Same Kind of Different As Me
Download and Read Books in PDF
The "Same Kind of Different As Me" book is now available, Get the book in PDF, Epub and Mobi for Free. Also available Magazines, Music and other Services by pressing the "DOWNLOAD" button, create an account and enjoy unlimited.
|Author||: Ron Hall,Denver Moore|
|Editor||: Thomas Nelson|
A dangerous, homeless drifter who grew up picking cotton in virtual slavery.An upscale art dealer accustomed to the worldof Armani and Chanel.A gutsy woman with a stubborn dream.A story so incredible no novelist would dare dream it. It begins outside a burning plantation hut in Louisiana. . . and an East Texas honky-tonk . . .and, without a doubt, in the heart of God. It unfolds in a Hollywood hacienda . . . an upscale New York gallery . . . a downtown dumpster. . . a Texas ranch. Gritty with pain and betrayal and brutality, it also shines with an unexpected, life-changing love. This incredible retelling now includes an interview with the authors and a reader’s guide that is perfect for individual or group study. The most inspirational and emotionally gripping story of faith, fortitude, and friendship I have ever read. A powerful example of the healing, restorative power of forgiveness and the transformational, life changing power of unconditional love.—Mark Clayman, Executive Producer forthe Academy Award–nominatedThe Pursuit of Happyness Denver Moore and Ron Hall’s story is one thatmoved me to tears. The friendship that formsbetween these two men at a time when both were ingreat need is an inspiration to all of us to be morecompassionate to everyone we come in contact with. This is truly a wonderful book!—Mrs. Barbara Bush
|Author||: Ron Hall,Denver Moore|
|Editor||: W Publishing Group|
Meet Denver, a man raised under plantation-style slavery in Louisiana in the 1960s; a man who escaped, hopping a train to wander, homeless, for eighteen years on the streets of Dallas, Texas. No longer a slave, Denver's life was still hopeless-until God moved. First came a godly woman who prayed, listened, and obeyed. And then came her husband, Ron, an international arts dealer at home in a world of Armani-suited millionaires. And then they all came together. But slavery takes many forms. Deborah discovers that she has cancer. In the face of possible death, she charges her husband to rescue Denver. Who will be saved, and who will be lost? What is the future for these unlikely three? What is God doing? This is the emotional tale of their story: a telling of pain and laughter, doubt and tears, dug out between the bondages of this earth and the free possibility of heaven. No reader or listener will ever forget it.
|Author||: Ron Hall,Denver Moore,Lynn Vincent|
|Editor||: Thomas Nelson|
Some Stories Just Can’t Be Stopped . . . What Difference Do It Make? continues the hard-to-believe story of hope and reconciliation that began with the New York Times bestseller, Same Kind of Different as Me. Ron Hall and Denver Moore, unlikely friends and even unlikelier coauthors—a wealthy fine-art dealer and an illiterate homeless African American—share the hard-to-stop story of how a remarkable woman’s love brought them together. Now, in What Difference Do It Make? Ron and Denver along with Lynn Vincent offer: more of the story—with untold anecdotes, especially Ron’s struggle with his difficult father and Denver’s dramatic stint in Angola prison the rest of the story—how Same Kind of Different as Me came to be written and changed the lives of its authors the ongoing story—true tales of hope from people whose lives have been changed by Ron and Denver’s story and how they make a difference in their worlds your part in the story—wise, practical, and hard-lived guidance for how you can make a difference to those in need plus intriguing extras—including full-page color samples of Denver’s paintings Deeply moving but never sappy or sentimental, What Difference Do It Make? answers its own question with a simple and emphatic answer. What difference can one person (or two) make in the world? A lot!
|Author||: Ron Hall,Denver Moore|
|Editor||: HarperChristian Resources|
If you were astounded by the unlikely true story of a life-changing friendship in Same Kind of Different as Me, you can now go deeper into the story and its powerful themes with the Same Kind of Different As Me DVD-Based Conversation Kit and its accompanying Conversation Guide. Perfect for your individual study or a small-group discussion, the Same Kind of Different As Me Conversation Guide will be your companion as you watch the DVD, providing insights for a convicting lesson and thought-provoking questions for discussion. Appealing to many audiences, Same Kind of Different as Me compares one man’s experience with 20th-century “slavery” and homelessness in the United States with another’s portrayal of his own complacency and wealth. From a burning plantation hut in Louisiana to an upscale New York art gallery, you will see the heart of God in this unexpected tale of the transforming power of love and friendship. Gritty with pain and betrayal and brutality, Same Kind of Different as Me is an inspirational true story that crosses the barriers of society. For use with Same Kind of Different As Me DVD-Based Conversation Kit (ISBN 9781418542863).
|Author||: Ron Hall|
|Editor||: Thomas Nelson|
“I saw his face.” Deborah Hall’s words launched the destiny of two men from very different worlds. Ron Hall was an international art dealer with upscale tastes; Denver Moore was a homeless drifter with a dangerous past. Millions have read about their unlikely bond through their first book, Same Kind of Different as Me—a New York Times bestseller and now a major motion picture. Workin’ Our Way Home describes the ten years Ron and Denver lived together after Miss Debbie’s death. Written in both Ron’s and Denver’s unique voices, their inspiring (and often hilarious) adventures include: Their sometimes-bizarre life together in the Murchison Mansion, Denver accidentally almost burning the house down—twice, The challenges involved with making a movie, Two visits to the White House, Travelling the country to raise awareness about homelessness, And much more. With both wit and wisdom, these pages reveal God’s plan lived out through these men and those closest to them, including their passion to fulfill Debbie’s dream of easing the pain and humiliation associated with homelessness, poverty, and inequality. “Whether we is rich or whether we is poor, or somethin in between, this earth ain’t no final restin place. So in a way, we is all homeless—ever last one of us—just workin our way home.” —Denver Moore
|Author||: Orestes Gonzalez|
As an architect, Orestes Gonzalez takes us on a tour of his late uncle's Little Havana home via interior photographs, exploring the space in itself; as a photographer, he offers an intimate approach allowing viewers to "sort through" the relics Julio Santana left behind after his death; and as a relative, he includes elements of memory, nostalgia and discovery, sharing newfound details of his uncle's life.The images within Julio's House are not simply about recording the extravagant decor of the home or trove of mementos scattered throughout it, but rather about creating a portrait of his Cuban-American uncle, one that deconstructs his preconceived narrative of Julio's life he formed as a child, and reveals an entirely new biography Gonzalez only learned of when sorting through his uncle's belongings with another family member.
|Author||: Fatima Daas|
|Editor||: Other Press, LLC|
“Fatima Daas carves out a portrait, like a patient, attentive sculptor...or like a mine searcher, aware that each word could make everything explode.” —Virginie Despentes Drawn from the author’s experiences growing up in a Paris banlieue, a powerful, lyric debut that explores the diverse, often conflicting facets of her identity—French, Algerian, Muslim, lesbian. The youngest daughter of Algerian immigrants, Fatima Daas is raised in a home where love and sexuality are considered taboo, and signs of affection avoided. Living in the majority-Muslim suburb of Clichy-sous-Bois, she often spends more than three hours a day on public transportation to and from the city, where she feels like a tourist observing Parisian manners. She goes from unstable student to maladjusted adult, doing four years of therapy—her longest relationship. But as she gains distance from her family and comes into her own, she grapples more directly with her attraction to women and how it fits with her religion, which she continues to practice. When Nina comes into her life, she doesn’t know exactly what she needs but feels that something crucial has been missing. This extraordinary first novel, anchored and buoyed by the refrain “My name is Fatima,” is a vital portrait of a young woman finding herself in a modern world full of contradictions. Daas’s journey to living her sexuality in spite of expectations about who she should be offers a powerful perspective on the queer experience. PEN Translation Prize Finalist Bustle: Best Book of the Month Library Journal: Best Debut Novel of the Season Lambda Literary: Most Anticipated Book of the Month
|Author||: Faith J. H. McDonnell,Grace Akallo|
|Editor||: Chosen Books|
For several decades a brutal army of rebels has been raiding villages in northern Uganda, kidnapping children and turning them into soldiers or wives of commanders. More than 30,000 children have been abducted over the last twenty years and forced to commit unspeakable crimes. Grace Akallo was one of these. Her story, which is the story of many Ugandan children, recounts her terrifying experience. This unforgettable book--with historical background and insights from Faith McDonnell, one of the clearest voices in the church today calling for freedom and justice--will inspire readers around the world to take notice, pray, and work to end this tragedy.
|Author||: Kathy Izard|
|Editor||: Thomas Nelson|
What if you just trusted the whisper of calling placed on your heart? Kathy Izard was volunteering at Charlotte’s Urban Ministry Center when an unlikely meeting with a homeless man changed the course of her life. She realized that serving at the soup kitchen was feeding her soul, but not actually solving the needs of the homeless population. Rather than brush it off and avoid what she now felt called to take on, she quit her job and took on what seemed like an insurmountable task—building housing for Charlotte’s homeless. Woven together with this uplifting story of social action is Kathy’s personal struggle with faith, forgiveness and fulfillment. In telling her story, Kathy invites you to consider rewriting your own. What’s calling you? As crazy at it seems, it may be crazier not to try. This book will push you to do so much more than you ever thought possible.
|Author||: Colleen Hoover|
|Editor||: Simon and Schuster|
From Colleen Hoover, the #1 New York Times bestselling author of It Ends With Us, a heart-wrenching love story that proves attraction at first sight can be messy. When Tate Collins meets airline pilot Miles Archer, she doesn't think it's love at first sight. They wouldn’t even go so far as to consider themselves friends. The only thing Tate and Miles have in common is an undeniable mutual attraction. Once their desires are out in the open, they realize they have the perfect set-up. He doesn’t want love, she doesn’t have time for love, so that just leaves the sex. Their arrangement could be surprisingly seamless, as long as Tate can stick to the only two rules Miles has for her. Never ask about the past. Don’t expect a future. They think they can handle it, but realize almost immediately they can’t handle it at all. Hearts get infiltrated. Promises get broken. Rules get shattered. Love gets ugly.
|Author||: Caylin Louis Moore|
|Editor||: Thomas Nelson|
In this inspiring and provocative memoir about a young black man, Caylin Moore tells the against-all-odds story of his rise from racial injustice and cruel poverty in gang-ridden Los Angeles to academic success at the University of Oxford, with hope as his compass. A Dream to Big is for readers who want to … enjoy a compelling, true, hard-to-believe inspirational story; thoughtfully embrace a long-overdue conversation about equality and justice in America; and be inspired and find hope from a firsthand account of redemption through even the most painful life experiences. When Caylin Louis Moore was a young child, his mother gathered her three young children and fled an abusive marriage, landing in poverty in a heavily policed, gang-ridden community. When Moore’s mother suffered from health complications and a devastating experience in the hospital and his father was sentenced to life imprisonment, Moore was forced to enter adulthood prematurely. His hope was fueled by embracing his mother's steely faith in a brighter future. Moore skirted the gangs, the police, and the violence endemic to Compton to excel as a student and athlete, eventually reaching the pinnacles of academic achievement as a Rhodes Scholar. Moore's eye-opening, against-all-odds story reveals that there is no such thing as a dream too big.
|Author||: Martin W. Sandler|
|Editor||: Candlewick Press|
The exciting true story of the captaincy, wreck, and discovery of the Whydah — the only pirate ship ever found — and the incredible mysteries it revealed. The 1650s to the 1730s marked the golden age of piracy, when fearsome pirates like Blackbeard ruled the waves, seeking not only treasure but also large and fast ships to carry it. The Whydah was just such a ship, built to ply the Triangular Trade route, which it did until one of the greediest pirates of all, Black Sam Bellamy, commandeered it. Filling the ship to capacity with treasure, Bellamy hoped to retire with his bounty — but in 1717 the ship sank in a storm off Cape Cod. For more than two hundred years, the wreck of the Whydah (and the riches that went down with it) eluded treasure seekers, until the ship was finally found in 1984 by marine archaeologists. The artifacts brought up from the ocean floor are priceless, both in value and in the picture they reveal of life in that much-mythologized era, changing much of what we know about pirates.
|Author||: Hunter S. Thompson|
50th Anniversary Edition • With an introduction by Caity Weaver, acclaimed New York Times journalist This cult classic of gonzo journalism is the best chronicle of drug-soaked, addle-brained, rollicking good times ever committed to the printed page. It is also the tale of a long weekend road trip that has gone down in the annals of American pop culture as one of the strangest journeys ever undertaken. Also a major motion picture directed by Terry Gilliam, starring Johnny Depp and Benicio del Toro.
|Author||: David Zucchino|
|Editor||: Atlantic Monthly Press|
WINNER OF THE 2021 PULITZER PRIZE FOR GENERAL NONFICTION From Pulitzer Prize-winner David Zucchino comes a searing account of the Wilmington riot and coup of 1898, an extraordinary event unknown to most Americans. By the 1890s, Wilmington was North Carolina’s largest city and a shining example of a mixed-race community. It was a bustling port city with a burgeoning African American middle class and a Fusionist government of Republicans and Populists that included black aldermen, police officers and magistrates. There were successful black-owned businesses and an African American newspaper, The Record. But across the state—and the South—white supremacist Democrats were working to reverse the advances made by former slaves and their progeny. In 1898, in response to a speech calling for white men to rise to the defense of Southern womanhood against the supposed threat of black predators, Alexander Manly, the outspoken young Record editor, wrote that some relationships between black men and white women were consensual. His editorial ignited outrage across the South, with calls to lynch Manly. But North Carolina’s white supremacist Democrats had a different strategy. They were plotting to take back the state legislature in November “by the ballot or bullet or both,” and then use the Manly editorial to trigger a “race riot” to overthrow Wilmington’s multi-racial government. Led by prominent citizens including Josephus Daniels, publisher of the state’s largest newspaper, and former Confederate Colonel Alfred Moore Waddell, white supremacists rolled out a carefully orchestrated campaign that included raucous rallies, race-baiting editorials and newspaper cartoons, and sensational, fabricated news stories. With intimidation and violence, the Democrats suppressed the black vote and stuffed ballot boxes (or threw them out), to win control of the state legislature on November eighth. Two days later, more than 2,000 heavily armed Red Shirts swarmed through Wilmington, torching the Record office, terrorizing women and children, and shooting at least sixty black men dead in the streets. The rioters forced city officials to resign at gunpoint and replaced them with mob leaders. Prominent blacks—and sympathetic whites—were banished. Hundreds of terrified black families took refuge in surrounding swamps and forests. This brutal insurrection is a rare instance of a violent overthrow of an elected government in the U.S. It halted gains made by blacks and restored racism as official government policy, cementing white rule for another half century. It was not a “race riot,” as the events of November 1898 came to be known, but rather a racially motivated rebellion launched by white supremacists. In Wilmington’s Lie, Pulitzer Prize-winner David Zucchino uses contemporary newspaper accounts, diaries, letters and official communications to create a gripping and compelling narrative that weaves together individual stories of hate and fear and brutality. This is a dramatic and definitive account of a remarkable but forgotten chapter of American history.
|Author||: Sebastian Smee|
|Editor||: Profile Books|
This is a story about rivalry among artists. Not the kind of rivalry that grows out of hatred and dislike, but rather, rivalry that emerges from admiration, friendship, love. The kind of rivalry that existed between Degas and Manet, Picasso and Matisse, Pollock and de Kooning, and Freud and Bacon. These were some of the most famous and creative relationships in the history of art, driving each individual to heights of creativity and inspiration - and provoking them to despair, jealousy and betrayal. Matisse's success threatened Picasso so much that his friends would throw darts at a portrait of his rival's beloved daughter Marguerite, shouting 'there's one in the eye for Matisse!' And Willem de Kooning's twisted friendship with Jackson Pollock didn't stop him taking up with his friend's lover barely a year after Pollock's fatal car crash. In The Art of Rivalry, Pulitzer Prize-winning art critic Sebastian Smee explores how, as both artists struggled to come into their own, they each played vital roles in provoking the other's creative breakthroughs - ultimately determining the course of modern art itself.
|Author||: Donna Britt|
|Editor||: Little, Brown Spark|
Donna Britt has always been surrounded by men-her father, three brothers, two husbands, three sons, countless friends. She learned to give to them at an early age. But after her beloved brother Darrell's senseless killing by police 30 years ago, she began giving more, unconsciously seeking to help other men the way she couldn't help Darrell. Brothers (and Me) navigates Britt's life through her relationships with men-resulting in a tender, funny and heartbreaking exploration of universal issues of gender and race. It asks: Why, for so long, did Britt-like millions of seemingly self-aware women-rarely put herself first? With attuned storytelling and hard-wrought introspection, Britt finds that even the sharpest woman may need reminding that giving to others requires giving to oneself.
|Author||: Bethany C. Morrow|
|Editor||: Feiwel & Friends|
Four young Black sisters come of age during the American Civil War in So Many Beginnings, a warm and powerful YA remix of the classic novel Little Women, by national bestselling author Bethany C. Morrow. North Carolina, 1863. As the American Civil War rages on, the Freedpeople's Colony of Roanoke Island is blossoming, a haven for the recently emancipated. Black people have begun building a community of their own, a refuge from the shadow of the "old life." It is where the March family has finally been able to safely put down roots with four young daughters: Meg, a teacher who longs to find love and start a family of her own. Jo, a writer whose words are too powerful to be contained. Beth, a talented seamstress searching for a higher purpose. Amy, a dancer eager to explore life outside her family's home. As the four March sisters come into their own as independent young women, they will face first love, health struggles, heartbreak, and new horizons. But they will face it all together. Praise for So Many Beginnings: A Little Women Remix "Morrow’s ability to take the lingering stain of slavery on American history and use it as a catalyst for unbreakable love and resilience is flawless. That she has remixed a canonical text to do so only further illuminates the need to critically question who holds the pen in telling our nation’s story." —Booklist, starred review "Bethany C. Morrow's prose is a sharpened blade in a practiced hand, cutting to the core of our nation's history. ... A devastatingly precise reimagining and a joyful celebration of sisterhood. A narrative about four young women who unreservedly deserve the world, and a balm for wounds to Black lives and liberty." —Tracy Deonn, New York Times-bestselling author of Legendborn "A tender and beautiful retelling that will make you fall in love with the foursome all over again." —Tiffany D. Jackson, New York Times-bestselling author of White Smoke and Grown
|Author||: Sarah Abrevaya Stein|
|Editor||: Farrar, Straus and Giroux|
Named one of the best books of 2019 by The Economist and a New York Times Book Review Editors' Choice. A National Jewish Book Award finalist. "A superb and touching book about the frailty of ties that hold together places and people." --The New York Times Book Review An award-winning historian shares the true story of a frayed and diasporic Sephardic Jewish family preserved in thousands of letters For centuries, the bustling port city of Salonica was home to the sprawling Levy family. As leading publishers and editors, they helped chronicle modernity as it was experienced by Sephardic Jews across the Ottoman Empire. The wars of the twentieth century, however, redrew the borders around them, in the process transforming the Levys from Ottomans to Greeks. Family members soon moved across boundaries and hemispheres, stretching the familial diaspora from Greece to Western Europe, Israel, Brazil, and India. In time, the Holocaust nearly eviscerated the clan, eradicating whole branches of the family tree. In Family Papers, the prizewinning Sephardic historian Sarah Abrevaya Stein uses the family’s correspondence to tell the story of their journey across the arc of a century and the breadth of the globe. They wrote to share grief and to reveal secrets, to propose marriage and to plan for divorce, to maintain connection. They wrote because they were family. And years after they frayed, Stein discovers, what remains solid is the fragile tissue that once held them together: neither blood nor belief, but papers. With meticulous research and care, Stein uses the Levys' letters to tell not only their history, but the history of Sephardic Jews in the twentieth century.