Listening to Music

Listening to Music
Author: Craig Wright
Release: 2007-01-25
Editor: Schirmer Books
Pages: 510
ISBN: STANFORD:36105124082764
Language: en
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DESCRIPTION BOOK:

Compact disc contains 25 tracks of music by different performers as listed in the text.

What to Listen For in Music

What to Listen For in Music
Author: Aaron Copland
Release: 2011-02-01
Editor: Penguin
Pages: 304
ISBN: 9781101513149
Language: en
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DESCRIPTION BOOK:

Now in trade paperback: “The definitive guide to musical enjoyment” (Forum). In this fascinating analysis of how to listen to both contemporary and classical music analytically, eminent American composer Aaron Copland offers provocative suggestions that will bring readers a deeper appreciation of the most viscerally rewarding of all art forms.

The Listening Book

The Listening Book
Author: W. A. Mathieu
Release: 1991-03-27
Editor: Shambhala Publications
Pages: 192
ISBN: 9780834827677
Language: en
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DESCRIPTION BOOK:

The Listening Book is about rediscovering the power of listening as an instrument of self-discovery and personal transformation. By exploring our capacity for listening to sounds and for making music, we can awaken and release our full creative powers. Mathieu offers suggestions and encouragement on many aspects of music-making, and provides playful exercises to help readers appreciate the connection between sound, music, and everyday life.

Being Musically Attuned

Being Musically Attuned
Author: Erik Wallrup
Release: 2016-04-15
Editor: Routledge
Pages: 286
ISBN: 9781317175391
Language: en
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DESCRIPTION BOOK:

Listening according to mood is likely to be what most people do when they listen to music. We want to take part in, or even be part of, the emerging world of the musical work. Using the sources of musical history and philosophy, Erik Wallrup explores this extremely vague and elusive phenomenon, which is held to be fundamental to musical hearing. Wallrup unfolds the untold musical history of the German word for ’mood’, Stimmung, which in the 19th century was abundant in the musical aesthetics of the German-Austrian sphere. Martin Heidegger’s much-discussed philosophy of Stimmung is introduced into the field of music, allowing Wallrup to realise fully the potential of the concept. Mood in music, or, to be more precise, musical attunement, should not be seen as a peculiar kind of emotionality, but that which constitutes fundamentally the relationship between listener and music. Exploring mood, or attunement, is indispensable for a thorough understanding of the act of listening to music.

Music Ways of Listening

Music  Ways of Listening
Author: Elliott Schwartz
Release: 1982
Editor: Unknown
Pages: 534
ISBN: STANFORD:36105007517183
Language: en
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DESCRIPTION BOOK:

"Music: Ways of Listening" is intended for use in introductory college courses for students with little or no prior background in music, and is focused upon the development of perceptive listening skills and a broad survey of the Western concert literature. -- From preface.

How to Listen to Music

How to Listen to Music
Author: Henry Edward Krehbiel
Release: 2020-07-29
Editor: Unknown
Pages: 158
ISBN: 9783752364828
Language: en
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DESCRIPTION BOOK:

Reproduction of the original: How to Listen to Music by Henry Edward Krehbiel

Every Song Ever

Every Song Ever
Author: Ben Ratliff
Release: 2016-02-25
Editor: Allen Lane
Pages: 272
ISBN: 1846146844
Language: en
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DESCRIPTION BOOK:

"For the first time in the history of music, we can listen to nearly anything, at any time. New technologies make it possible for us to roam across musical genres and generations, from Detroit techno to jam bands to baroque opera - or to drive deeper into the set of tastes that we already have. These new possibilities overturn old assumptions about what it means to properly appreciate music. In Every Song Ever, celebrated critic Ben Ratliff reimagines the very idea of music appreciation for our times. As familiar categories like 'rock' or 'jazz' matter less and less, listeners can put aside the intentions of musicians and engage with music afresh on their own terms, by experience rather than genre. If we listen for loudness, for instance, we can detect the surprising affinities between The Sex Pistols' 'Holidays in the Sun' and the dance music of David Guetta and Sia. And if we listen for closeness, we might notice how the tight harmonies of Lennon and McCartney in 'She Loves You' illuminate the synchrony of John Coltrane's quartet. Ratliff also goes in search of 'the perfect moment'; enters the psychological state of slow music as exemplified by DJ Screw, Sarah Vaughan and the final works of Shostakovich; considers what it means to hear emotion by sampling the complex sadness of Nick Drake; and examines why some people want to document and possess the entire performance history of the Grateful Dead. Encompassing the sounds of five continents and several centuries, Ratliff's book is an artful work of criticism, a lesson in open-mindedness and an invitation to experiment in our new world of sound."

Music in Television

Music in Television
Author: James Deaville
Release: 2011-03-01
Editor: Routledge
Pages: 244
ISBN: 9781136826351
Language: en
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DESCRIPTION BOOK:

Music in Television is a collection of essays examining television’s production of meaning through music in terms of historical contexts, institutional frameworks, broadcast practices, technologies, and aesthetics. It presents the reader with overviews of major genres and issues, as well as specific case studies of important television programs and events. With contributions from a wide range of scholars, the essays range from historical-analytical surveys of TV sound and genre designations to studies of the music in individual programs, including South Park and Dr. Who.

The Musical Life

The Musical Life
Author: W. A. Mathieu
Release: 1994-05-24
Editor: Shambhala Publications
Pages: 248
ISBN: 9780834829299
Language: en
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DESCRIPTION BOOK:

Everyone, according to W.A. Mathieu, is musical by nature—it goes right along with being human. And if you don't believe it, this book will convince you. In a series of interrelated short essays, Mathieu takes the reader on a journey through ordinary experiences to open our ears to the rich variety of music that surrounds us but that we are trained to ignore; such as the variety of pitches produced by different objects, like glassware, furniture, drums—anything you can tap; or sounds that hover on the border of music, like laughter, the clinking of glasses in a toast, or the unintentional falsetto produced by yawning. Along the way the author teaches aspects of music theory that nonmusicians might ordinarily shy away from. He reveals the way of music to be a profoundly spiritual path—one that is everyone's birthright.

Musical Listening in the Age of Technological Reproduction

Musical Listening in the Age of Technological Reproduction
Author: Gianmario Borio
Release: 2016-04-29
Editor: Routledge
Pages: 430
ISBN: 9781317091448
Language: en
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DESCRIPTION BOOK:

It is undeniable that technology has made a tangible impact on the nature of musical listening. The new media have changed our relationship with music in a myriad of ways, not least because the experience of listening can now be prolonged at will and repeated at any time and in any space. Moreover, among the more striking social phenomena ushered in by the technological revolution, one cannot fail to mention music’s current status as a commodity and popular music’s unprecedented global reach. In response to these new social and perceptual conditions, the act of listening has diversified into a wide range of patterns of behaviour which seem to resist any attempt at unification. Concentrated listening, the form of musical reception fostered by Western art music, now appears to be but one of the many ways in which audiences respond to organized sound. Cinema, for example, has developed specific ways of combining images and sounds; and, more recently, digital technology has redefined the standard forms of mass communication. Information is aestheticized, and music in turn is incorporated into pre-existing symbolic fields. This volume - the first in the series Musical Cultures of the Twentieth Century - offers a wide-ranging exploration of the relations between sound, technology and listening practices, considered from the complementary perspectives of art music and popular music, music theatre and multimedia, composition and performance, ethnographic and anthropological research.

Listening in Action

Listening in Action
Author: Rebecca M Rinsema
Release: 2016-10-14
Editor: Taylor & Francis
Pages: 172
ISBN: 9781317104681
Language: en
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DESCRIPTION BOOK:

In an age when students come to class with more varied music listening preferences and experiences than ever before, music educators can find themselves at a loss for how to connect with their students. Listening in Action provides the beginnings of a solution to this problem by characterizing students’ contemporary music listening experiences as they are mediated by digital technologies. Several components of contemporary music listening experiences are described, including: the relationship between music listening experiences and listener engagements with other activities; listener agency in creating playlists and listening experiences as a whole; and the development of adolescent identities as related to the agency afforded by music listening devices. The book provides an accessible introduction to scholarship on music listening across the disciplines of musicology, ethnomusicology, sociology of music, psychology of music, and music education. By reading Listening in Action, music educators can gain an understanding of recent theories of music listening in everyday life and how those theories might be applied to bridge the gap between music pedagogies and students who encounter music in a heavily mediated, postperformance world.

A Century of Recorded Music

A Century of Recorded Music
Author: Timothy Day
Release: 2000-01-01
Editor: Yale University Press
Pages: 340
ISBN: 0300094019
Language: en
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DESCRIPTION BOOK:

Looks at the history of recording technology and its effect on music, including artistic performance, listening habits, and audience participation.

Listening to Music in Psychotherapy

Listening to Music in Psychotherapy
Author: Mary Butterton
Release: 2016-07-06
Editor: CRC Press
Pages: 316
ISBN: 9781138030282
Language: en
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DESCRIPTION BOOK:

Evidence-based change is central to many recent developments in the NHS. This book brings together practical and personal experiences from a wide range of externally evaluated healthcare projects. It demonstrates how to facilitate and promote evidence-based change by drawing on realistic advice on what is, and is not, effective. It enables readers to benefit from lessons learned and provides a comprehensive insight into implementing changes based on research evidence, across broad range of settings in the NHS. 'An important book. It has many exciting insights, enjoy it.' Jenny Simpson in the Foreword 'A unique collection. There are some brave admissions and this is probably the best attempt yet to capture the nitty-gritty of the evidence-into-practice agenda in UK healthcare. I hope you find it a gripping read'. Trisha Greenhalgh in the Foreword

How Music Empowers

How Music Empowers
Author: Steven Gamble
Release: 2021-03-15
Editor: Routledge
Pages: 178
ISBN: 9781000369328
Language: en
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DESCRIPTION BOOK:

How Music Empowers argues that empowerment is the key to unlocking the long-standing mystery of how music moves us. Drawing upon cutting-edge research in embodied cognitive science, psychology, and cultural studies, the book provides a new way of understanding how music affects listeners. The argument develops from our latest conceptions of what it is to be human, investigating experiences of listening to popular music in everyday life. Through listening, individuals have the potential to redefine themselves, gain resilience, connect with other people, and make a difference in society. Applying a groundbreaking theoretical framework to postmillennial rap and metal, the book uncovers why vast numbers of listeners engage with music typically regarded as ‘social problems’ or dismissed as ‘extreme’. In the first ever comparative analytical treatment of rap and metal music, twenty songs are analysed as case studies that reveal the empowering potential of listening. The book details how individuals interact with rap and metal communities in a self-perpetuating process which keeps these thriving music cultures – and the listeners themselves – alive and well. Can music really change the world? How Music Empowers answers: yes, because it changes us. How Music Empowers will interest scholars and researchers of popular music, ethnomusicology, music psychology, music therapy, and music education.

Music in Our Lives

Music in Our Lives
Author: Jonathan L. Friedmann
Release: 2014-12-19
Editor: McFarland
Pages: 205
ISBN: 9780786497591
Language: en
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DESCRIPTION BOOK:

Music research has entered something of a Golden Age. Technological advances and scholarly inquiry have merged in interdisciplinary studies--drawing on psychology, neuroscience, evolutionary biology, anthropology and other fields--that illuminate the musical nature of our species. This volume develops, supports and challenges that body of research, examining key issues in the field, such as the difficulty of writing about music, the formation of musical preferences, the emotional impact of musical sounds, the comparison of music and language, the impulse for making music and the connection between music and spirituality.

Musical Cognition

Musical Cognition
Author: Henkjan Honing
Release: 2017-12-04
Editor: Routledge
Pages: 161
ISBN: 9781351297349
Language: en
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DESCRIPTION BOOK:

Making Easy Listening

Making Easy Listening
Author: Tim J. Anderson
Release: 2006
Editor: U of Minnesota Press
Pages: 282
ISBN: 9780816645183
Language: en
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DESCRIPTION BOOK:

Studie over hoe de moderne opname- en geluidstechnieken van na de oorlog in de Verenigde Staten het idioom van de populaire muziek, inclusief beeldvorming en appreciatie, ingrijpend hebben gewijzigd.

Pop Music and Easy Listening

Pop Music and Easy Listening
Author: Stan Hawkins
Release: 2017-07-05
Editor: Routledge
Pages: 560
ISBN: 9781351553780
Language: en
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DESCRIPTION BOOK:

What defines pop music? Why do we consider some styles as easier listening than others? Arranged in three parts: Aesthetics and Authenticity - Groove, Sampling and Industry - Subjectivity, Ethnicity and Politics, this collection of essays by a group of international scholars deals with these questions in diverse ways. This volume prepares the reader for the debates around pop's intricate historical, aesthetic and cultural roots. The intellectual perspectives on offer present the interdisciplinary aspects of studying music and, spanning more than twenty-five years, these essays form a snapshot of some of the authorial voices that have shaped the specific subject matter of pop criticism within the broader field of popular music studies. A common thread running through these essays is the topic of interpretation and its relation to conceptions of musicality, subjectivity and aesthetics. The principle aim of this collection is to demonstrate that pop music needs to be evaluated on its own terms within the cultural contexts that make it meaningful.

Listening to Popular Music Or How I Learned to Stop Worrying and Love Led Zeppelin

Listening to Popular Music  Or  How I Learned to Stop Worrying and Love Led Zeppelin
Author: Theodore Gracyk
Release: 2007
Editor: University of Michigan Press
Pages: 272
ISBN: 0472069837
Language: en
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DESCRIPTION BOOK:

Publisher description

This Is Your Brain on Music

This Is Your Brain on Music
Author: Daniel J. Levitin
Release: 2006-08-03
Editor: Penguin
Pages: 336
ISBN: 9781101218914
Language: en
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DESCRIPTION BOOK:

In this groundbreaking union of art and science, rocker-turned-neuroscientist Daniel J. Levitin explores the connection between music—its performance, its composition, how we listen to it, why we enjoy it—and the human brain. Taking on prominent thinkers who argue that music is nothing more than an evolutionary accident, Levitin poses that music is fundamental to our species, perhaps even more so than language. Drawing on the latest research and on musical examples ranging from Mozart to Duke Ellington to Van Halen, he reveals: • How composers produce some of the most pleasurable effects of listening to music by exploiting the way our brains make sense of the world • Why we are so emotionally attached to the music we listened to as teenagers, whether it was Fleetwood Mac, U2, or Dr. Dre • That practice, rather than talent, is the driving force behind musical expertise • How those insidious little jingles (called earworms) get stuck in our head A Los Angeles Times Book Award finalist, This Is Your Brain on Music will attract readers of Oliver Sacks and David Byrne, as it is an unprecedented, eye-opening investigation into an obsession at the heart of human nature.