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|Author||: Bonnie Brown Walmsley,Sean A. Walmsley|
|Editor||: Scholastic Inc.|
Engaging teaching activities and rare, inside glimpse into Marc Brown's creative process that will captivate your students almost as much as Arthur does!
|Author||: Deborah J. Byrne|
|Editor||: Libraries Unlimited|
Created for librarians new to MARC and for those accustomed to using MARC data, this handbook explains all three types of MARC records, and it gives considerations and specifications for MARC database processing, MARC products, and online systems. Byrne addresses MARC format integration in a separate chapter new to this edition and thoroughly explains the new and changed MARC codes that resulted from MARC format integration. In another new chapter she covers the MARC Format for Community Information.
|Author||: Deborah A. Fritz,Richard J. Fritz,Association of Specialized and Cooperative Library Agencies|
|Editor||: American Library Association|
Provides an introduction to MARC21, including quizzes, tables, and examples, to explain the shared language of tags, subfields, indicators, and codes.
|Author||: Eric A. Kimmel|
|Editor||: Random House Books for Young Readers|
Marc, an imaginative Russian boy, discovers his talent for drawing and, with the encouragement of a friend and an art teacher, decides to become an artist, in a delightful story that is based loosely on the childhood of Marc Chagall. Reprint.
|Author||: David Burrell|
The third world war ended in great devastation but the mindset of the survivors had Fundamentally changed. new ways of governing the world had to be found and implemented. the war ended with the discovery of 'the Darkness' a force, that infects people leaving them victim to their baser thoughts and instincts. Many hundreds of years had passed when Marc a young street fighter is caught by the local watch and would have been sent to a correction prison or labour camp, but Sir Rueben steps in and recruits Marc to fight against the 'darkness' and in doing so Marc's eyes are opened to the possibilities that the world may offer. However, before he is able to develop these possibilities Marc is called upon to betray Sir Rueben or forfeit his mother's life. Has the story come to an end before it has begun?
|Author||: Zia Javanbakht,Andreas Öchsner|
This book offers an in-depth insight into the general-purpose finite element program MSC Marc, which is distributed by MSC Software Corporation. It is a specialized program for nonlinear problems (implicit solver) which is common in academia and industry. The primary goal of this book is to provide a comprehensive introduction to a special feature of this software: the user can write user-subroutines in the programming language Fortran, which is the language of all classical finite element packages. This subroutine feature allows the user to replace certain modules of the core code and to implement new features such as constitutive laws or new elements. Thus, the functionality of commercial codes (‘black box’) can easily be extended by linking user written code to the main core of the program. This feature allows to take advantage of a commercial software package with the flexibility of a ‘semi-open’ code.
|Author||: Shirley Thompson|
The tercentenary of Marc-Antoine Charpentier's death in 2004 stimulated a surge of activity on the part of performers and scholars, confirming the modern assessment of Charpentier (1643-1704) as one of the most important and inventive composers of the French Baroque. The present book provides a snapshot of Charpentier scholarship in the early years of the new century. Its 13 chapters illustrate not only the sheer variety of strands currently pursued, but also the way in which these strands frequently intertwine and generate the potential for future research. Between them, they examine facets of the composer's compositional language and process, aspects of his performance practice and notation, the contexts within which he worked, and the nature of his legacy. The appendix contains a transcription of the inventory of Charpentier's manuscripts prepared when their sale to the Royal Library was negotiated in 1726 - an invaluable research tool, as numerous chapters in the book demonstrate. The wide variety of topics covered here will appeal both to readers interested in Charpentier's music and to those with a broader interest in the music and culture of the French Baroque, including aspects of patronage, church and theatre. Far from treating his output in isolation, this book places it in the wider context alongside such composers as Lully, Lalande, Marais, Fran‘s Couperin and Rameau; it also views the composer in relation to his Italian training. In the process, the under-examined question of influence - who influenced Charpentier? whom did he influence? - repeatedly comes to the fore. The book's Foreword was written by H. Wiley Hitchcock shortly before he died. Hitchcock's own part in raising the profile of Charpentier and his music to the level of recognition which it now enjoys cannot be emphasized enough. Appropriately the volume is dedicated to his memory.
|Author||: Howard Pollack|
|Editor||: Oxford University Press|
Award-winning music historian Howard Pollack's new biography of Marc Blitzstein deftly captures the fascinating life and career of an American composer who was openly gay and Marxist at a time when neither was acceptable to the American public. The first biographer to deal with Blitzstein's music as well as his life, Pollack delves deeply into the Blitzstein's life, uncovering new details about his marriage to novelist Eva Goldbeck and his compositional process. Beautifully written and meticulously researched, this book is a must-have for any fan of Broadway or American music.
|Author||: Jane Donnelly|
Love thy neighbor? Things had a way of happening around Robin Johnson. She always seemed to be in the middle of some scrape or another! She could understand why the cool, discerning lawyer Marc Hammond should have reservations about hiring Robin as his great-aunt's companion. She was hardly the quiet and retiring type—but then, neither was his great-aunt! It looked as if Marc was going to have his hands full with Robin in the house. She was quite simply enough to drive any man to distraction!
|Author||: United States. Archival Research and Evaluation Staff|
|Author||: United States,United States. Congress. House. Committee on Government Operations. Government Information, Justice, and Agriculture Subcommittee|
|Author||: Davis Bunn|
|Editor||: Bethany House|
Marc Royce works for the State Department on special assignments, most of them rather routine, until two CIA operatives go missing in Iraq--kidnapped by Taliban forces bent on generating chaos in the region. Two others also drop out of sight--a high-placed Iraqi civilian and an American woman providing humanitarian aid. Are the disappearances linked? Rumors circulate in a whirl of misinformation. Marc must unravel the truth in a covert operation requiring utmost secrecy--from both the Americans and the insurgents. But even more secret than the undercover operation is the underground dialogue taking place between sworn enemies. Will the ultimate Reconciler between ancient enemies, current foes, and fanatical religious factions be heard?
Marc Bolan was the very first superstar of the 1970s As the seductive focus of T Rex he revelled in fame and fortune released a string of classic records before tragically losing his way The fatal car accident in 1977 cut short his planned comeback as a punk rocker but also served to fix Bolan as the definitive icon of the Glam years Bolan s music and chameleonic style were to influence a generation of future bands Drawing from interviews with many of his friends and colleagues including broadcaster John Peel brother Harry and band members Mickey Finn and Bill Legend
|Author||: Mark Paytress|
|Editor||: Omnibus Press|
Marc Bolan was the very first superstar of the 1970s. As the seductive focus of T. Rex he revelled in fame and fortune, released a string of classic records before tragically losing his way. The fatal car accident in 1977 cut short his planned comeback as a punk rocker, but also served to fix Bolan as the definitive icon of the Glam years. Bolan's music and chameleonic style were to influence a generation of future bands. In his various guises he could be a beatnik, a mod, a punk, a hippie and a Glam hero. This biography of a pop obsessive draws from interviews with many friends and colleagues including broadcaster John Peel, brother Harry and band members Mickey Finn and Bill Legend.
|Author||: Catherine Donati-Martin,Antoine Lejay,Alain Rouault|
This volume is dedicated to the memory of Marc Yor, who passed away in 2014. The invited contributions by his collaborators and former students bear testament to the value and diversity of his work and of his research focus, which covered broad areas of probability theory. The volume also provides personal recollections about him, and an article on his essential role concerning the Doeblin documents. With contributions by P. Salminen, J-Y. Yen & M. Yor; J. Warren; T. Funaki; J. Pitman& W. Tang; J-F. Le Gall; L. Alili, P. Graczyk & T. Zak; K. Yano & Y. Yano; D. Bakry & O. Zribi; A. Aksamit, T. Choulli & M. Jeanblanc; J. Pitman; J. Obloj, P. Spoida & N. Touzi; P. Biane; J. Najnudel; P. Fitzsimmons, Y. Le Jan & J. Rosen; L.C.G. Rogers & M. Duembgen; E. Azmoodeh, G. Peccati & G. Poly, timP-L Méliot, A. Nikeghbali; P. Baldi; N. Demni, A. Rouault & M. Zani; N. O'Connell; N. Ikeda & H. Matsumoto; A. Comtet & Y. Tourigny; P. Bougerol; L. Chaumont; L. Devroye & G. Letac; D. Stroock and M. Emery.
|Author||: Oklahoma. Department of Libraries|
Following the discussions of: what is SLICE, what is MARC, what is MARC-O, and what is SLICE/MARC-O are description of the five services offered by SLICE/MARC-O. These services are: (1) cataloging data search and print, (2) MARC record and search and copy, (3) standard S.D.I. current awareness, (4) custom S.D.I. current awareness and (5) SLICE staff support. Document resume.