The Filmmaker s Eye

The Filmmaker s Eye
Author: Gustavo Mercado
Release: 2013-05-20
Editor: Taylor & Francis
Pages: 203
ISBN: 9781136057335
Language: en
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DESCRIPTION BOOK:

This is the only book that combines conceptual and practical instruction on creating polished and eloquent images for film and video with the technical know-how to achieve them. Loaded with hundreds of full-color examples, The Filmmaker's Eye is a focused, easy-to-reference guide that shows you how to become a strong visual storyteller through smart, effective choices for your shots. This book has struck a chord worldwide and is being translated into several languages After a short introduction to basic principles, a variety of shots are deconstructed in the following format: - Why It Works: an introduction to a particular type of shot - How It Works: callouts point out exactly how the shot works the way it does--the visual rules and technical aspects in action - Technical Considerations: the equipment and techniques needed to get the shot. - Breaking the Rules: examples where the "rules" are brilliant subverted

The Filmmaker s Eye The Language of the Lens

The Filmmaker s Eye  The Language of the Lens
Author: Gustavo Mercado
Release: 2019-07-05
Editor: Routledge
Pages: 196
ISBN: 9780429823077
Language: en
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DESCRIPTION BOOK:

The Language of the Lens explores the expressive power of the camera lens and the storytelling contributions that this critical tool can make to a film project. This book offers a unique approach to learning how lenses can produce aesthetically and narratively compelling images in movies, through a close examination of the various ways lens techniques control the look of space, movement, focus, flares, distortion, and the "optical personality" of your story’s visual landscape. Loaded with vivid examples from commercial, independent, and world cinema, The Language of the Lens presents dozens of insightful case studies examining their conceptual, narrative, and technical approaches to reveal how master filmmakers have harnessed the power of lenses to express the entire range of emotions, themes, tone, atmosphere, subtexts, moods, and abstract concepts. The Language of the Lens provides filmmakers, at any level or experience, with a wealth of knowledge to unleash the full expressive power of any lens at their disposal, whether they are shooting with state-of-the-art cinema lenses or a smartphone, and everything in between.

The Altering Eye

The Altering Eye
Author: Robert Phillip Kolker
Release: 2009-01
Editor: Open Book Publishers
Pages: 326
ISBN: 9781906924034
Language: en
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DESCRIPTION BOOK:

The Altering Eye covers a "golden age" of international cinema from the end of WWII through to the New German Cinema of the 1970s. Combining historical, political, and textual analysis, the author develops a pattern of cinematic invention and experimentation from neorealism through the modernist interventions of Jean-Luc Godard and Rainer Maria Fassbinder, focusing along the way on such major figures as Luis Bunuel, Joseph Losey, the Brazilian director Glauber Rocha, and the work of major Cuban filmmakers. Kolker's book has become a much quoted classic in the field of film studies providing essential reading for anybody interested in understanding the history of European and international cinema. This new and revised edition includes a substantive new Preface by the author and an updated Bibliography."

DSLR Cinema

DSLR Cinema
Author: Kurt Lancaster
Release: 2013-05-07
Editor: Taylor & Francis
Pages: 352
ISBN: 9781136040108
Language: en
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DESCRIPTION BOOK:

Large sensor video cameras (DSLRs) offer filmmakers an affordable, high-quality image previously impossible without high-end cinema cameras. These video-capable DSLR cameras have revolutionized filmmaking, documentary production, journalism, television, and even Hollywood cinema. This book empowers the filmmaker to craft visually stunning images inexpensively. DSLR Cinema presents insight into different shooting styles and real-world tips and techniques indispensible to any DSLR filmmaker. This updated and expanded edition includes new workflows for Adobe Premier and Final Cut X-from syncing external audio settings to using the right settings. It also covers the workflow for using Technicolor's picture style, CineStyle, designed on consultation with Canon scientists. DSLR Cinema features case studies of an international cast of cutting edge DSLR shooters, including Philip Bloom, Shane Hurlbut, Bernardo Uzeda, Rii Schroer, Danfun Dennis, and many more. The films are examined in detail, exploring how each exemplifies great storytelling, exceptional visual character, and how you can push the limits of your DSLR.

Film Directing Shot by Shot

Film Directing Shot by Shot
Author: Steven Douglas Katz,Steve Katz
Release: 1991
Editor: Gulf Professional Publishing
Pages: 366
ISBN: 0941188108
Language: en
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DESCRIPTION BOOK:

This international best-seller is filled with visual techniques for filmmakers and screenwriters who want to expand their stylistic knowledge.

Conversations with Contemporary Cinematographers

Conversations with Contemporary Cinematographers
Author: Jacqueline B Frost
Release: 2021-03-17
Editor: Routledge
Pages: 456
ISBN: 9781000359855
Language: en
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DESCRIPTION BOOK:

Packed with gems of wisdom from the current 'masters of light’, this collection of conversations with twenty leading contemporary cinematographers provides invaluable insight into the art and craft of cinematography. Jacqueline Frost’s interviews provide unprecedented insight into the role as cinematographers discuss selecting projects, the conceptual and creative thinking that goes into devising a visual strategy, working with the script, collaborating with leading directors such as Martin Scorcese, Spike Lee, and Ava DuVernay, the impact of changing technology, and offer advice for aspiring cinematographers. Interviews include Maryse Alberti, John Bailey, Robert Elswit, Kirsten Johnson, Kira Kelly, Ellen Kuras, Edward Lachman, Matthew Libatique, John Lindley, Seamus McGarvey, Reed Morano, Polly Morgan, Rachel Morrison, Rodrigo Prieto, Cynthia Pusheck, Harris Savides, Nancy Schrieber, John Seale, Sandi Sissel, Dante Spinotti, Salvatore Totino, Amy Vincent and Mandy Walker. Filled with valuable information and advice for aspiring cinematographers, directors, and filmmakers, this is essential reading for anyone interested in the art and craft of cinematography.

In the Blink of an Eye

In the Blink of an Eye
Author: Walter Murch
Release: 2001
Editor: Weidenfeld & Nicolson
Pages: 146
ISBN: UOM:39015053130723
Language: en
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DESCRIPTION BOOK:

Comprises a revised second edition of film editor Walter Murch's thought-provoking essay on the art and process of film editing. Originally published in 1992, revisions take new technologies such as digital editing into account. c. Book News Inc.

Cinematography Theory and Practice

Cinematography  Theory and Practice
Author: Blain Brown
Release: 2013-05-02
Editor: Taylor & Francis
Pages: 400
ISBN: 9781136047381
Language: en
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DESCRIPTION BOOK:

There's more to being a DP than holdng a light meter! With this book as your guide, you are on your way to learning not only about the equipment and technology, but also about the concepts and thought processes that will enable you to shoot professionally, efficiently, and with artistic mastery. A leading book in the field, Cinematography has been translated into many languages and is a staple at the world's top film schools. Lavishly produced and illustrated, it covers the entire range of the profession. The book is not just a comprehensive guide to current professional practice; it goes beyond to explain the theory behind the practice, so you understand how the rules came about and when it's appropriate to break them. In addition, directors will benefit from the book's focus on the body of knowledge they should share with their Director of Photography. Cinematography presents the basics and beyond, employing clear explanations of standard practice together with substantial illustrations and diagrams to reveal the real world of film production. Recognizing that professionals know when to break the rules and when to abide by them, this book discusses many examples of fresh ideas and experiments in cinematography. Covering the most up-to-date information on the film/digital interface, new formats, the latest cranes and camera support and other equipment, it also illustrates the classic tried and true methods.

Kino Eye

Kino Eye
Author: Dziga Vertov
Release: 1984
Editor: Univ of California Press
Pages: 344
ISBN: 0520056302
Language: en
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DESCRIPTION BOOK:

A top Soviet filmmaker discusses the art of making movies, the growing bureaucracy of the Russian film industry, and the purpose of cinema

The Hollywood Eye

The Hollywood Eye
Author: Jon Boorstin
Release: 1990
Editor: Unknown
Pages: 224
ISBN: UOM:39015018864077
Language: en
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DESCRIPTION BOOK:

Boorstin believes that every movie is really three movies running at once: the voyeuristic movie (the emotional thrills the film elicits). Here he examines these elements using his own experiences as well as the experiences of legend ary filmmakers to demonstrate how the moviemaking process works. 100 black-an d-white illustrations.

The Basics of Filmmaking

The Basics of Filmmaking
Author: Blain Brown
Release: 2020-05-04
Editor: Routledge
Pages: 174
ISBN: 9780429677083
Language: en
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DESCRIPTION BOOK:

The Basics of Filmmaking is an introductory textbook tailored to the needs of beginning and intermediate film students and independent filmmakers that expertly guides you through the entirety of the craft, from screenwriting all the way through to editing, with detailed chapters covering each department involved in the filmmaking process. The book takes a behind-the-scenes look at every aspect of the filmmaking process: writing the screenplay (and getting it critiqued by a professional), pre-production, cinematography, lighting, the shooting process, getting good audio, editing, and even going to a pitch meeting to sell it. It addresses the real fundamentals, the mechanics and the basic concepts of how to write, produce, direct, shoot, record, and edit your movie. Written by Blain Brown, a seasoned expert who has worked professionally as a cinematographer, screenwriter, director, producer, line producer, assistant director, gaffer, grip, and editor; this is a must have resource for any filmmaking student. Featuring an accompanying companion website with video examples of scene directing methods, continuity and coverage, working with the camera, lighting, audio, and editing, and downloadable production forms you can fill out and use for your projects.

Wes Anderson

Wes Anderson
Author: Ian Nathan
Release: 2020-11-03
Editor: White Lion Publishing
Pages: 176
ISBN: 9780711255999
Language: en
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DESCRIPTION BOOK:

The definitive reference for all Wes Anderson fans. Loaded with rich imagery and detailed analysis of his incredible films - including the classics The Grand Budapest Hotel, Rushmore, The Royal Tenenbaums and Moonrise Kingdom as well as Anderson's highly anticipated new releaseThe French Dispatch - this is the first book to feature all of Wes Anderson's movies in a single volume. Acclaimed film journalist Ian Nathan provides an intelligent and thoughtful examination of the work of one of contemporary film's greatest visionaries, charting the themes, visuals, and narratives that have come to define Anderson's work and contributed to his films an idiosyncratic character that's adored by his loyal fans. From Anderson's regular cast members - including Bill Murray and Owen Wilson - to his instantly recognisable aesthetic, recurring motifs and his scriptwriting processes, this in-depth collection will reveal how Wes Anderson became one of modern cinema's most esteemed and influential directors.

Making Movies

Making Movies
Author: Sidney Lumet
Release: 2010-09-01
Editor: Vintage
Pages: 240
ISBN: 9780307763662
Language: en
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DESCRIPTION BOOK:

Why does a director choose a particular script? What must they do in order to keep actors fresh and truthful through take after take of a single scene? How do you stage a shootout—involving more than one hundred extras and three colliding taxis—in the heart of New York’s diamond district? What does it take to keep the studio honchos happy? From the first rehearsal to the final screening, Making Movies is a master’s take, delivered with clarity, candor, and a wealth of anecdote. For in this book, Sidney Lumet, one of our most consistently acclaimed directors, gives us both a professional memoir and a definitive guide to the art, craft, and business of the motion picture. Drawing on forty years of experience on movies that range from Long Day’s Journey into Night to Network and The Verdict—and with such stars as Katharine Hepburn, Paul Newman, Marlon Brando, and Al Pacino—Lumet explains how painstaking labor and inspired split-second decisions can result in two hours of screen magic.

Eye of the Taika

Eye of the Taika
Author: Matthew Bannister
Release: 2021-10-19
Editor: Wayne State University Press
Pages: 312
ISBN: 9780814345344
Language: en
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DESCRIPTION BOOK:

Innovative study of Taika Waititi, whose Maori and Jewish roots influence his distinctive New Zealand comedic style.

Voice Vision

Voice   Vision
Author: Mick Hurbis-Cherrier
Release: 2018-07-03
Editor: Taylor & Francis
Pages: 638
ISBN: 9781317808930
Language: en
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DESCRIPTION BOOK:

Develop your creative voice while acquiring the practical skills and confidence to use it with this new and fully updated edition of Mick Hurbis-Cherrier’s filmmaking bible, Voice & Vision. Written for independent filmmakers and film students who want a solid grounding in the tools, techniques, and processes of narrative film, this comprehensive manual covers all of the essentials while keeping artistic vision front and center. Hurbis-Cherrier walks the reader through every step of the process—from the transformation of an idea into a cinematic story, to the intricacies of promotion and distribution—and every detail in between. Features of this book include: Comprehensive technical information on video production and postproduction tools, allowing filmmakers to express themselves with any camera, in any format, and on any budget An emphasis on the collaborative filmmaking process, including the responsibilities and creative contributions of every principal member of the crew and cast A focus on learning to work successfully with available resources (time, equipment, budget, personnel, etc.) in order to turn limitations into opportunities Updated digital filmmaking workflow breakdowns for Rec. 709 HD, Log Format, and D-Cinema productions Substantial coverage of the sound tools and techniques used in film production and the creative impact of postproduction sound design An extensive discussion of digital cinematography fundamentals, including essential lighting and exposure control tools, common gamma profiles, the use of LUTs, and the role of color grading Abundant examples referencing contemporary and classic films from around the world Indispensible information on production safety, team etiquette, and set procedures. The third edition also features a robust companion website that includes eight award-winning example short films; interactive and high-resolution figures; downloadable raw footage; production forms and logs for preproduction, production, and postproduction; video examples that illustrate key concepts found within the book, and more. Whether you are using it in the classroom or are looking for a comprehensive reference to learn everything you need to know about the filmmaking process, Voice & Vision delivers all of the details in an accessible and reader-friendly format.

The Filmmaker s Guide to Visual Effects

The Filmmaker s Guide to Visual Effects
Author: Eran Dinur
Release: 2017-03-27
Editor: Taylor & Francis
Pages: 192
ISBN: 9781317353188
Language: en
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DESCRIPTION BOOK:

The Filmmaker’s Guide to Visual Effects offers a practical, detailed guide to visual effects for non-VFX specialists working in film and television. In contemporary filmmaking and television production, visual effects are used extensively in a wide variety of genres and formats to contribute to visual storytelling, help deal with production limitations, and reduce budget costs. Yet for many directors, producers, editors, and cinematographers, visual effects remain an often misunderstood aspect of media production. In this book, award-winning VFX supervisor and instructor Eran Dinur introduces readers to visual effects from the filmmaker’s perspective, providing a comprehensive guide to conceiving, designing, budgeting, planning, shooting, and reviewing VFX, from pre-production through post-production. The book will help readers: Learn what it takes for editors, cinematographers, directors, producers, gaffers, and other filmmakers to work more effectively with the visual effects team during pre-production, on the set and in post, use visual effects as a narrative aid, reduce production costs, and solve problems on location; Achieve a deeper understanding of 3D, 2D, and 2.5D workflows; the various VFX crafts from matchmove to compositing; essential concepts like photorealism, parallax, roto, and extraction; become familiar with the most common types of VFX, their role in filmmaking, and learn how to plan effectively for the cost and complexity of VFX shots; See visual effects concepts brought to life in practical, highly illustrated examples drawn from the real-world experiences of industry professionals, and discover how to better integrate visual effects into your own projects.

Moviemakers Master Class

Moviemakers  Master Class
Author: Laurent Tirard
Release: 2002-10-10
Editor: Macmillan
Pages: 215
ISBN: 057121102X
Language: en
Available for:

DESCRIPTION BOOK:

Features interviews with twenty of the world's top film directors to reveal techniques, approaches, and visions, in a volume that includes discussions with such filmmakers as Martin Scorsese, Lars Von Trier, Bernardo Bertolucci, Laurent Tirard, Woody Allen, Tim Burton, and John Woo. Original.

The Underwater Eye

The Underwater Eye
Author: Margaret Cohen
Release: 2022-02-22
Editor: Princeton University Press
Pages: 344
ISBN: 9780691197975
Language: en
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DESCRIPTION BOOK:

A rich history of underwater filmmaking and how it has profoundly influenced the aesthetics of movies and public perception of the oceans In The Underwater Eye, Margaret Cohen tells the fascinating story of how the development of modern diving equipment and movie camera technology has allowed documentary and narrative filmmakers to take human vision into the depths, creating new imagery of the seas and the underwater realm, and expanding the scope of popular imagination. Innovating on the most challenging film set on earth, filmmakers have tapped the emotional power of the underwater environment to forge new visions of horror, tragedy, adventure, beauty, and surrealism, entertaining the public and shaping its perception of ocean reality. Examining works by filmmakers ranging from J. E. Williamson, inventor of the first undersea film technology in 1914, to Wes Anderson, who filmed the underwater scenes of his 2004 The Life Aquatic with Steve Zissou entirely in a pool, The Underwater Eye traces how the radically alien qualities of underwater optics have shaped liquid fantasies for more than a century. Richly illustrated, the book explores documentaries by Jacques Cousteau, Louis Malle, and Hans Hass, art films by Man Ray and Jean Vigo, and popular movies and television shows such as 20,000 Leagues Under the Sea, Creature from the Black Lagoon, Sea Hunt, the Bond films, Jaws, The Abyss, and Titanic. In exploring the cultural impact of underwater filmmaking, the book also asks compelling questions about the role film plays in engaging the public with the remote ocean, a frontline of climate change.

Voice and Vision A Creative Approach to Narrative Film and DV Production

Voice and Vision  A Creative Approach to Narrative Film and DV Production
Author: Mick Hurbis-Cherrier
Release: 2007-03-13
Editor: Taylor & Francis
Pages: 560
ISBN: 9781136067891
Language: en
Available for:

DESCRIPTION BOOK:

Voice & Vision is a comprehensive manual for the independent filmmakers and film students who want a solid grounding in the tools, techniques, and processes of narrative film in order to achieve their artistic vision. This book includes essential and detailed information on relevant film and digital video tools, a thorough overview of the filmmaking stages, and the aesthetic considerations for telling a visual story. The ultimate goal of this book is to help you develop your creative voice while acquiring the solid practical skills and confidence to use it. Unlike many books that privilege raw technical information or the line-producing aspects of production, Voice & Vision places creativity, visual expression, and cinematic ideas front and center. After all, every practical decision a filmmaker makes, like choosing a location, an actor, a film stock, a focal length, a lighting set-up, an edit point, or a sound effect is also an expressive one and should serve the filmmaker's vision. Every decision, from the largest conceptual choices to the smallest practical solutions, has a profound impact on what appears on the screen and how it moves an audience. "In Practice sidebars throughout Voice & Vision connect conceptual, aesthetic and technical issues to their application in the real world. Some provide a brief analysis of a scene or technique from easily rentable films which illustrate how a specific technology or process is used to support a conceptual, narrative, or aesthetic choice. Others recount common production challenges encountered on real student and professional shoots which will inspire you to be innovative and resourceful when you are solving your own filmmaking challenges.

Reflections

Reflections
Author: Benjamin Bergery
Release: 2002
Editor: A S C Holding Corporation
Pages: 268
ISBN: STANFORD:36105122964062
Language: en
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DESCRIPTION BOOK:

This book includes: case studies of film lighting by some of the world's leading cinematographers ; every chapter is illustrated with reproductions of 35mm film frames ; lighting diagrams accompany 35mm workprints from workshops ; chapters about 'Breathless', 'Fearless', 'Seven' and 'The last Emperor' are presented with frames from selected sequences ; seven sections are cinematography basics, the key light, portraits, day interiors, night interiors, lab techniques and the design of sequences ; technical and aesthetic aspects of cinematography. Wide ranging discussion with cinematographers begin with specific commentaries of the illustrated work and go onto include thoughts on lighting design and philosophy ; and cinematographers also talk candidly about the everyday aspects of cinematography, such as working with the director, scene design, managing time, set policies and other realities of the film business.