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|Author||: Jennifer Good,Paul Lowe|
Understanding Photojournalism explores the interface between theory and practice at the heart of photojournalism, mapping out the critical questions that photojournalists and picture editors consider in their daily practice and placing these in context. Outlining the history and theory of photojournalism, this textbook explains its historical and contemporary development; who creates, selects and circulates images; and the ethics, aesthetics and politics of the practice. Carefully chosen, international case studies represent a cross section of key photographers, practices and periods within photojournalism, enabling students to understand the central questions and critical concepts. Illustrated with a range of photographs and case material, including interviews with contemporary photojournalists, this book is essential reading for students taking university and college courses on photography within a wide range of disciplines and includes an annotated guide to further reading and a glossary of terms to further expand your studies.
|Author||: Kenneth Kobre|
|Editor||: Gulf Professional Publishing|
A comprehensive text offers coverage of news, features, sports, politics, and contemporary issues and includes interviews with leading professionals, technical illustrations, and summaries of the latest research in the field.
|Author||: Paul Martin Lester|
Originally published in 1991. "A photojournalist is a mixture of a cool, detached professional and a sensitive, involved citizen. The taking of pictures is much more than F-stops and shutter speeds. The printing of pictures is much more than chemical temperatures and contrast grades. The publishing of pictures is much more than cropping and size decisions. A photojournalist must always be aware that the technical aspects of the photographic process are not the primary concerns." This book addresses ethics in photojournalism in depth, with sections on the philosophy in the discipline, on pictures of victims or disaster scenes, on privacy rights and on altering images. As important and interesting today as when it was first in print.
|Author||: JONAS. BENDIKSEN|
|Editor||: Gost Books|
Photographs of contemporary Veles are intertwined with fragments from an archaeological discovery also called 'the Book of Veles' -- a cryptic collection of 40 'ancient' wooden boards discovered in Russia in 1919, written in a proto-Slavic language. It was claimed to be a history of the Slavic people and the god Veles himself--the pre-Christian Slavic god of mischief, chaos and deception
|Author||: Brian Horton|
|Editor||: McGraw Hill Professional|
Written by noted AP photographer and photoeditor Brian Horton, this is an insider’s manual to one of the most glamorous and exciting media professions. Emphasizing the creative process behind the photojournalist’s art, Brian Horton draws upon his three decades of experience, as well as the experiences of other award-winning photojournalists, to instruct readers in the secrets of snapping memorable news photos every time. With the help of more than 100 photographs from the AP archives, he analyzes what constitutes successful news photos of every type, including portraits, tableaux, sports shots, battlefield scenes, and more, as well as offering tips on how to develop a style of your own.
|Author||: Greg Lewis|
|Editor||: McGraw-Hill Humanities, Social Sciences & World Languages|
Updated throughout to reflect recent technological advances and changes, Photojournalism: Content & Technique, second edition, continues the commitment to contemporary coverage. Your students will learn about the principles, tools, and techniques needed to become effective photojournalists. Like the previous edition, parts and chapters progress logically from beginning to more advanced ideas, yet each chapter functions as an independent unit giving you greater flexibility in the classroom.
|Author||: Thelma Fayle|
|Editor||: Heritage House Publishing Co|
Ted Grant, the undisputed father of Canadian photojournalism, has made a career out of being in the right place at the right time. Over his sixty years in the business, he has immortalized some of the greatest events in history and caught some of the world's most famous and elusive subjects in rare moments of unaffected humanity. From Pierre Trudeau sliding jubilantly down a banister to Ben Johnson in his brief moment of glory at the 1988 Olympics to Sue Rodriguez in her right-to-die campaign, Grant has amassed a collection of over 300,000 photographs—the largest by a single photojournalist in Canadian history. Based on over fifty interviews with the man himself (as well as with his family, friends and colleagues across Canada) and extensive research of the Ted Grant Special Collections in Ottawa, this book is both an iconic and an intimate portrait of the second half of the twentieth century, Canada's coming of age, and the man who saw it all through the lens of his camera.
|Author||: Howard Chapnick|
|Editor||: University of Missouri Press|
Nothing has more power to communicate the destruction and despair of our time than the documentary photograph. The Tiananmen Square massacre, the Kent State shootings, the Kennedy assassination, the civil rights movement - these events have been indelibly etched in the minds of Americans through the work of photojournalists. In Truth Needs No Ally, Howard Chapnick, one of the giants of contemporary photojournalism, offers a historical, philosophical, pragmatic, and inspiring look at the profession. From the exhilarating early years of LIFE and Look magazines, through the explosion of photographic technology, Howard Chapnick takes us through the fascinating history of documentary photography. He discusses the modern capacities for computerized manipulation of photos and argues passionately for unflinching ethical standards on the part of photographers and editors alike. Filled with lively anecdotes from the author's fifty-year career and written in an engaging, personal style, Truth Needs No Ally covers myriad practical, creative, and ethical issues, including professional conduct, challenges facing women and minorities in photojournalism, developing a portfolio, cultivating a personal style, and government manipulation of the media. With dozens of photographs - many in color - representing photographic journalism at its best, Truth Needs No Ally is the definitive book on photojournalism by a master of the craft.
|Author||: Jonathan Ilan|
How are events turned into news pictures that define them for the audience? How do events become commodified into pictures that both capture them and reiterate the values of the agencies that sell them? This book looks at every stage of the production of news photographs as they move to and from the ground and are sold around the world. Based on extensive fieldwork at a leading international news agency that includes participant observation with photographers in the field, at the agency’s local and global picture desks in Israel, Singapore, and the UK, in-depth interviews with pictures professionals, and observations and in-depth interviews at The Guardian’s picture desk in London, the findings in this book point to a wide cultural production infrastructure hidden from – and yet also nurtured and thus very much determined by – the consumer’s eye.
|Author||: Stacy Pearsall|
|Editor||: Peachpit Press|
In this comprehensive, practical guide, award-winning photojournalist Stacy Pearsall offers the techniques, guidance, and inspiration needed to succeed in the dynamic and exciting field of photojournalism. Starting with an overview of photojournalism and her experience as both a combat and domestic photographer, Stacy covers the basics of preparing for assignments, discussing such key topics as selecting suitable attire for different environments, assembling essential camera gear, developing the right approach for a story, and honing your shooting technique. beyond the fundamentals, Stacy then dives into the nitty-gritty details of photojournalism work, providing insights into living and working in harsh conditions, maintaining physical and mental health, and managing relationships with subjects. The book interweaves hundreds of Stacy’s amazing photographs with stories of her experiences in the field, providing context for advice on everything from navigating unfamiliar locations, to properly exposing your images, to building innovative multimedia projects. Follow her into "the trenches" for the fascinating stories behind the shots, which show by example how to get the best photographs you can, even under the most challenging circumstances. Features stunning full-color images from some of the author’s most dramatic moments as a photojournalist Offers insights on preparing for long-term assignments, working in austere environments, and reintegrating into society after a project Interweaves photography techniques with advice on interacting with subjects and creating compelling stories
|Author||: Stuart Allan|
|Editor||: Taylor & Francis|
If everyone with a smartphone can be a citizen photojournalist, who needs professional photojournalism? This rather flippant question cuts to the heart of a set of pressing issues, where an array of impassioned voices may be heard in vigorous debate. While some of these voices are confidently predicting photojournalism's impending demise as the latest casualty of internet-driven convergence, others are heralding its dramatic rebirth, pointing to the democratisation of what was once the exclusive domain of the professional. Regardless of where one is situated in relation to these stark polarities, however, it is readily apparent that photojournalism is being decisively transformed across shifting, uneven conditions for civic participation in ways that raise important questions for journalism’s forms and practices in a digital era. This book's contributors identify and critique a range of factors currently recasting photojournalism's professional ethos, devoting particular attention to the challenges posed by the rise of citizen journalism. This book was originally published as two special issues, in Digital Journalism and Journalism Practice.
|Author||: Claude Hubert Cookman|
|Editor||: Northwestern University Press|
The traditional approach to studying American photojournalism explains the what and who of photojournalism -- what events and developments occurred, what notable images were taken, and who took them. Without neglecting those concerns, American Photojournalism emphasizes the why.
|Author||: Helen Caple|
Photojournalism Disrupted addresses the unprecedented disruptions in photojournalism over the last decade, with a particular focus on the Australian news media context. Using a mixed methods approach, the book assesses the situation facing press photographers and their employers in the supply of professional imagery for news storytelling. Detailed qualitative case studies looking at special events and crisis reporting complement a longitudinal study of sourcing practices around everyday events. Additionally, interviews with industry professionals offer insights into how news organizations are managing significant structural change. Ultimately, the book argues that photojournalism is being reshaped in line with wider industrial disruptions that have led to the emergence of a highly casualized workforce. As a comprehensive study of contemporary photojournalism practices, Photojournalism Disrupted is ideal for scholars and students internationally, as well as (photo)journalists and media professionals.
|Author||: Miguel Franquet Santos Silva,Scott A. Eldridge II|
Delving into the complexities of contemporary reportage, this book draws from moral philosophy and histories of photojournalism to understand the emergence of this distinct practice and discuss its evolution in a digital era. In arguing that the digitization of photography obliges us to radically challenge some of the traditional conceptions of press photography, this book addresses the historic opposition between artistic and journalistic photographs, showing and challenging how this has subtly inspired support for a forensic approach to photojournalism ethics. The book situates this debate within questions of relativism over what is ‘moral’, and normative debates over what is ‘journalistic’, alongside technical debates as to what is ‘possible’, to underpin a discussion of photojournalism as an ethical, moral, and societally important journalistic practice. Including detailed comparative analyses of codes of ethics, examination of controversial cases, and a study of photojournalism ethics as applied in different newsrooms, the book examines how ethical principles are applied by the global news media and explores the potential for constructive dialogue between different voices interested in pursuing the best version of photojournalism. A targeted, comprehensive and engaging book, this is a valuable resource for academics, researchers and students of photojournalism, as well as philosophy, communications and media studies more broadly.
|Author||: Paul D Van Hoy|
|Editor||: Amherst Media|
This valuable resource focuses on what professional wedding photographers need to do to stay competitive and continue winning new assignments, despite an array of challenges. Though wedding budgets are often subject to cuts, photographers will learn how to finesse their operations, improve their marketing, and convert client contacts into reliable job streams. By running a lean business with few excess costs, this step-by-step guide lays out how wedding photographers can draw attention to their studio, generate demand, and create a brand that complements and promotes their unique vision. Included areÊtips for improving search-engine optimization, marketing, pricing, packaging, and contracts toÊenable aspiring and experienced professionals alike to follow their passions to success.
|Author||: Derek Miller|
|Editor||: Cavendish Square Publishing, LLC|
The Vietnam War gave rise to a brand new kind of journalism: photojournalism. Iconic photographs such as Napalm Girl not only changed journalism forever but also changed the minds of many Americans about their country's involvement in the war. This book contextualizes the war and demonstrates how modes of reporting can change the course of history.
|Author||: John Godfrey Morris,John G. Morris|
|Editor||: University of Chicago Press|
This book seeks to explore the desirability and feasibility of placing ecological science at the center of an understanding of pesticide law and policy, and it will be the first ever to explore the ecological and legal landscapes related to pesticide use in an interdisciplinary fashion. Although concerns over the ecological impacts of pesticides such as DDT fueled the environmental movement of the late 1960s and early 1970s, and led to the creation of the field of environmental law, the ecological impacts of pesticide use have been largely ignored by the law and by legal scholars for more than 30 years. Despite the substantial impacts of pesticides on the environment, most environmental law texts touch only briefly and in a cursory manner on pesticide issues. Similarly, ecological texts dealing with pesticide impacts largely ignore the role of the law in addressing these concerns. This book will be the first to provide a serious treatment of the significance of pesticide issues in environmental law and the first to provide an ecological perspective on the legal issues. Only very recently have new ecological understandings demonstrated that current environmental laws are wholly inadequate to address ecological impacts of pesticide use. Recent studies demonstrate that the actions taken in the 1970s and early 1980s to ban or restrict certain ecologically harmful pesticides, such as DDT and its relatives, have done little to protect wildlife, including threatened and endangered species, or ecological systems, from the harms of pesticide use. A 2004 Center for Biological Diversity Report concludes that 375 threatened or endangered species are currently at risk of extinction from pesticide use in the U.S. Moreover, a 2006 demonstrates that the impacts from pesticides extend to international economy. A recent study concludes that insects provide ecological services, such as pest control, pollination, and grazing land clean-up, amounting to more than $57 billion per year in the U.S. alone. A 2006 National Research Council Report concludes that populations of pollinators and other insects providing ecological services are in serious decline, due in large part to pesticide use. As was set forth in the first book of the Ecology and Law series, four major factors have influenced the manner in which environmental effects of pesticide use are addressed by society: "1) "ecology," i.e., the developing science of ecology; 2) "public culture," i.e., the emergence of a public culture that increasingly embraces an ethos of nature and sustainability; 3) "public policy," i.e., local statute and federal policies, largely the result of the arousal of vigorous environmental movements and the emergence of "ecosystem regimes" as central players in the environmental policy debate; and 4) "environmental law," i.e., environmental constitutional provisions, legislation, regulations, court rulings, and international agreements, laws and treaties. Although each of these influences constitutes its own academic discipline, they are inextricably intertwined. Historically, each academic discipline, if addressing the other influences at all, has only given scant treatment to them. This book strives to integrate all four influences in a more balanced and interdisciplinary manner. The structure of this book will be an organized exploration of the co-evolution of pest control and pesticide law. After an introduction, which will provide an overview of the complexities of issues associated with pesticide use both from a legal and an ecological perspective, the author will explore the ecology of pests and the evolution of the control or pests. Next, she will provide an in-depth treatment of the ecological impacts of pesticide use, followed by an exploration of the evolution of the law in response to such impacts. The book will then address the legacy of past pesticide use. Finally, the conclusion will analyze how recent developments in ecological science can be used to inform the law, and will propose a number of potential ways in which the law could be changed to respond to better ecological understandings.
|Author||: Fred S. Parrish|
|Editor||: Wadsworth Publishing Company|
PHOTOJOURNALISM: AN INTRODUCTION is a richly illustrated book that encourages aspiring photojournalists to communicate to readers the most appropriate truth fairly represented, though an eye-catching personal style, with technical proficiency, within legal and ethical and taste restrictions, and with an appreciation of some of what came before in photography and photojournalism.PHOTOJOURNALISM: AN INTRODUCTION reaches out to bring your students the commentary of some of the most talented visually oriented journalistic professionals of contemporary and past times. A wealth of photographs is reproduced to illustrate points, serve as examples of what others have done, and stimulate students to visually communicate in an eye-catching and effective way. Taken as a whole, these images are a portfolio of some of the best photojournalism anywhere.
|Author||: Bill Hurter|
|Editor||: Amherst Media|
In contrast to a traditional wedding photographer, a wedding photojournalist works unobtrusively to capture the “real life” flavor of the special event as it unfolds, and this guidebook addresses the unique challenges and specific preparations required to excel in this field. Calling upon the best and brightest photojournalists to share their images and insights, this updated edition reveals the secrets for capturing all the breathtaking exchanges between the personalities, so that the photographs tell a story rich in detail. Many topics are also covered, such as how to meet and mingle with the main players at a wedding, what to expect in terms of a timeline, what shots cannot be missed, and how to minimize the distractions of flashes, bulky equipment, and verbal requests. Before, during, and after the ceremony—indoors and out—this volume is brimming with advice for every aspect of the shoot, including selecting equipment and lighting, working with an assistant, properly archiving digital files, and selecting a beautiful heirloom-quality album design.
|Author||: H. Caple|
This book explores the role of photographs in newspapers and online news, analyzing how meanings are made in images and exploring text-image relations, illustrated with authentic news stories from both print and online news outlets.