The Memory of Us
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|Author||: Camille Di Maio|
|Editor||: Lake Union Publishing|
Julianne Westcott was living the kind of life that other Protestant girls in prewar Liverpool could only dream about: old money, silk ball gowns, and prominent young men lining up to escort her. But when she learns of a blind-and-deaf brother, institutionalized since birth, the illusion of her perfect life and family shatters around her. While visiting her brother in secret, Julianne meets and befriends Kyle McCarthy, an Irish Catholic groundskeeper studying to become a priest. Caught between her family's expectations, Kyle's devotion to the church, and the intense new feelings that the forbidden courtship has awakened in her, Julianne must make a choice: uphold the life she's always known or follow the difficult path toward love. But as war ripples through the world and the Blitz decimates England, a tragic accident forces Julianne to leave everything behind and forge a new life built on lies she's told to protect the ones she loves. Now, after twenty years of hiding from her past, the truth finds her--will she be brave enough to face it?
|Author||: Claire Raye|
|Editor||: Claire Raye|
Twelve hours was all they spent together, but to them, it meant everything. Nora and Elliot’s meeting was predetermined. They both believed that wholeheartedly. It was fate. No last names, no identifying information, only an all-consuming need to be near each other and the belief in falling hopelessly in love with a stranger. But circumstances beyond their control separated them, and twelve years later they’re still searching. Apart, they’re broken and they won’t give up until they find each other. But what if they never do?
|Author||: Cheryl Lynn Duckworth|
While current literature stresses the importance of teaching about the 9/11 attacks on the US, many questions remain as to what teachers are actually teaching in their own classrooms. Few studies address how teachers are using of all of this advice and curriculum, what sorts of activities they are undertaking, and how they go about deciding what they will do. Arguing that the events of 9/11 have become a "chosen trauma" for the US, author Cheryl Duckworth investigates how 9/11 is being taught in classrooms (if at all) and what narrative is being passed on to today’s students about that day. Using quantitative and qualitative data gathered from US middle and high school teachers, this volume reflects on foreign policy developments and trends since September 11th, 2001 and analyzes what this might suggest for future trends in U.S. foreign policy. The understanding that the "post-9/11 generation" has of what happened and what it means is significant to how Americans will view foreign policy in the coming decades (especially in the Islamic World) and whether it is likely to generate war or foster peace.
|Author||: Lara Avery|
They tell me that my memory will never be the same, that I'll start forgetting things. At first just a little, and then a lot. So I'm writing to remember. Sammie McCoy is a girl with a plan: graduate at the top of her class and get out of her small town as soon as possible. Nothing will stand in her way--not even the rare genetic disorder the doctors say will slowly steal her memories and then her health. So the memory book is born: a journal written to Sammie's future self, so she can remember everything from where she stashed her study guides to just how great it feels to have a best friend again. It's where she'll record every perfect detail of her first date with longtime-crush Stuart, a gifted young writer home for the summer. And where she'll admit how much she's missed her childhood friend Cooper, and the ridiculous lengths he will go to make her laugh. The memory book will ensure Sammie never forgets the most important parts of her life--the people who have broken her heart, those who have mended it--and most of all, that if she's going to die, she's going to die living. This moving and remarkable novel introduces an inspiring character you're sure to remember, long after the last page.
|Author||: Sarah Sundin|
Landing in the army hospital after a plane crash, Major Jack Novak tries to win the heart of army nurse Lieutenant Ruth Doherty, but Jack soon realizes that he has his work cut out for him as he tries to break down her defenses. Original.
|Author||: Ron McLarty|
"Smithy is an American original, worthy of a place on the shelf just below your Hucks, your Holdens, your Yossarians." —Stephen King Every so often, a novel comes along that captures the public’s imagination with a story that sweeps readers up and takes them on a thrilling, unforgettable ride. Ron McLarty’s The Memory of Running is this decade’s novel. By all accounts, especially his own, Smithson "Smithy" Ide is a loser. An overweight, friendless, chain-smoking, forty-three-year-old drunk, Smithy’s life becomes completely unhinged when he loses his parents and long-lost sister within the span of one week. Rolling down the driveway of his parents’ house in Rhode Island on his old Raleigh bicycle to escape his grief, the emotionally bereft Smithy embarks on an epic, hilarious, luminous, and extraordinary journey of discovery and redemption.
|Author||: Gae Polisner|
|Editor||: St. Martin's Press|
"[A] gripping, emotional story set in the part of history we’ll never forget." - New York Daily News On the morning of September 11, 2001, sixteen-year-old Kyle Donohue watches the first twin tower come down from the window of Stuyvesant High School. Moments later, terrified and fleeing home to safety across the Brooklyn Bridge, he stumbles across a girl perched in the shadows, covered in ash, and wearing a pair of costume wings. With his mother and sister in California and unable to reach his father, a NYC detective likely on his way to the disaster, Kyle makes the split-second decision to bring the girl home. What follows is their story, told in alternating points of view, as Kyle tries to unravel the mystery of the girl so he can return her to her family. But what if the girl has forgotten everything, even her own name? And what if the more Kyle gets to know her, the less he wants her to go home? The Memory of Things tells a stunning story of friendship and first love and of carrying on with our day-to-day living in the midst of world-changing tragedy and unforgettable pain—it tells a story of hope.
|Author||: Yoko Ogawa|
Finalist for the International Booker Prize and the National Book Award A haunting Orwellian novel about the terrors of state surveillance, from the acclaimed author of The Housekeeper and the Professor. On an unnamed island, objects are disappearing: first hats, then ribbons, birds, roses. . . . Most of the inhabitants are oblivious to these changes, while those few able to recall the lost objects live in fear of the draconian Memory Police, who are committed to ensuring that what has disappeared remains forgotten. When a young writer discovers that her editor is in danger, she concocts a plan to hide him beneath her f loorboards, and together they cling to her writing as the last way of preserving the past. Powerful and provocative, The Memory Police is a stunning novel about the trauma of loss. ONE OF THE BEST BOOKS OF THE YEAR THE NEW YORK TIMES * THE WASHINGTON POST * TIME * CHICAGO TRIBUNE * THE GUARDIAN * ESQUIRE * THE DALLAS MORNING NEWS * FINANCIAL TIMES * LIBRARY JOURNAL * THE A.V. CLUB * KIRKUS REVIEWS * LITERARY HUB American Book Award winner
|Author||: Karl Sabbagh|
|Editor||: Oxford University Press|
In a number of highly-charged child abuse cases, teachers and parents have been wrongfully arrested because of claims of 'recovered memory'. But brain science is now discovering how memories can alter, or even be planted by leading questions. Sabbagh explains the latest findings, and argues that courts must be guided by them.
|Author||: Anthony Doerr|
|Editor||: Simon and Schuster|
In the wise and beautiful second collection from the acclaimed, Pulitzer Prize-winning #1 New York Times bestselling author of All the Light We Cannot See, and Cloud Cuckoo Land, "Doerr writes about the big questions, the imponderables, the major metaphysical dreads, and he does it fearlessly" (The New York Times Book Review). Set on four continents, Anthony Doerr's new stories are about memory, the source of meaning and coherence in our lives, the fragile thread that connects us to ourselves and to others. Every hour, says Doerr, all over the globe, an infinite number of memories disappear. Yet at the same time children, surveying territory that is entirely new to them, push back the darkness, form fresh memories, and remake the world. In the luminous and beautiful title story, a young boy in South Africa comes to possess an old woman's secret, a piece of the past with the power to redeem a life. In "The River Nemunas," a teenage orphan moves from Kansas to Lithuania to live with her grandfather, and discovers a world in which myth becomes real. "Village 113," winner of an O'Henry Prize, is about the building of the Three Gorges Dam and the seed keeper who guards the history of a village soon to be submerged. And in "Afterworld," the radiant, cathartic final story, a woman who escaped the Holocaust is haunted by visions of her childhood friends in Germany, yet finds solace in the tender ministrations of her grandson. Every story in Memory Wall is a reminder of the grandeur of life--of the mysterious beauty of seeds, of fossils, of sturgeon, of clouds, of radios, of leaves, of the breathtaking fortune of living in this universe. Doerr's language, his witness, his imagination, and his humanity are unparalleled in fiction today.
|Author||: Penelope J. Stokes|
|Editor||: W Publishing Group|
Longing for a sense of connectedness in spite of an adoring fiancé and impressive education, orphan Phoebe Lange discovers a family scrapbook dating back to the 1920s in which she discovers a terrible secret that triggers an identity crisis. Original.
|Author||: Petina Gappah|
|Editor||: Farrar, Straus and Giroux|
The story that you have asked me to tell you does not begin with the pitiful ugliness of Lloyd’s death. It begins on a long-ago day in August when the sun seared my blistered face and I was nine years old and my father and mother sold me to a strange man. Memory, the narrator of Petina Gappah’s The Book of Memory, is an albino woman languishing in Chikurubi Maximum Security Prison in Harare, Zimbabwe, after being sentenced for murder. As part of her appeal, her lawyer insists that she write down what happened as she remembers it. The death penalty is a mandatory sentence for murder, and Memory is, both literally and metaphorically, writing for her life. As her story unfolds, Memory reveals that she has been tried and convicted for the murder of Lloyd Hendricks, her adopted father. But who was Lloyd Hendricks? Why does Memory feel no remorse for his death? And did everything happen exactly as she remembers? Moving between the townships of the poor and the suburbs of the rich, and between past and present, the 2009 Guardian First Book Award–winning writer Petina Gappah weaves a compelling tale of love, obsession, the relentlessness of fate, and the treachery of memory.
|Author||: Aminatta Forna|
|Editor||: Open Road + Grove/Atlantic|
“[A] luminous tale of passion and betrayal” set in the post-colonial and civil war eras of Sierra Leone (The New York Times). Winner of the Commonwealth Writers’ Prize for Best Book As a decade of civil war and political unrest comes to a devastating close, three men must reconcile themselves to their own fate and the fate of their broken nation. For Elias Cole, this means reflecting on his time as a young scholar in 1969 and the affair that defined his life. For Adrian Lockheart, it means listening to Elias’s tale and following his own heart into a heated romance. For Elias’s doctor, Kai Mansaray, it’s desperately battling his nightmares by trying to heal his patients. As each man’s story becomes inexorably bound with the others’, they discover that they are connected not only by their shared heritage, pain, and shame, but also by one remarkable woman. The Memory of Love is a beautiful and ambitious exploration of the influence history can have on generations, and the shared cultural burdens that each of us inevitably face. “A soft-spoken story of brutality and endurance set in postwar Sierra Leone . . . Tragedy and its aftermath are affectingly, memorably evoked in this multistranded narrative from a significant talent.” —Kirkus Reviews
|Author||: Joanna Rowland|
|Editor||: Augsburg Fortress Publishers|
"I'm scared I'll forget you]]' From the perspective of a young child, Joanna Rowland artfully describes what it is like to remember and grieve a loved one who has died. The child in the story creates a memory box to keep mementos and written memories of the loved one, to help in the grieving process. Heartfelt and comforting, The Memory Box will help children and adults talk about this very difficult topic together. The unique point of view allows the reader to imagine the loss of any they have loved - a friend, family member, or even a pet. A parent guide in the back includes information on helping children manage the complex and difficult emotions they feel when they lose someone they love, as well as suggestions on how to create their own memory box.
|Author||: Lev Ac Rosen|
|Editor||: Knopf Books for Young Readers|
"Severkin is an elf who slinks through the shadows of Wellhall's spiraling stone towers, plundering ancient ruins and slaying mystical monstrosities with ease. He's also a character in a video game--a character that twelve-year-old Nick Reeves plays when he needs a break from the real world. And lately, Nick has really needed a break. His mother had an 'incident' at school last year, and her health has taken a turn for the worse"--Amazon.com.
|Author||: Lisa Genova|
NEW YORK TIMES BESTSELLER • A fascinating exploration of the intricacies of how we remember, why we forget, and what we can do to protect our memories, from the Harvard-trained neuroscientist and bestselling author of Still Alice. “Using her expertise as a neuroscientist and her gifts as a storyteller, Lisa Genova explains the nuances of human memory”—Steven Pinker, Johnstone Professor of Psychology, Harvard University, author of How the Mind Works Have you ever felt a crushing wave of panic when you can't for the life of you remember the name of that actor in the movie you saw last week, or you walk into a room only to forget why you went there in the first place? If you're over forty, you're probably not laughing. You might even be worried that these lapses in memory could be an early sign of Alzheimer's or dementia. In reality, for the vast majority of us, these examples of forgetting are completely normal. Why? Because while memory is amazing, it is far from perfect. Our brains aren't designed to remember every name we hear, plan we make, or day we experience. Just because your memory sometimes fails doesn't mean it's broken or succumbing to disease. Forgetting is actually part of being human. In Remember, neuroscientist and acclaimed novelist Lisa Genova delves into how memories are made and how we retrieve them. You'll learn whether forgotten memories are temporarily inaccessible or erased forever and why some memories are built to exist for only a few seconds (like a passcode) while others can last a lifetime (your wedding day). You'll come to appreciate the clear distinction between normal forgetting (where you parked your car) and forgetting due to Alzheimer's (that you own a car). And you'll see how memory is profoundly impacted by meaning, emotion, sleep, stress, and context. Once you understand the language of memory and how it functions, its incredible strengths and maddening weaknesses, its natural vulnerabilities and potential superpowers, you can both vastly improve your ability to remember and feel less rattled when you inevitably forget. You can set educated expectations for your memory, and in doing so, create a better relationship with it. You don't have to fear it anymore. And that can be life-changing.
|Author||: Stacey Lynn|
|Editor||: Montlake Romance|
After spending three weeks in a coma, Amy Thompson wakes up with no memory of the last two years. She remembers being a college student, but she can't recall when she graduated, why she traded in her Jimmy Choos for Doc Martens, or how she became estranged from her family. At her side is Adam, her handsome and affectionate boyfriend…but he might as well be a stranger. The doctors believe that Amy will regain her lost memories, either little by little or all at once. Meanwhile, pieces of her past return to her in her dreams. She sees Adam—or someone who resembles Adam—but this man is still very different from the one who stands before her. Now, Amy must sift through her memories to discover who she was before the coma, who she is now, who she wants to be…and whether Adam is really as trustworthy as he claims.
|Author||: Andrew Ford|
|Editor||: Black Inc.|
In this evocative and moving book, composer and broadcaster Andrew Ford shares the vivid musical experiences – good, bad and occasionally hilarious – that have shaped his life. Ford’s musical journey has traversed genres and continents, and his loves are broad and deep. The Memory of Music takes us from his childhood obsession with the Beatles to his passion for Beethoven, Brahms, Vaughan Williams, Stockhausen and Birtwistle, and to his work as a composer, choral conductor, concert promoter, critic, university teacher and radio presenter. The Memory of Music is more than a wonderful memoir – it also explores the nature and purpose of music: what it is, why it means so much to us and how it shapes our worlds. The result is a captivating work that will appeal to music lovers everywhere. ‘Andrew Ford’s wide-ranging musical autobiography is a pleasure to read. Accessible, informative and packed with anecdotes, it’s an excellent guide to the life of a composer: what it entails, what matters, and how and why it happened in the first place.’ —Steven Isserlis ‘I love discovering how people become who they are. Andrew Ford’s book took me into a new world: composition. His insight into how we talk about music and what it brings up for people is fascinating.’ —Julia Zemiro ‘Andrew Ford is one of the greatest music broadcasters around – and not just in Australia – yet The Memory of Music shows that he is much more than that. What is most striking is the extraordinary honesty in the way that he opens up how a composer really works and thinks, and the detail of a composer’s everyday concerns – the ways that real life impinges on the artistic process. Having spent a lifetime in music myself, this book rings more true than anything else I have read. It’s beautifully written, the prose flows effortlessly, and it’s from the heart.’ —Gavin Bryars