This volume contains the great works of fiction as well as the complete diaries and thus gives the reader considrable insight into the mind of this strange and powerful man.

The Trial is one of the central works of modern literature. This meticulous new translation includes the chapters Kafka left incomplete and is accompanied by a biographical preface, detailed introduction, chronology, bibliography and notes.

From its gripping first sentence onward, this novel exemplifies the term "Kafkaesque." Its darkly humorous narrative recounts a bank clerk's entrapment in a bureaucratic maze, based on an undisclosed charge.

This edition contains the English translation and the original text in German. "The Trial" (original German title: "Der Process", later "Der Prozess", "Der Proceß" and "Der Prozeß") is a novel written by Franz Kafka in 1914 and 1915 but not published until 1925. One of Kafka's best-known works, it tells the story of a man arrested and prosecuted by a remote, inaccessible authority, with the nature of his crime revealed neither to him nor the reader. Like Kafka's other novels, "The Trial" was never completed, although it does include a chapter which brings the story to an end. Because of this, there are some inconsistencies and discontinuities in narration within the novel, such as disparities in timing. After Kafka's death in 1924 his friend and literary executor Max Brod edited the text for publication by Verlag Die Schmiede. The original manuscript is held at the Museum of Modern Literature, Marbach am Neckar, Germany. In 1999, the book was listed in "Le Monde"'s 100 Books of the Century and as No. 2 of the Best German Novels of the Twentieth Century. "Der Process" (auch "Der Prozeß" oder "Der Proceß", Titel der Erstausgabe: "Der Prozess") ist neben "Der Verschollene" (auch unter dem Titel "Amerika" bekannt) und "Das Schloss" einer von drei unvollendeten und postum erschienenen Romanen von Franz Kafka.

In Cara Robertson’s “enthralling new book,” The Trial of Lizzie Borden, “the reader is to serve as judge and jury” (The New York Times). Based on twenty years of research and recently unearthed evidence, this true crime and legal history is the “definitive account to date of one of America’s most notorious and enduring murder mysteries” (Publishers Weekly, starred review). When Andrew and Abby Borden were brutally hacked to death in Fall River, Massachusetts, in August 1892, the arrest of the couple’s younger daughter Lizzie turned the case into international news and her murder trial into a spectacle unparalleled in American history. Reporters flocked to the scene. Well-known columnists took up conspicuous seats in the courtroom. The defendant was relentlessly scrutinized for signs of guilt or innocence. Everyone—rich and poor, suffragists and social conservatives, legal scholars and laypeople—had an opinion about Lizzie Borden’s guilt or innocence. Was she a cold-blooded murderess or an unjustly persecuted lady? Did she or didn’t she? An essential piece of American mythology, the popular fascination with the Borden murders has endured for more than one hundred years. Told and retold in every conceivable genre, the murders have secured a place in the American pantheon of mythic horror. In contrast, “Cara Robertson presents the story with the thoroughness one expects from an attorney…Fans of crime novels will love it” (Kirkus Reviews). Based on transcripts of the Borden legal proceedings, contemporary newspaper accounts, unpublished local accounts, and recently unearthed letters from Lizzie herself, The Trial of Lizzie Borden is “a fast-paced, page-turning read” (Booklist, starred review) that offers a window into America in the Gilded Age. This “remarkable” (Bustle) book “should be at the top of your reading list” (PopSugar).

Ulrich Hargenau testifies against fellow members of a German terrorist group in order to save himself and his wife, Paula, and contemplates the nature of his German heritage. The question How German Is It underlies the conduct and actions of the characters in Walter Abish's novel, an icy panorama of contemporary Germany, in which the tradition of order and obedience, the patrimony of the saber and the castle on the Rhine, give way to the present, indiscriminate fascination with all things American. On his return from Paris to his home city of Würtenburg, Ulrich Hargenau, whose father was executed for his involvement in the 1944 plot against Hitler, is compelled to ask himself, "How German am l?"––as he compares his own recent attempt to save his life, and his wife Paula's, by testifying against fellow members of a terrorist group, with his father's selfless heroism. Through Ulrich––privileged, upper class––we confront the incongruities of the new democratic Germany, in particular the flourishing community of Brumholdstein, named after the country's greatest thinker, Brumhold, and built on the former site of a concentration camp. Paula's participation in the destruction of a police station; the State's cynical response to crush the terrorists; two attempts on Ulrich's life; the discovery in Brumholdstein of a mass grave of death camp inmates––all these, with subtle irony, are presented as pieces of a puzzle spelling out the turmoil of a society's endeavor to avoid the implications of its menacing heritage.

The shocking story of the legal persecution of Wikileaks founder Julian Assange and the dangerous implications for the whistleblowers of the future. In July 2010, Wikileaks published Cablegate, one of the biggest leaks in the history of the US military, including evidence for war crimes and torture. In the aftermath Julian Assange, the founder and spokesman of Wikileaks, found himself at the center of a media storm, accused of hacking and later sexual assault. He spent the next seven years in asylum in the Ecuadorian embassy in London, fearful that he would be extradited to Sweden to face the accusations of assault and then sent to US. In 2019, Assange was handed over to the British police and, on the same day, the U.S. demanded his extradition. They threatened him with up to 175 years in prison for alleged espionage and computer fraud. At this point, Nils Melzer, UN Special Rapporteur on Torture, started his investigation into how the US and UK governments were working together to ensure a conviction. His findings are explosive, revealing that Assange has faced grave and systematic due process violations, judicial bias, collusion and manipulated evidence. He has been the victim of constant surveillance, defamation and threats. Melzer also gathered together consolidated medical evidence that proves that Assange has suffered prolonged psychological torture. Melzer’s compelling investigation puts the UK and US state into the dock, showing how, through secrecy, impunity and, crucially, public indifference, unchecked power reveals a deeply undemocratic system. Furthermore, the Assange case sets a dangerous precedent: once telling the truth becomes a crime, censorship and tyranny will inevitably follow. The Trial of Julian Assange is told in three parts: the first explores Nils Melzer’s own story about how he became involved in the case and why Assange’s case falls under his mandate as the Special Rapporteur on Torture. The second section returns to 2010 when Wikileaks released the largest leak in the history of the U.S. military, exposing war crimes and corruption, and Nils makes the case that Swedish authorities manipulated charges against Assange to force his extradition to the US and publicly discredit him. In the third section, the author returns to 2019 and picks up the case as Ecuador kicks Assange out of the embassy and lays out the case as it currently stands, as well as the stakes involved for other potential whistleblowers trying to serve the public interest.

For as long as accuser and accused have faced each other in public, criminal trials have been establishing far more than who did what to whom–and in this fascinating book, Sadakat Kadri surveys four thousand years of courtroom drama. A brilliantly engaging writer, Kadri journeys from the silence of ancient Egypt’s Hall of the Dead to the clamor of twenty-first-century Hollywood to show how emotion and fear have inspired Western notions of justice–and the extent to which they still riddle its trials today. He explains, for example, how the jury emerged in medieval England from trials by fire and water, in which validations of vengeance were presumed to be divinely supervised, and how delusions identical to those that once sent witches to the stake were revived as accusations of Satanic child abuse during the 1980s. Lifting the lid on a particularly bizarre niche of legal history, Kadri tells how European lawyers once prosecuted animals, objects, and corpses–and argues that the same instinctive urge to punish is still apparent when a child or mentally ill defendant is accused of sufficiently heinous crimes. But Kadri’s history is about aspiration as well as ignorance. He shows how principles such as the right to silence and the right to confront witnesses, hallmarks of due process guaranteed by the U.S. Constitution, were derived from the Bible by twelfth-century monks. He tells of show trials from Tudor England to Stalin’s Soviet Union, but contends that “no-trials,” in Guantánamo Bay and elsewhere, are just as repugnant to Western traditions of justice and fairness. With governments everywhere eroding legal protections in the name of an indefinite war on terror, Kadri’s analysis could hardly be timelier. At once encyclopedic and entertaining, comprehensive and colorful, The Trial rewards curiosity and an appreciation of the absurd but tackles as well questions that are profound. Who has the right to judge, and why? What did past civilizations hope to achieve through scapegoats and sacrifices–and to what extent are defendants still made to bear the sins of society at large? Kadri addresses such themes through scores of meticulously researched stories, all told with the verve and wit that won him one of Britain’s most prestigious travel-writing awards–and in doing so, he has created a masterpiece of popular history.

Calling upon personal testimony and documents released under the Freedom of Information Act, chronicles the life of Henry Kissinger, linking him to events including the war in Indochina and genocide in East Timor.

"I'm not on trial. San Francisco is." An accused murderer called Kingfisher is about to go on trial for his life. Or is he? By unleashing unexpected violence on the lawyers, jurors, and police involved in the case, he has paralyzed the city. Detective Lindsay Boxer and the Women's Murder Club are caught in the eye of the storm. Now comes a courtroom shocker you will never see coming. BookShots LIGHTNING-FAST STORIES BY JAMES PATTERSON Novels you can devour in a few hours Impossible to stop reading All original content from James Patterson

Imagine you are Bruno Richard Hauptmann, accused of murdering the son of the most famous man in America. In a compelling, immediate voice, 12-year-old Katie Leigh Flynn takes us inside the courtroom of the most widely publicized criminal case of the 20th century: the kidnapping and murder of Charles Lindbergh’s baby son. And in doing so, she reveals the real-life figures of the trial—the accused, the lawyers, the grieving parents—and the many faces of justice.

The mystery of Lizzie Borden has captivated the public as perhaps one of the most celebrated cases in our American justice system. Comparisons can be made to more modern-day trials, such as the O.J. Simpson trial, or the trails of Jodie Arias, Casey Anthony, and Susan Smith,which kept us riveted to our television screens to watch the gavel to gavel coverage of these sensational trials. Presented here for the first time in dialog form, are the full transcripts of the principal individuals, Bridget Sullivan, the servant, Emma Borden, Lizzie’s sister, those first on the scene – Mrs. Churchill, the neighbor, the police officers, and others who testified in the “Trial of the Century”. By close examination of the testimonies new light may now be shed on what the jurors heard and a better understanding of how they came to their not guilty verdict. Did Lizzie Borden commit the murders? Examine all of the evidence and arrive at your own conclusion.

Containing the arguments of counsel, the opinion of the court, and Mr. Rowan's address to the court, at full.

Combines classical scholarship with techniques of modern investigative journalism in an attempt to unravel the mystery behind the trial and conviction of Athens' most prominent philosopher

A lawyer ready to die takes one final case...the trial of his life. Attorney Kent "Mac" MacClain has nothing left to live for. Nine years after the horrific accident that claimed the life of his wife and two sons, he's finally given up. His empty house is a mirror for his empty soul, it seems suicide is his only escape. And then the phone rings. Angela Hightower, the beautiful heiress and daughter of the most powerful man in Dennison Springs, has been found dead at the bottom of a ravine. The accused killer, Peter Thomason, needs a lawyer. But Mac has come up against the Hightowers and their ruthless, high-powered lawyers before -- an encounter that left his practice and reputation reeling. The evidence pointing to Thomason's guilt seems insurmountable. Is Mac defending an ingenious psychopath, or has Thomason been framed--possibly by a member of the victim's family? It comes down to one last trial. For Thomason, the opponent is the electric chair. For Mac, it is his own tormented past--a foe that will prove every bit as deadly.