Understanding Movies

Understanding Movies
Author: Louis D. Giannetti
Release: 1999
Editor: Unknown
Pages: 529
ISBN: 0136465633
Language: en
Available for:

DESCRIPTION BOOK:

An introduction to the art of the film, emphasizing an aesthetic approach. Objective is to teach any student how to analyze any film by using the various analytical methods outlined in the book.

Understanding Movies

Understanding Movies
Author: Louis D. Giannetti
Release: 1976
Editor: Unknown
Pages: 492
ISBN: MINN:31951001847807G
Language: en
Available for:

DESCRIPTION BOOK:

Film Study

Film Study
Author: Frank Manchel
Release: 1990
Editor: Fairleigh Dickinson Univ Press
Pages: 988
ISBN: 083863186X
Language: en
Available for:

DESCRIPTION BOOK:

The four volumes of Film Study include a fresh approach to each of the basic categories in the original edition. Volume one examines the film as film; volume two focuses on the thematic approach to film; volume three draws on the history of film; and volume four contains extensive appendices listing film distributors, sources, and historical information as well as an index of authors, titles, and film personalities.

Feminism at the Movies

Feminism at the Movies
Author: Hilary Radner,Rebecca Stringer
Release: 2012-03-22
Editor: Routledge
Pages: 320
ISBN: 9781136519123
Language: en
Available for:

DESCRIPTION BOOK:

Feminism at the Movies: Understanding Gender in Contemporary Popular Cinema examines the way that contemporary film reflects today’s changing gender roles. The book offers a comprehensive overview of the central issues in feminist film criticism with analyses of over twenty popular contemporary films across a range of genres, such as chick flicks, teen pics, hommecoms, horror, action adventure, indie flicks, and women lawyer films. Contributors explore issues of femininity as well as masculinity, reflecting on the interface of popular cinema with gendered realities and feminist ideas. Topics include the gendered political economy of cinema, the female director as auteur, postfeminist fatherhood, consumer culture, depictions of professional women, transgender, sexuality, gendered violence, and the intersections of gender, race, and ethnic identities. The volume contains essays by following contributors: Taunya Lovell Banks, Heather Brook, Mridula Nath Chakraborty, Michael DeAngelis, Barry Keith Grant, Kelly Kessler, Hannah Hamad, Christina Lane (with Nicole Richter), JaneMaree Maher, David Hansen-Miller (with Rosalind Gill), Gary Needham, Sarah Projansky, Hilary Radner, Rob Schaap, Yael D Sherman, Michele Shreiber, Janet Staiger, Peter Stapleton, Rebecca Stringer, Yvonne Tasker, and Ewa Ziarek.

Understanding Cinema

Understanding Cinema
Author: Per Persson
Release: 2003-07-28
Editor: Cambridge University Press
Pages: 281
ISBN: 9780521813280
Language: en
Available for:

DESCRIPTION BOOK:

Understanding Cinema, first published in 2003, analyzes the moving imagery of film and television from a psychological perspective. Per Persson argues that spectators perceive, think, apply knowledge, infer, interpret, feel and make use of knowledge, assumptions, expectations and prejudices when viewing and making sense of film. Drawing psychology and anthropology, he explains how close-ups, editing conventions, character psychology and other cinematic techniques work, and how and why they affect the spectator. This study integrates psychological and culturalist approaches to meanings and reception. Anchoring the discussion in concrete examples from early and contemporary cinema, Understanding Cinema also analyzes the design of cinema conventions and their stylistic transformations through the evolution of film.

Understanding Korean Film

Understanding Korean Film
Author: Jieun Kiaer,Loli Kim
Release: 2021-11-01
Editor: Routledge
Pages: 248
ISBN: 9781000476620
Language: en
Available for:

DESCRIPTION BOOK:

Film viewing presents a unique situation in which the film viewer is unwittingly placed in the role of a multimodal translator, finding themselves entirely responsible for interpreting multifaceted meanings at the mercy of their own semiotic repertoire. Yet, researchers have made little attempt, as they have for literary texts, to explain the gap in translation when it comes to multimodality. It is no wonder then that, in an era of informed consumerism, film viewers have been trying to develop their own toolboxes for the tasks that they are faced with when viewing foreign language films by sharing information online. This is particularly the case with South Korean film, which has drawn the interest of foreign viewers who want to understand these untranslatable meanings and even go as far as learning the Korean language to do so. Understanding Korean Film: A Cross-Cultural Perspective breaks this long-awaited ground, by explaining the meaning potential of a selection of common Korean verbal and non-verbal expressions in a range of contexts in South Korean film that are often untranslatable for English-speaking Western viewers. Through the selection of expressions provided in the text, readers become familiar with a system that can be extended more generally to understanding expressions in South Korean films. Formal analyses are presented in the form of in-depth discursive deconstructions of verbal and non-verbal expressions within the context of South Korea’s Confucian traditions. Our case studies thus illustrate, in a more systematic way, how various meaning potential can be inferred in particular narrative contexts.

Understanding Indian Movies

Understanding Indian Movies
Author: Patrick Colm Hogan
Release: 2009-06-03
Editor: University of Texas Press
Pages: 305
ISBN: 9780292779556
Language: en
Available for:

DESCRIPTION BOOK:

Indian movies are among the most popular in the world. However, despite increased availability and study, these films remain misunderstood and underappreciated in much of the English-speaking world, in part for cultural reasons. In this book, Patrick Colm Hogan sets out through close analysis and explication of culturally particular information about Indian history, Hindu metaphysics, Islamic spirituality, Sanskrit aesthetics, and other Indian traditions to provide necessary cultural contexts for understanding Indian films. Hogan analyzes eleven important films, using them as the focus to explore the topics of plot, theme, emotion, sound, and visual style in Indian cinema. These films draw on a wide range of South Asian cultural traditions and are representative of the greater whole of Indian cinema. By learning to interpret these examples with the tools Hogan provides, the reader will be able to take these skills and apply them to other Indian films. But this study is not simply culturalist. Hogan also takes up key principles from cognitive neuroscience to illustrate that all cultures share perceptual, cognitive, and emotional elements that, when properly interpreted, can help to bridge gaps between seemingly disparate societies. Hogan locates the specificity of Indian culture in relation to human universals, and illustrates this cultural-cognitive synthesis through his detailed interpretations of these films. This book will help both scholars and general readers to better understand and appreciate Indian cinema.

Latin American History Goes to the Movies

Latin American History Goes to the Movies
Author: Stewart Brewer
Release: 2015-09-25
Editor: Routledge
Pages: 166
ISBN: 9781317413479
Language: en
Available for:

DESCRIPTION BOOK:

Latin American History Goes to the Movies combines the study of the rich history of Latin America with the medium of feature film. In this concise and accessible book, author Stewart Brewer helps readers understand key themes and issues in Latin American history, from pre-Columbian times to the present, by examining how they have been treated in a variety of films. Moving chronologically across Latin American history, and pairing historical background with explorations of selected films, the chapters cover vital topics including the Spanish conquest and colonialism, revolution, religion, women, U.S.-Latin American relations, and more. Through films such as City of God, Frida, and Che, Brewer shows how history is retold, and what that retelling means for public memory. From Apocalypto to Selena, and from Christopher Columbus to the slave trade, Latin American History Goes to the Movies sets the record straight between the realities of history and cinematic depictions, and gives readers a solid foundation for using film to understand the complexities of Latin America’s rich and vibrant history.

Understanding Movies

Understanding Movies
Author: Louis D. Giannetti,Jim Leach
Release: 2005
Editor: Pearson Prentice Hall
Pages: 448
ISBN: 0131218875
Language: en
Available for:

DESCRIPTION BOOK:

Media Studies Content audiences and production

Media Studies  Content  audiences  and production
Author: Pieter Jacobus Fourie
Release: 2001
Editor: Juta and Company Ltd
Pages: 588
ISBN: 0702156566
Language: en
Available for:

DESCRIPTION BOOK:

This book includes theoretical approaches as well as a production section that focuses on basic techniques and introductory applications of media studies.

Producing and Directing the Short Film and Video

Producing and Directing the Short Film and Video
Author: David K. Irving,Peter W. Rea
Release: 2013-03-20
Editor: CRC Press
Pages: 456
ISBN: 9781136048340
Language: en
Available for:

DESCRIPTION BOOK:

Producing and Directing the Short Film and Video is the definitive book on the subject for beginning filmmakers and students. The book clearly illustrates all of the steps involved in preproduction, production, postproduction, and distribution. Its unique two-fold approach looks at filmmaking from the perspectives of both producer and director, and explains how their separate energies must combine to create a successful short film or video, from script to final product. This guide offers extensive examples from award-winning shorts and includes insightful quotes from the filmmakers themselves describing the problems they encountered and how they solved them. The companion website contains useful forms and information on grants and financing sources, distributors, film and video festivals, film schools, internet sources for short works, and professional associations.

Understanding Digital Cinema

Understanding Digital Cinema
Author: Charles S. Swartz
Release: 2005
Editor: Taylor & Francis
Pages: 327
ISBN: 9780240806174
Language: en
Available for:

DESCRIPTION BOOK:

* An overview of digital cinema system requirements * Post production work flow * Color in digital cinema * The digital cinema mastering process * Fundamentals of compression * Security * Basics of audio * Digital distribution * Digital projection technology * Theater systems * The international perspective: Views from Europe, Asia and Latin America * A realistic assessment of the future of digital cinema With contributions by: Richard Crudo, President, American Society of Cinematographers Leon Silverman, Executive Vice President, Laser Pacific Media Corporation Charles Poynton, Color Scientist Chris Carey, Senior Vice President, Studio New Technology, The Walt Disney Studios Bob Lambert, Corporate Senior Vice President New Technology & New Media, The Walt Disney Company Bill Kinder, Pixar Animation Studios Glenn Kennel, DLP Cinema Peter Symes, Manager, Advanced Technology, Thomson Broadcast & Media Solutions Robert Schumann, President, Cinea, Inc., -

Machiavelli Goes to the Movies

Machiavelli Goes to the Movies
Author: Eric T. Kasper,Troy Kozma
Release: 2015-03-24
Editor: Lexington Books
Pages: 216
ISBN: 9780739195956
Language: en
Available for:

DESCRIPTION BOOK:

Niccolò Machiavelli’s The Prince remains an influential book more than five centuries after he wrote his timeless classic. However, the political philosophy expressed by Machiavelli in his tome is often misunderstood. Although he thought humans to be rational, self-interested creatures, and even though he proposed an approach to politics in which the ends justify the means, Machiavelli was not, as some have argued, simply “a teacher of evil.” The Prince’s many ancient and medieval examples, while relevant to sixteenth century readers, are lost on most of today’s students of Machiavelli. Examples from modern films and television programs, which are more familiar and understandable to contemporary readers, provide a better way to accurately teach Machiavelli’s lessons. Indeed, modern media, such as Breaking Bad, The Godfather, The Walking Dead, Charlie Wilson’s War, House of Cards, Argo, and The Departed, are replete with illustrations that teach Machiavelli’s critical principles, including the need to caress or annihilate, learning “how not to be good,” why it is better to be feared than loved, and how to act as both the lion and the fox. Modern media are used in this book to exemplify the tactics Machiavelli advocated and to comprehensively demonstrate that Machiavelli intended for government actors and those exercising power in other contexts to fight for a greater good and strive to achieve glory.

Rethinking the Novel Film Debate

Rethinking the Novel Film Debate
Author: Kamilla Elliott
Release: 2003-08-07
Editor: Cambridge University Press
Pages: 302
ISBN: 0521818443
Language: en
Available for:

DESCRIPTION BOOK:

Sample Text

Dreams on Film

Dreams on Film
Author: Leslie Halpern
Release: 2010-06-28
Editor: McFarland
Pages: 216
ISBN: 0786480769
Language: en
Available for:

DESCRIPTION BOOK:

Films with dream sequences, or a dreamlike quality, allow directors to create their own rules of logic and nature to meet a variety of artistic needs. For instance, an opening dream immediately establishes what a character is feeling; a later dream--or series of them--provides viewers with a glimpse of the climax, and a concluding dream ties up loose ends. (In real life, of course, dreams do not occur at such convenient times or serve such useful purposes.) This book explores why science is lost or distorted in the process of representing dreams on film and why audiences prefer this figurative truth of art over the literal truth of science. Part One discusses changes in form and considers the history of dream theory. Additionally, the physiology of sleeping and dreaming, dream structure, sleep deprivation, dreams under the influence of drugs or alcohol, and waking up, as depicted on film, are examined. Part Two investigates changes in content, and delves into the psychology of sleeping and dreaming, dream interpretation, altered states of consciousness, visions and prophecies, dreams as wish fulfillment, sex and death, nightmares, and reality versus illusion. The author uses theories by Freud, Jung, and current experts in her analyses of dream sequences and their use in film.

Film Comedy and Disability

Film  Comedy  and Disability
Author: Alison Wilde
Release: 2018-09-09
Editor: Routledge
Pages: 196
ISBN: 9781317135241
Language: en
Available for:

DESCRIPTION BOOK:

Comedy and humour have frequently played a key role in disabled people’s lives, for better or for worse. Comedy has also played a crucial part in constructing cultural representations of disability and impairments, contributing to the formation and maintenance of cultural attitudes towards disabled people, and potentially shaping disabled people’s images of themselves. As a complex and often polysemic form of communication, there is a need for greater understanding of the way we make meanings from comedy. This is the first book which explores the specific role of comedic film genres in representations of disability and impairment. Wilde argues that there is a need to explore different ways to synthesise Critical/Disability Studies with Film Studies approaches, and that a better understanding of genre conventions is necessary if we are to understand the conditions of possibility for new representational forms and challenges to ableism. After a discussion of the possibilities of a ‘fusion’ between Disability Studies and Film Studies, and a consideration of the relationships of comedy to disability, Wilde undertakes analysis of contemporary films from the romantic comedy, satire, and gross-out genres. Analysis is focused upon the place of disabled and non-disabled people in particular films, considering visual, audio, and narrative dimensions of representation and the ways they might shape the expectations of film audiences. This book is of particular value to those in Film and Media Studies, and Critical/Disability Studies, especially for those who are investigating more inclusive practices in cultural representation.

Understanding Movies the Art and History of Films

Understanding Movies  the Art and History of Films
Author: Raphael Shargel
Release: 2008-10-20
Editor: Unknown
Pages: 329
ISBN: 1436141672
Language: en
Available for:

DESCRIPTION BOOK:

Understanding Movies: The Art and History of Films

Understanding Rainer Werner Fassbinder

Understanding Rainer Werner Fassbinder
Author: Wallace Steadman Watson
Release: 1996
Editor: Univ of South Carolina Press
Pages: 341
ISBN: 1570030790
Language: en
Available for:

DESCRIPTION BOOK:

Watson's draws on a wide assortment of Fassbinder interviews--many of which are not available in English--and on theoretical and critical approaches employed in the Frankfurt School, performance and reception theories, gay and lesbian film theory, and studies of melodrama and camp. Watson also incorporates his own interviews with Fassbinder's mother and with the woman who served as Fassbinder's film editor and companion during the final four years of his life. A comprehensive, balanced study, 'Understanding Rainer Werner Fassbinder' also features an annotated bibliography, extensive notes, a filmography of Fassbinder's works, and a listing of films and television programs that examine Fassbinder and his achievements."--Back cover.

Understanding Film Texts

Understanding Film Texts
Author: Patrick Phillips
Release: 2000
Editor: British Film Inst
Pages: 158
ISBN: STANFORD:36105110153728
Language: en
Available for:

DESCRIPTION BOOK:

No Marketing Blurb

From Walt to Woodstock

From Walt to Woodstock
Author: Douglas Brode
Release: 2014-05-02
Editor: University of Texas Press
Pages: 286
ISBN: 9780292768079
Language: en
Available for:

DESCRIPTION BOOK:

With his thumbprint on the most ubiquitous films of childhood, Walt Disney is widely considered to be the most conventional of all major American moviemakers. The adjective "Disneyfied" has become shorthand for a creative work that has abandoned any controversial or substantial content to find commercial success. But does Disney deserve that reputation? Douglas Brode overturns the idea of Disney as a middlebrow filmmaker by detailing how Disney movies played a key role in transforming children of the Eisenhower era into the radical youth of the Age of Aquarius. Using close readings of Disney projects, Brode shows that Disney's films were frequently ahead of their time thematically. Long before the cultural tumult of the sixties, Disney films preached pacifism, introduced a generation to the notion of feminism, offered the screen's first drug-trip imagery, encouraged young people to become runaways, insisted on the need for integration, advanced the notion of a sexual revolution, created the concept of multiculturalism, called for a return to nature, nourished the cult of the righteous outlaw, justified violent radicalism in defense of individual rights, argued in favor of communal living, and encouraged antiauthoritarian attitudes. Brode argues that Disney, more than any other influence in popular culture, should be considered the primary creator of the sixties counterculture—a reality that couldn't be further from his "conventional" reputation.