In 1914 Karen Blixen arrived in Kenya with her husband to run a coffee-farm. Drawn to the exquisite beauty of Africa, she spent her happiest years there until the plantation failed. A poignant farewell to her beloved farm, Out of Africa describes her friendships with the local people, her dedication for the landscape and wildlife, and great love for the adventurer Denys Finch-Hatton.

From the moment Karen Blixen arrived in Kenya in 1914 to manage a coffee plantation, her heart belonged to Africa. Drawn to the intense colours and ravishing landscapes, Karen Blixen spent her happiest years on the farm and her experiences and friendships with the people around her are vividly recalled in these memoirs. She describes her strong friendships with the people of the area, her affection for the landscape and animals, and great love for the adventurer Denys Finch-Hatton. Written with astonishing clarity and an unsentimental intelligence, Out of Africa is the story of a remarkable and unconventional woman and of a way of life that has vanished for ever.

From the moment Karen Blixen arrived in Kenya in 1914 to manage a coffee plantation, her heart belonged to Africa. Drawn to the intense colours and ravishing landscapes, Karen Blixen spent her happiest years on the farm and her experiences and friendships with the people around her are vividly recalled in these memoirs. She describes her strong friendships with the people of the area, her affection for the landscape and animals, and great love for the adventurer Denys Finch-Hatton. Written with astonishing clarity and an unsentimental intelligence, Out of Africa is the story of a remarkable and unconventional woman and of a way of life that has vanished for ever.

With classic simplicity and a painter's feeling for atmosphere and detail, Isak Dinesen tells of the years she spent from 1914 to 1931 managing a coffee plantation in Kenya.

These five rich, witty and magical stories from the author of Out of Africa include one of her most well known tales, ‘Babette’s Feast’, which was made into the classic film. It tells the story of a French cook working in a puritanical Norwegian community, who treats her employers to the decadent feast of a lifetime. There is also a real-life Prospero and his Ariel in ‘Tempests’, a mysterious pearl-fisher in ‘The Diver’ and a brief, tragic encounter in ‘The Ring’. All the stories have a mystic, fairy-tale quality, linked by themes of angels, the sea, dreams and fate. They were among the last to be written by Isak Dinesen, and show her as a master of short fiction.

At the heart of this book is the argument that the fact that so many post-structuralist French intellectuals have a strong ‘colonial’ connection, usually with Algeria, cannot be a coincidence. The ‘biographical’ fact that so many French intellectuals were born in or otherwise connected with French Algeria has often been noted, but it has never been theorised. Ahluwalia makes a convincing case that post-structuralism in fact has colonial and postcolonial roots. This is an important argument, and one that ‘connects’ two theoretical currents that continue to be of great interest, post-structuralism and postcolonialism. The re-reading of what is now familiar material against the background of de-colonial struggles demonstrates the extent to which it is this new condition that prompted theory to question long-held assumptions inscribed in the European colonial enterprise. The wide-ranging discussion, ranging across authors as different as Foucault, Derrida, Fanon, Althusser, Cixous, Bourdieu and Lyotard, enables the reader to make connections that have remained unnoticed or been neglected. It also brings back into view a history of struggles, both political and theoretical, that has shaped the landscape of critique in the social sciences and humanities. This clear and lucid discussion of important and often difficult thinkers will be widely read and widely debated by students and academics alike.

The classic memoir of Africa, aviation, and adventure—the inspiration for Paula McLain’s Circling the Sun and “a bloody wonderful book” (Ernest Hemingway). Beryl Markham’s life story is a true epic. Not only did she set records and break barriers as a pilot, she shattered societal expectations, threw herself into torrid love affairs, survived desperate crash landings—and chronicled everything. A contemporary of Karen Blixen (better known as Isak Dinesen, the author of Out of Africa), Markham left an enduring memoir that soars with astounding candor and shimmering insights. A rebel from a young age, the British-born Markham was raised in Kenya’s unforgiving farmlands. She trained as a bush pilot at a time when most Africans had never seen a plane. In 1936, she accepted the ultimate challenge: to fly solo across the Atlantic Ocean from east to west, a feat that fellow female aviator Amelia Earhart had completed in reverse just a few years before. Markham’s successes and her failures—and her deep, lifelong love of the “soul of Africa”—are all told here with wrenching honesty and agile wit. Hailed as “one of the greatest adventure books of all time” by Newsweek and “the sort of book that makes you think human beings can do anything” by the New York Times, West with the Night remains a powerful testament to one of the iconic lives of the twentieth century.

Isak Dinesen takes up the absorbing story of her life in Kenya begun in the unforgettable Out of Africa, which she published under the name of Karen Blixen. With warmth and humanity these four stories illuminate her love both for the African people, their dignity and traditions, and for the beauty and wildness of the landscape. The first three were written in the 1950s and the last, 'Echoes from the Hills', was written especially for this volume in the summer of 1960 when the author was in her seventies. In all they provide a moving final chapter to her African reminiscences.

In 1938, Virginia and Ray Garner began making films in the Belgian Congo and French Cameroons. This book features Virginia Garner's diaries, which highlight the challenges of making films in Africa in the 1930s and include rich descriptions of cross-cultural interactions and micro-negotiations with chiefs, headmen, and villagers.

Originally published in 1934, Seven Gothic Tales, the first book by "one of the finest and most singular artists of our time" (The Atlantic), is a modern classic. Here are seven exquisite tales combining the keen psychological insight characteristic of the modern short story with the haunting mystery of the nineteenth-century Gothic tale, in the tradition of writers such as Goethe, Hoffmann, and Poe. Copyright © Libri GmbH. All rights reserved.

‘Often, at the hour of day when the savannah grass is streaked with silver, and pale gold rims the silhouettes of the hills, I drive with my dogs up to the Mukutan, to watch the sun setting behind the lake, and the evening shadows settle over the valleys and plains of the Laikipia plateau.’ Kuki Gallmann’s haunting memoir of bringing up a family in Kenya in the 1970s first with her husband Paulo, and then alone, is part elegaic celebration, part tragedy, and part love letter to the magical spirit of Africa.

Green Hills of Africa is a work of nonfiction by American writer Ernest Hemingway. Hemingway's second work of nonfiction, Green Hills of Africa is an account of a month on safari he and his wife, Pauline Marie Pfeiffer, took in East Africa during December 1933. Much of the narrative describes Hemingway's adventures hunting in East Africa, interspersed with ruminations about literature and authors. Generally the East African landscape Hemingway describes is in the region of Lake Manyara in Tanzania.

Written to her family, these letters recount the failure of Dinesen's marriage, the financial collapse of her husband's coffee plantation, and her experiences in Kenya

Demonstrates how Africa's physical features, savannas and abundant grazers enabled frugivorous apes to become savanna-living hunters.

Beautiful and historic African carpets, baskets, and other textiles provide the design inspiration for these 16 sophisticated knitted cardigans, pullovers, and sweater vests. Intended for seasoned knitters, these projects use domino, double knitting, entrelac, intarsia, and stranded two-color techniques worked in fingering-weight yarns. The Shoowa Vest, the African Domino Pullover, and the Arrowheads Cropped Pullover show off fancy stitching, while other designs feature colors borrowed from the mud-dried fabrics of Mali, the block patterns of Ghana, or motifs from Nigeria, Sierra Leone, Zaire, and Zimbabwe. African animals decorate the Giraffe Vest and Zebra Cardigan, and elsewhere leaping antelope and birds in flight are used in repeating patterns. Full instructions and charted patterns for at least two adult sizes are provided for each design and high-quality photographs of the finished pieces showcase these classic additions to any wardrobe.

Keith B. Richburg was an experienced and respected reporter who had paid his dues covering urban neighborhoods in Washington D.C., and won praise for his coverage of Southeast Asia. But nothing prepared him for the personal odyssey that he would embark upon when he was assigned to cover Africa. In this powerful book, Richburg takes the reader on an extraordinary journey that sweeps from Somalia to Rwanda to Zaire and finally to South Africa. He shows how he came to terms with the divide within himself: between his African racial heritage and his American cultural identity. Are these really my people? Am I truly an African-American? The answer, Richburg finds, after much soul-searching, is that no, he is not an African, but an American first and foremost. To those who romanticize Mother Africa as a black Valhalla, where blacks can walk with dignity and pride, he regrets that this is not the reality. He has been there and witnessed the killings, the repression, the false promises, and the horror. "Thank God my nameless ancestor, brought across the ocean in chains and leg irons, made it out alive," he concludes. "Thank God I am an American."

In Starved for Science Paarlberg explains why poor African farmers are denied access to productive technologies, particularly genetically engineered seeds with improved resistance to insects and drought. He traces this obstacle to the current opposition to farm science in prosperous countries.

Our Continent, Our Future presents the emerging African perspective on this complex issue. The authors use as background their own extensive experience and a collection of 30 individual studies, 25 of which were from African economists, to summarize this African perspective and articulate a path for the future. They underscore the need to be sensitive to each country's unique history and current condition. They argue for a broader policy agenda and for a much more active role for the state within what is largely a market economy. Finally, they stress that Africa must, and can, compete in an increasingly globalized world and, perhaps most importantly, that Africans must assume the leading role in defining the continent's development agenda.