful fringes of Broadway during its last glamorous era. Every once in a while, a grand spectacle comes along that introduces its audiences to characters and scenes that will resound in their memories long after the curtain has gone down. Ghost Light, Frank Rich's beautifully crafted childhood memoir, is just such an event.
|Author||: Harriet Jacobs,Hannah Townsend,Mary Townsend|
|Editor||: Seawolf Press|
A nice illustrated edition of this classic, powerful autobiography about slavery in the nineteenth century in America. Also includes The Anti-Slavery Alphabet. Incidents in the Life of a Slave Girl, is an autobiography by Harriet Jacobs, a mother and fugitive slave, published in 1861 by L. Maria Child, who edited the book for its author. Jacobs used the pseudonym Linda Brent. The book documents Jacobs's life as a slave and how she gained freedom for herself and for her children. She explores the struggles and sexual abuse that female slaves faced as well as their efforts to practice motherhood and protect their children when their children might be sold away. In the book, Jacobs addresses white Northern women who fail to comprehend the evils of slavery. She makes direct appeals to their humanity to expand their knowledge and influence their thoughts about slavery as an institution. The Anti-Slavery Alphabet Also included in this book is The Anti-Slavery Alphabet written by Hannah and Mary Townsend to help educate children about the evils of slavery.
|Author||: Zetta Elliott|
|Editor||: Little, Brown Books for Young Readers|
Inspired by the #SayHerName campaign launched by the African American Policy Forum, these poems pay tribute to victims of police brutality as well as the activists insisting that Black Lives Matter. Elliott engages poets from the past two centuries to create a chorus of voices celebrating the creativity, resilience, and courage of Black women and girls. This collection features forty-nine powerful poems, four of which are tribute poems inspired by the works of Lucille Clifton, Audre Lorde, Nikki Giovanni, and Phillis Wheatley. This provocative collection will move every reader to reflect, respond-and act.
|Author||: Jean Yellin,Harriet Ann Jacobs|
|Editor||: Civitas Books|
Provides a detailed study of the life of the nineteenth-century writer, covering her life under slavery, as a fugitive slave, and in the post-Civil War years, and her writing of the slave narrative "Incidents in the Life of a Slave Girl."
|Editor||: Sterling Publishing Company, Inc.|
Presents a collection of thirty-six of Aesop's fables, including "The Cat and the Mouse," "The Ant and the Grasshopper," and "The Vain Crow."
|Author||: Dallas Hunt|
|Editor||: Portage & Main Press|
During an unfortunate mishap, young Awâsis loses Kôhkum’s freshly baked world-famous bannock. Not knowing what to do, Awâsis seeks out a variety of other-than-human relatives willing to help. What adventures are in store for Awâsis? Awâsis and the World-Famous Bannock highlights the importance of collaboration and seeking guidance from one's community, while introducing the Cree words for different animals and baking ingredients. Find a pronunciation guide and the recipe for Kôhkum’s world-famous bannock in the back of the book.
|Editor||: Bloomsbury Publishing|
Dionysos, the God of wine and theatre has returned to his native land to take revenge on the puritanical Pentheus who refuses to recognise him of his rites. Remorselessly, savagely and with black humour, the God drives Pentheus and all the city to their shocking fate. This version was specially commissioned by the National Theatre for a production in May 2002, directed by Sir Peter Hall and scored by Sir Harrison Birtwhistle.
|Author||: Jean Fagan Yellin|
|Editor||: UNC Press Books|
Although millions of African American women were held in bondage over the 250 years that slavery was legal in the United States, Harriet Jacobs (1813-97) is the only one known to have left papers testifying to her life. Her autobiography, Incidents in the Life of a Slave Girl, holds a central place in the canon of American literature as the most important slave narrative by an African American woman. Born in Edenton, North Carolina, Jacobs escaped from her owner in her mid-twenties and hid in the cramped attic crawlspace of her grandmother's house for seven years before making her way north as a fugitive slave. In Rochester, New York, she became an active abolitionist, working with all of the major abolitionists, feminists, and literary figures of her day, including Frederick Douglass, Lydia Maria Child, Amy Post, William Lloyd Garrison, Susan B. Anthony, Harriet Beecher Stowe, Fanny Fern, William C. Nell, Charlotte Forten Grimke, and Nathan Parker Willis. Jean Fagan Yellin has devoted much of her professional life to illuminating the remarkable life of Harriet Jacobs. Over three decades of painstaking research, Yellin has discovered more than 900 primary source documents, approximately 300 of which are now collected in two volumes. These letters and papers written by, for, and about Jacobs and her activist brother and daughter provide for the thousands of readers of Incidents--from scholars to schoolchildren--access to the rich historical context of Jacobs's struggles against slavery, racism, and sexism beyond what she reveals in her pseudonymous narrative. Accompanied by a CD containing a searchable PDF file of the entire contents, this collection is a crucial launching point for future scholarship on Jacobs's life and times.
|Author||: Harriet Ann Jacobs,Lydia Maria Child,Distinguished Professor of English Jean Fagan Yellin,John S. Jacobs|
THIS EDITION HAS BEEN REPLACED BY A NEWER EDITION. This enlarged edition of the most significant and celebrated slave narrative now completes the Jacobs family saga, surely one of the most memorable in all of American history. John Jacobs's short slave narrative, A True Tale of Slavery, published in London in 1861, adds a brother's perspective to Harriet Jacobs's own autobiography. It is an exciting addition to this now classic work, as John Jacobs presents additional historical information about family life so well described already by his sister. Importantly, it presents the people, places, and events Harriet Jacobs wrote about from the different perspective of a male narrator. Once more, Jean Yellin, who discovered this long-lost document, supplies annotation and authentication. She has also brought her Introduction up to date.
|Author||: Frederick Douglass|
A new collection of the seminal writings and speeches of a legendary writer, orator, and civil rights leader This compact volume offers a full course on the remarkable, diverse career of Frederick Douglass, letting us hear once more a necessary historical figure whose guiding voice is needed now as urgently as ever. Edited by renowned scholar Henry Louis Gates, Jr., and Pulitzer Prize–nominated historian John Stauffer, The Portable Frederick Douglass includes the full range of Douglass’s works: the complete Narrative of the Life of Frederick Douglass, as well as extracts from My Bondage and My Freedom and Life and Times of Frederick Douglass; The Heroic Slave, one of the first works of African American fiction; the brilliant speeches that launched his political career and that constitute the greatest oratory of the Civil War era; and his journalism, which ranges from cultural and political critique (including his early support for women’s equality) to law, history, philosophy, literature, art, and international affairs, including a never-before-published essay on Haitian revolutionary Toussaint L’Ouverture. The Portable Frederick Douglass is the latest addition in a series of African American classics curated by Henry Louis Gates, Jr. First published in 2008, the series reflects a selection of great works of fiction, nonfiction, and poetry by African and African American authors introduced and annotated by leading scholars and acclaimed writers in new or updated editions for Penguin Classics. In his series essay, “What Is an African American Classic?” Gates provides a broader view of the canon of classics of African American literature available from Penguin Classics and beyond. Gates writes, “These texts reveal the human universal through the African American particular: all true art, all classics do this; this is what ‘art’ is, a revelation of that which makes each of us sublimely human, rendered in the minute details of the actions and thoughts and feelings of a compelling character embedded in a time and place.” For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
|Author||: Louise Meriwether|
|Editor||: Univ of South Carolina Press|
Fragments of the Ark follows the exploits of runaway slave Peter Mango, his family, and a band of fellow escaped slaves as they commandeer a Confederate gunboat out of Charleston harbor and deliver it to the Union navy. Mango is made captain of this liberated vessel and commands its crew through the duration of the war. He also travels to Washington to meet President Lincoln, adding his voice to others trying to persuade the president to allow black men to enlist in the armed forces. After the war Mango bought a home from his former master and became a political organizer for voting rights. Eventually he was elected a delegate to South Carolina's state convention to rewrite its constitution. Based on the inspirational life of Robert Smalls, Fragments of the Ark explores the American Civil War through the eyes of its most deeply wounded souls. Against this chaotic backdrop, the novel sweeps readers into Mango's heroic quest for the most basic of human rights, a safe haven to nurture a family bound by love and not fear, and the freedom to be the master of his own life.
|Author||: Kim Frintrop|
|Editor||: GRIN Verlag|
Seminar paper from the year 2014 in the subject American Studies - Literature, grade: 1,3, Johannes Gutenberg University Mainz, course: American Literature, language: English, abstract: Incidents in the Life of a Slave Girl by Harriet Jacobs is a narrative which is much more than a typical antebellum slave narrative since it can be characterized as a public document which provides an insight into the spirit, psyche and history of an African American slave woman who fights for an antislavery reform (Sánchez-Eppler 83). Incidents covers many topics such as the brutal and ruthless behavior of the white middle-class towards African American slaves, the peculiar institution and the strong familiar coherence based on female slaves. Another very significant topic, which is covered with high importance throughout the autobiography, is the image of the woman during the nineteenth century in the United States. The ideal of an American true woman during the antebellum period was coined by four cardinal virtues of the Victorian Age: piety, purity, domesticity and submissiveness. Further research of Jacobs’ autobiography proves that neither white female middle and upper class women nor African American female slaves are able to meet all the standards of a true woman due to the institution of slavery. To prove the statement above, I will initially explain what was meant by the ideology of true womanhood during the mid-nineteenth century in America. Then the paper will transfer the principles of true womanhood to the protagonist’s living conditions and to other important female characters such as Mrs. Flint, Aunt Marthy and Mrs. Bruce. Concerning this matter, it is important to mention that the narrator Linda Brent and the author Harriet Jacobs are the same in the autobiography because Jacobs has given persons fictitious names in order to protect their identities. Harriet Jacobs’ name will be used when talking about the author, but her pseudonym Linda Brent will be used with regard to the protagonist.